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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220610
DTSTAMP:20260411T225935
CREATED:20210830T095132Z
LAST-MODIFIED:20210830T095132Z
UID:1917-1654732800-1654819199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-7/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220612
DTEND;VALUE=DATE:20220613
DTSTAMP:20260411T225935
CREATED:20210830T095142Z
LAST-MODIFIED:20210830T095142Z
UID:1918-1654992000-1655078399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-8/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220617
DTEND;VALUE=DATE:20220618
DTSTAMP:20260411T225935
CREATED:20210830T095238Z
LAST-MODIFIED:20210830T095238Z
UID:1919-1655424000-1655510399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-9/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220619
DTEND;VALUE=DATE:20220620
DTSTAMP:20260411T225935
CREATED:20210830T095306Z
LAST-MODIFIED:20210830T095306Z
UID:1920-1655596800-1655683199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-10/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220623
DTEND;VALUE=DATE:20220624
DTSTAMP:20260411T225935
CREATED:20210830T095345Z
LAST-MODIFIED:20210830T095345Z
UID:1921-1655942400-1656028799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-11/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220626
DTEND;VALUE=DATE:20220627
DTSTAMP:20260411T225935
CREATED:20210830T095503Z
LAST-MODIFIED:20210830T095503Z
UID:1922-1656201600-1656287999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-12/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220630
DTEND;VALUE=DATE:20220701
DTSTAMP:20260411T225935
CREATED:20210830T095556Z
LAST-MODIFIED:20210830T095556Z
UID:1923-1656547200-1656633599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-13/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220709T190000
DTEND;TZID=UTC:20220709T190000
DTSTAMP:20260411T225935
CREATED:20210830T093250Z
LAST-MODIFIED:20210830T093250Z
UID:1899-1657393200-1657393200@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes [Festspiele Production]
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-festspiele-production-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220712T190000
DTEND;TZID=UTC:20220712T190000
DTSTAMP:20260411T225935
CREATED:20210830T093234Z
LAST-MODIFIED:20210830T093234Z
UID:1898-1657652400-1657652400@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes [Festspiele Production]
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-festspiele-production/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220716T193000
DTEND;TZID=UTC:20220716T193000
DTSTAMP:20260411T225935
CREATED:20220516T143412Z
LAST-MODIFIED:20220516T143412Z
UID:1974-1657999800-1657999800@www.emilypogorelc.com
SUMMARY:Concert with Rolando Villazón and the Württembergische Philharmonie Reutlingen
DESCRIPTION:
URL:https://www.emilypogorelc.com/schedule/concert-with-rolando-villazon-and-the-wurttembergische-philharmonie-reutlingen/
LOCATION:Dreiländerhalle\, Dr.-Emil-Brichta-Straße 11\, Passau\, 94036\, Germany
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221104T200000
DTEND;TZID=UTC:20221104T200000
DTSTAMP:20260411T225935
CREATED:20221001T151649Z
LAST-MODIFIED:20221001T151756Z
UID:2036-1667592000-1667592000@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T150000
DTEND;TZID=UTC:20221105T150000
DTSTAMP:20260411T225935
CREATED:20221001T151955Z
LAST-MODIFIED:20221001T151955Z
UID:2042-1667660400-1667660400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-2/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T200000
DTEND;TZID=UTC:20221105T200000
