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X-WR-CALNAME:Emily Pogorelc
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X-WR-CALDESC:Events for Emily Pogorelc
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221104T200000
DTEND;TZID=UTC:20221104T200000
DTSTAMP:20260411T021549
CREATED:20221001T151649Z
LAST-MODIFIED:20221001T151756Z
UID:2036-1667592000-1667592000@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T150000
DTEND;TZID=UTC:20221105T150000
DTSTAMP:20260411T021549
CREATED:20221001T151955Z
LAST-MODIFIED:20221001T151955Z
UID:2042-1667660400-1667660400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-2/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T200000
DTEND;TZID=UTC:20221105T200000
DTSTAMP:20260411T021549
CREATED:20221001T152247Z
LAST-MODIFIED:20221001T152247Z
UID:2044-1667678400-1667678400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-3/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221106T140000
DTEND;TZID=UTC:20221106T140000
DTSTAMP:20260411T021549
CREATED:20221001T152241Z
LAST-MODIFIED:20221001T152241Z
UID:2045-1667743200-1667743200@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-4/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221117T200000
DTEND;TZID=UTC:20221117T200000
DTSTAMP:20260411T021549
CREATED:20220928T164327Z
LAST-MODIFIED:20220928T164515Z
UID:2021-1668715200-1668715200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221120T180000
DTEND;TZID=UTC:20221120T180000
DTSTAMP:20260411T021549
CREATED:20220928T165025Z
LAST-MODIFIED:20220928T165025Z
UID:2029-1668967200-1668967200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221123T200000
DTEND;TZID=UTC:20221123T200000
DTSTAMP:20260411T021549
CREATED:20220928T165314Z
LAST-MODIFIED:20220928T165314Z
UID:2031-1669233600-1669233600@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221130T190000
DTEND;TZID=UTC:20221130T190000
DTSTAMP:20260411T021549
CREATED:20221001T153955Z
LAST-MODIFIED:20221001T153955Z
UID:2052-1669834800-1669834800@www.emilypogorelc.com
SUMMARY:Pamina in Die Zauberflöte
DESCRIPTION:Conductor: Gianluca Capuano \nDirector: August Everding \nNeueinstudierung: Helmut Lehberger \nBayerisches Staatsorchester \n  \nTamino: Jonas Hacker \nPamina: Emily Pogorelc \nPapageno: Konstantin Krimmel \nSarastro: Tareq Nazmi \nKönigin der Nacht: Olga Pudova \nSprecher: Milan Siljanov \nErste Dame: Eliza Boom \nZweite Dame: Daria Proszek \nDritte Dame: Lindsay Ammann \nPapagena: Jasmin Delfs \nMonostatos: Kevin Conners \nErster Geharnischter: Evan LeRoy Johnson \nZweiter Geharnischter: Alexander Köpeczi
URL:https://www.emilypogorelc.com/schedule/pamina-in-die-zauberflote-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/Mozart_magic_flute.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
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