DTSTAMP:20260411T225935
CREATED:20221001T152247Z
LAST-MODIFIED:20221001T152247Z
UID:2044-1667678400-1667678400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-3/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221106T140000
DTEND;TZID=UTC:20221106T140000
DTSTAMP:20260411T225935
CREATED:20221001T152241Z
LAST-MODIFIED:20221001T152241Z
UID:2045-1667743200-1667743200@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-4/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221117T200000
DTEND;TZID=UTC:20221117T200000
DTSTAMP:20260411T225935
CREATED:20220928T164327Z
LAST-MODIFIED:20220928T164515Z
UID:2021-1668715200-1668715200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221120T180000
DTEND;TZID=UTC:20221120T180000
DTSTAMP:20260411T225935
CREATED:20220928T165025Z
LAST-MODIFIED:20220928T165025Z
UID:2029-1668967200-1668967200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221123T200000
DTEND;TZID=UTC:20221123T200000
DTSTAMP:20260411T225935
CREATED:20220928T165314Z
LAST-MODIFIED:20220928T165314Z
UID:2031-1669233600-1669233600@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221130T190000
DTEND;TZID=UTC:20221130T190000
DTSTAMP:20260411T225935
CREATED:20221001T153955Z
LAST-MODIFIED:20221001T153955Z
UID:2052-1669834800-1669834800@www.emilypogorelc.com
SUMMARY:Pamina in Die Zauberflöte
DESCRIPTION:Conductor: Gianluca Capuano \nDirector: August Everding \nNeueinstudierung: Helmut Lehberger \nBayerisches Staatsorchester \n  \nTamino: Jonas Hacker \nPamina: Emily Pogorelc \nPapageno: Konstantin Krimmel \nSarastro: Tareq Nazmi \nKönigin der Nacht: Olga Pudova \nSprecher: Milan Siljanov \nErste Dame: Eliza Boom \nZweite Dame: Daria Proszek \nDritte Dame: Lindsay Ammann \nPapagena: Jasmin Delfs \nMonostatos: Kevin Conners \nErster Geharnischter: Evan LeRoy Johnson \nZweiter Geharnischter: Alexander Köpeczi
URL:https://www.emilypogorelc.com/schedule/pamina-in-die-zauberflote-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/Mozart_magic_flute.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221202T190000
DTEND;TZID=UTC:20221202T190000
DTSTAMP:20260411T225935
CREATED:20221001T154559Z
LAST-MODIFIED:20221001T154559Z
UID:2054-1670007600-1670007600@www.emilypogorelc.com
SUMMARY:Pamina in Die Zauberflöte
DESCRIPTION:Conductor: Gianluca Capuano \nDirector: August Everding \nNeueinstudierung: Helmut Lehberger \nBayerisches Staatsorchester \n  \nTamino: Jonas Hacker \nPamina: Emily Pogorelc \nPapageno: Konstantin Krimmel \nSarastro: Tareq Nazmi \nKönigin der Nacht: Olga Pudova \nSprecher: Milan Siljanov \nErste Dame: Eliza Boom \nZweite Dame: Daria Proszek \nDritte Dame: Lindsay Ammann \nPapagena: Jasmin Delfs \nMonostatos: Kevin Conners \nErster Geharnischter: Evan LeRoy Johnson \nZweiter Geharnischter: Alexander Köpeczi
URL:https://www.emilypogorelc.com/schedule/pamina-in-die-zauberfloete/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/Mozart_magic_flute.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221204T190000
DTEND;TZID=UTC:20221204T190000
DTSTAMP:20260411T225935
CREATED:20221001T154750Z
LAST-MODIFIED:20221001T154848Z
UID:2057-1670180400-1670180400@www.emilypogorelc.com
SUMMARY:Pamina in Die Zauberflöte
DESCRIPTION:Conductor: Gianluca Capuano \nDirector: August Everding \nNeueinstudierung: Helmut Lehberger \nBayerisches Staatsorchester \n  \nTamino: Jonas Hacker \nPamina: Emily Pogorelc \nPapageno: Konstantin Krimmel \nSarastro: Tareq Nazmi \nKönigin der Nacht: Olga Pudova \nSprecher: Milan Siljanov \nErste Dame: Eliza Boom \nZweite Dame: Daria Proszek \nDritte Dame: Lindsay Ammann \nPapagena: Jasmin Delfs \nMonostatos: Kevin Conners \nErster Geharnischter: Evan LeRoy Johnson \nZweiter Geharnischter: Alexander Köpeczi
URL:https://www.emilypogorelc.com/schedule/pamina-in-die-zauberflote-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/Mozart_magic_flute.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221210T110000
DTEND;TZID=UTC:20221210T110000
DTSTAMP:20260411T225935
CREATED:20221108T141258Z
LAST-MODIFIED:20221108T142056Z
UID:2068-1670670000-1670670000@www.emilypogorelc.com
SUMMARY:Gretel in Hänsel und Gretel
DESCRIPTION:Fairy Tale Opera in Three Acts\nComposer: Engelbert Humperdinck · Libretto: Adelheid Wette\nIn German with English and German surtitles \nBESETZUNG:\nMusikalische Leitung (Conductor): Titus Engel\nInszenierung (Director): Richard Jones \nPeter\, Besenbinder: Milan Siljanov\nGertrud: Lindsey Ammann\nHänsel: Daria Proszek\nGretel: Emily Pogorelc\nDie Knusperhexe: Kevin Conners\nSandmännchen: Xenia Puskarz Thomas\nTaumännchen: Elmira Karakhanova \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOhänsel \nAbout Hänsel und Gretel:\nSince its first performance in 1893\, Humperdinck’s most famous opera Hansel and Gretel has remained constantly popular\, becoming over the generations almost synonymous with the first family visit to the opera. “Brother come and dance with me!“ – “Susie\, dear Susie” – a dancing brother and sister\, the Dew Fairy and the Sandman\, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship\, hunger and the desire for abundance with a clear moral: “When the need is greatest\, God the Lord puts out His hand!“ \nAnd\, in Richard Jones’ opulent\, brilliant setting\, it’s a real must!
URL:https://www.emilypogorelc.com/schedule/gretel-in-hansel-und-gretel-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2015/04/5M1A8151.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221227T193000
DTEND;TZID=UTC:20221227T193000
DTSTAMP:20260411T225935
CREATED:20221121T145545Z
LAST-MODIFIED:20221121T145545Z
UID:2097-1672169400-1672169400@www.emilypogorelc.com
SUMMARY:Opera Gala Concert in Ljubljana\, Slovenia
DESCRIPTION:Gala Concert at Cankarjev dom \nEmily Pogorelc\, Soprano \nJaka Mihelač\, baritone \nConductor: Simon Krečič \nSymphony Orchestra of the Slovenian National Theatre Maribor \n\n\n\n\n\n\n\n\n\n\n\nProgramme: G. Rossini\, G. Donizetti\, W. A. Mozart\, Ch. Gounod\, L. Delibes\, R. Stolz\, F. Lehar\n\n\n\n\n\n\n\nGallus Hall
URL:https://www.emilypogorelc.com/schedule/opera-gala-concert-in-ljubljana-slovenia/
LOCATION:Gallus Hall at Cankarjev dom\, Cankar Hall\, Prešernova cesta 10\, Ljubljana\, 1000\, Slovenia
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/11/Z6P_7885__c-Petr-Dyrc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230119T193000
DTEND;TZID=UTC:20230119T193000
DTSTAMP:20260411T225935
CREATED:20221108T135425Z
LAST-MODIFIED:20221108T135425Z
UID:2061-1674156600-1674156600@www.emilypogorelc.com
SUMMARY:Klingsors Zaubermädchen 4 -- Parsifal Acts 2+3
DESCRIPTION:Parsifal has been described as ‘the greatest work of art ever created in any medium.’ \n\nRichard Wagner’s final music drama is unlike anything that went before or has come since. It can feel more like a ritual ceremony than an opera – grand yet intimate\, somehow occupying its own space and time. At the heart of Parsifal is a curious\, magical treatment of the symphony orchestra that appears to give the voices above it all the space and autonomy they need. \nFollowing award-winning concert performances of Peter Grimes with Stuart Skelton in the title role\, the Australian tenor returns to Bergen in the same capacity for this Parsifal under chief conductor Edward Gardner. Joining them is a handpicked cast including Johan Reuter as the wounded Amfortas\, Brindley Sherratt as the wise old Gurnemanz and Ricarda Merbeth as the teasing Kundry. Any performance of Parsifal is special. Focusing on Wagner’s miraculous\, glowing music alone\, this one is sure to prove truly memorable. \n  \nEdward Gardner\, conductor \nNicolai Riise\, Concert Staging \nParsifal: Stuart Skelton \nKundry: Ricarda Merbeth \nAmfortas: Johan Reuter \nGurnemanz: Brindley Sherratt \nKlingsor: Olafur Sigurdarson \nTiturel: Wilhelm Schwinghammer \nFirst Grail Knight: Eirik Grøtvedt \nSecond Grail Knight: Changdai Park \nFirst Esquire: Ingeborg Gillebo \nSecond Esquire: Monika Jägerova \nThird Esquire: John Olsen \nFourth Esquire: Erlend Tvinnereim \nVoice from Above: Monika Jägerova \nFirst Flowermaiden: Victoria Randem \nSecond Flowermaiden: Lydia Hoen Tjore \nThird Flowermaiden: Olivera Ticevic \nFourth Flowermaiden: Emily Pogorelc \nFifth Flowermaiden: Ingeborg Gillebo \nSixth Flowermaiden: Margrethe Fredheim \n  \nBergen Philharmonic Choir \nEdvard Grieg Kor \nCollegium Musicums Choir \nHåkon Matti Skrede\, chorus master \nBergen Philharmonic Orchestra
URL:https://www.emilypogorelc.com/schedule/klingsors-zaubermadchen-4-parsifal-acts-23/
LOCATION:Grieghallen\, Edvard Griegs plass 1\, Bergen\, 5015\, Norway
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/11/f6d4b08bb2ad5f63d13275bfed5eb9736ee11b42.jpg
ORGANIZER;CN="Bergen Philharmonic Orchestra":MAILTO:marked@harmonien.no
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230121T160000
DTEND;TZID=UTC:20230121T160000
DTSTAMP:20260411T225935
CREATED:20221108T135903Z
LAST-MODIFIED:20221108T140157Z
UID:2066-1674316800-1674316800@www.emilypogorelc.com
SUMMARY:Klingsors Zaubermädchen 4 -- Parsifal Full Opera
DESCRIPTION:Parsifal has been described as ‘the greatest work of art ever created in any medium.’ \n\nRichard Wagner’s final music drama is unlike anything that went before or has come since. It can feel more like a ritual ceremony than an opera – grand yet intimate\, somehow occupying its own space and time. At the heart of Parsifal is a curious\, magical treatment of the symphony orchestra that appears to give the voices above it all the space and autonomy they need. \nFollowing award-winning concert performances of Peter Grimes with Stuart Skelton in the title role\, the Australian tenor returns to Bergen in the same capacity for this Parsifal under chief conductor Edward Gardner. Joining them is a handpicked cast including Johan Reuter as the wounded Amfortas\, Brindley Sherratt as the wise old Gurnemanz and Ricarda Merbeth as the teasing Kundry. Any performance of Parsifal is special. Focusing on Wagner’s miraculous\, glowing music alone\, this one is sure to prove truly memorable. \n  \nEdward Gardner\, conductor \nNicolai Riise\, Concert Staging \nParsifal: Stuart Skelton \nKundry: Ricarda Merbeth \nAmfortas: Johan Reuter \nGurnemanz: Brindley Sherratt \nKlingsor: Olafur Sigurdarson \nTiturel: Wilhelm Schwinghammer \nFirst Grail Knight: Eirik Grøtvedt \nSecond Grail Knight: Changdai Park \nFirst Esquire: Ingeborg Gillebo \nSecond Esquire: Monika Jägerova \nThird Esquire: John Olsen \nFourth Esquire: Erlend Tvinnereim \nVoice from Above: Monika Jägerova \nFirst Flowermaiden: Victoria Randem \nSecond Flowermaiden: Lydia Hoen Tjore \nThird Flowermaiden: Olivera Ticevic \nFourth Flowermaiden: Emily Pogorelc \nFifth Flowermaiden: Ingeborg Gillebo \nSixth Flowermaiden: Margrethe Fredheim \n  \nBergen Philharmonic Choir \nEdvard Grieg Kor \nCollegium Musicums Choir \nHåkon Matti Skrede\, chorus master \nBergen Philharmonic Orchestra
URL:https://www.emilypogorelc.com/schedule/klingsors-zaubermadchen-4-parsifal-full-opera/
LOCATION:Grieghallen\, Edvard Griegs plass 1\, Bergen\, 5015\, Norway
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/11/f6d4b08bb2ad5f63d13275bfed5eb9736ee11b42.jpg
ORGANIZER;CN="Bergen Philharmonic Orchestra":MAILTO:marked@harmonien.no
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230204T110000
DTEND;TZID=UTC:20230204T110000
DTSTAMP:20260411T225935
CREATED:20221109T105221Z
LAST-MODIFIED:20221109T105426Z
UID:2075-1675508400-1675508400@www.emilypogorelc.com
SUMMARY:Soprano in Concert at Mozartwoche 2023 with Orquesta Iberacademy Medellín
DESCRIPTION:Ms Pogorelc joins Maestro Alejandro Posada and Orquesta Iberavademy Medellín for an exciting program at the 2023 Mozartwoche.  \nKÜNSTLER \nAlejandro Posada (Conductor/Dirigent) \nEmily Pogorelc (Soprano) \nOrquesta Iberacademy Medellín \nPROGRAMM \nMozart\n \nSymphonie G-Dur KV 318 „Ouvertüre“ \nAus „Zaide“ KV 344: Arie der Zaide nr. 3 „Ruhe sanft\, mein holdes Leben“ \nAus „Lucio Silla“ KV 135: Ouvertüre  \nRezitativ und Arie nr. 16 der Giunia „In un istante\, oh come\, s’accrebbe il mio timor!“ – nr. 16 „Parto\, m’affretto“ \n„Nehmt meinen Dank\, ihr holden Gönner!“. Arie für Sopran und Orchester KV 383 \n„Bella mia fiamma\, addio“ – „Resta\, oh cara“. Rezitativ und Arie für Sopran und Orchester KV 528 \nZwischenaktmusiken zu „Thamos\, König in Ägypten“ KV 345
URL:https://www.emilypogorelc.com/schedule/soprano-in-concert-at-mozartwoche-2023-with-orquesta-iberacademy-medellin/
LOCATION:Stiftung Mozarteum\, Großer Saal\, Schwarzstraße 28\, Salzburg\, 5020\, Austria
CATEGORIES:Current Season
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230401T160000
DTEND;TZID=UTC:20230401T160000
DTSTAMP:20260411T225935
CREATED:20221122T154641Z
LAST-MODIFIED:20221122T154919Z
UID:2106-1680364800-1680364800@www.emilypogorelc.com
SUMMARY:Hirt in Tannhäuser at the Osterfestspiele Salzburg
DESCRIPTION:Musikalische Leitung ANDRIS NELSONS\nInszenierung\, Bühne\, Kostüme\, Licht ROMEO CASTELLUCCI\nChoreographie CINDY VAN ACKER\nVideodesign MARCO GIUSTI\nLicht BENEDIKT ZEHM\nDramaturgie PIERSANDRA DI MATTEO\, MALTE KRASTING \n\n\n\n\n  \nHermann\, Landgraf von Thüringen GEORG ZEPPENFELD\nTannhäuser JONAS KAUFMANN\nWolfram von Eschenbach CHRISTIAN GERHAHER\nWalther von der Vogelweide SEBASTIAN KOHLHEPP\nBiterolf EDWIN CROSSLEY-MERCER\nHeinrich der Schreiber DEAN POWER \nReinmar von Zweter ALEXANDER KÖPECZI \nElisabeth\, Nichte des Landgrafen MARLIS PETERSEN \nVenus ELĪNA GARANČA \nEin junger Hirt EMILY POGORELC \n\n\n\n\n\n\n  \nGewandhausorchester\nTschechischer Philharmonischer Chor Brünn\nEinstudierung MICHAEL DVORÁK\nBachchor Salzburg\nEinstudierung BENJAMIN HARTMANN\nTänzerinnen und Tänzer von BODHI PROJECT und SEAD Salzburg\nNeueinstudierung einer Produktion der Bayerischen Staatsoper
URL:https://www.emilypogorelc.com/schedule/hirt-in-tannhauser-at-the-salzburg-osterfestspiele/
LOCATION:Großes Festspielhaus\, Hofstallgasse 1\, Salzburg\, 5020\, Austria
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/11/tannhauser.jpg
ORGANIZER;CN="Osterfestspiele Salzburg":MAILTO:tickets@osterfestspiele.at
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250228T193000
DTEND;TZID=UTC:20250228T193000
DTSTAMP:20260411T225935
CREATED:20250218T180146Z
LAST-MODIFIED:20250218T184954Z
UID:2798-1740771000-1740771000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème at Dallas Opera
DESCRIPTION:Join us for an unforgettable experience as soprano Emily Pogorelc makes her house debut at the Dallas Opera\, performing the captivating role of Musetta in Puccini’s beloved opera\, La bohème. \nCast: \n\nRodolfo: Bekhzod Davronov\nMimì: Sylvia D’Eramo\nMarcello: Takaoki Onishi\nMusetta: Emily Pogorelc\nColline: William Guanbo Su\nSchaunard: Efraín Solís\n\nProduction Team: \n\nConductor: Emmanuel Villaume\nDirector: Tomer Zvulun\n\n\nSet against the vibrant backdrop of Paris’s Latin Quarter\, La bohème tells the heart-wrenching story of artists who are hungry\, cold\, broke\, and deliriously in love. This treasured period production by the Dallas Opera returns with a fresh cast of opera’s brightest rising stars. \nIn their Dallas Opera debuts\, Uzbekistan-born tenor Bekhzod Davronov stars as Rodolfo and American lyric soprano Sylvia D’Eramo is Mimì. Joining them are Japanese baritone Takaoki Onishi as Marcello and Emily Pogorelc as the magnetic Musetta. The cast is rounded out by William Guanbo Su as Colline and Efraín Solís as Schaunard. \nFeaturing the Dallas Opera Orchestra and Chorus\, and the Greater Dallas Choral Society Youth Chorus\, this revival production is conducted by Emmanuel Villaume and directed by Tomer Zvulun. The performance is sung in Italian with projected English titles. \nDon’t miss this opportunity to witness Emily Pogorelc and an exceptional cast bring Puccini’s masterpiece to life. Secure your tickets now and be transported to the cafés and corridors of Paris\, where love and tragedy intertwine.
URL:https://www.emilypogorelc.com/schedule/boheme_dallas/
LOCATION:Margot and Bill Winspear Opera House\, 2403 Flora Street\, Dallas\, TX\, 75201\, United States
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2024/05/Blue-and-Gray-Modern-Minimalist-Fashion-Photographer-Facebook-Cover-4.png
ORGANIZER;CN="Dallas Opera":MAILTO:info@dallasopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250302T140000
DTEND;TZID=UTC:20250302T140000
DTSTAMP:20260411T225935
CREATED:20250218T184748Z
LAST-MODIFIED:20250219T042547Z
UID:2806-1740924000-1740924000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème at Dallas Opera
DESCRIPTION:Join us for an unforgettable experience as soprano Emily Pogorelc makes her house debut at the Dallas Opera\, performing the captivating role of Musetta in Puccini’s beloved opera\, La bohème. \nCast: \n\nRodolfo: Bekhzod Davronov\nMimì: Sylvia D’Eramo\nMarcello: Takaoki Onishi\nMusetta: Emily Pogorelc\nColline: William Guanbo Su\nSchaunard: Efraín Solís\n\nProduction Team: \n\nConductor: Emmanuel Villaume\nDirector: Tomer Zvulun\n\n\nSet against the vibrant backdrop of Paris’s Latin Quarter\, La bohème tells the heart-wrenching story of artists who are hungry\, cold\, broke\, and deliriously in love. This treasured period production by the Dallas Opera returns with a fresh cast of opera’s brightest rising stars. \nIn their Dallas Opera debuts\, Uzbekistan-born tenor Bekhzod Davronov stars as Rodolfo and American lyric soprano Sylvia D’Eramo is Mimì. Joining them are Japanese baritone Takaoki Onishi as Marcello and Emily Pogorelc as the magnetic Musetta. The cast is rounded out by William Guanbo Su as Colline and Efraín Solís as Schaunard. \nFeaturing the Dallas Opera Orchestra and Chorus\, and the Greater Dallas Choral Society Youth Chorus\, this revival production is conducted by Emmanuel Villaume and directed by Tomer Zvulun. The performance is sung in Italian with projected English titles. \nDon’t miss this opportunity to witness Emily Pogorelc and an exceptional cast bring Puccini’s masterpiece to life. Secure your tickets now and be transported to the cafés and corridors of Paris\, where love and tragedy intertwine.
URL:https://www.emilypogorelc.com/schedule/boheme_dallas-2/
LOCATION:Margot and Bill Winspear Opera House\, 2403 Flora Street\, Dallas\, TX\, 75201\, United States
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2024/05/Blue-and-Gray-Modern-Minimalist-Fashion-Photographer-Facebook-Cover-4.png
ORGANIZER;CN="Dallas Opera":MAILTO:info@dallasopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250305T193000
DTEND;TZID=UTC:20250305T193000
DTSTAMP:20260411T225935
CREATED:20250219T042443Z
LAST-MODIFIED:20250219T042443Z
UID:2810-1741203000-1741203000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème at Dallas Opera
DESCRIPTION:Join us for an unforgettable experience as soprano Emily Pogorelc makes her house debut at the Dallas Opera\, performing the captivating role of Musetta in Puccini’s beloved opera\, La bohème. \nCast: \n\nRodolfo: Bekhzod Davronov\nMimì: Sylvia D’Eramo\nMarcello: Takaoki Onishi\nMusetta: Emily Pogorelc\nColline: William Guanbo Su\nSchaunard: Efraín Solís\n\nProduction Team: \n\nConductor: Emmanuel Villaume\nDirector: Tomer Zvulun\n\n\nSet against the vibrant backdrop of Paris’s Latin Quarter\, La bohème tells the heart-wrenching story of artists who are hungry\, cold\, broke\, and deliriously in love. This treasured period production by the Dallas Opera returns with a fresh cast of opera’s brightest rising stars. \nIn their Dallas Opera debuts\, Uzbekistan-born tenor Bekhzod Davronov stars as Rodolfo and American lyric soprano Sylvia D’Eramo is Mimì. Joining them are Japanese baritone Takaoki Onishi as Marcello and Emily Pogorelc as the magnetic Musetta. The cast is rounded out by William Guanbo Su as Colline and Efraín Solís as Schaunard. \nFeaturing the Dallas Opera Orchestra and Chorus\, and the Greater Dallas Choral Society Youth Chorus\, this revival production is conducted by Emmanuel Villaume and directed by Tomer Zvulun. The performance is sung in Italian with projected English titles. \nDon’t miss this opportunity to witness Emily Pogorelc and an exceptional cast bring Puccini’s masterpiece to life. Secure your tickets now and be transported to the cafés and corridors of Paris\, where love and tragedy intertwine.
URL:https://www.emilypogorelc.com/schedule/boheme_dallas_3/
LOCATION:Margot and Bill Winspear Opera House\, 2403 Flora Street\, Dallas\, TX\, 75201\, United States
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2024/05/Blue-and-Gray-Modern-Minimalist-Fashion-Photographer-Facebook-Cover-4.png
ORGANIZER;CN="Dallas Opera":MAILTO:info@dallasopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250308T193000
DTEND;TZID=UTC:20250308T193000
DTSTAMP:20260411T225935
CREATED:20250219T042935Z
LAST-MODIFIED:20250219T042935Z
UID:2812-1741462200-1741462200@www.emilypogorelc.com
SUMMARY:Musetta in La bohème at Dallas Opera
DESCRIPTION:Join us for an unforgettable experience as soprano Emily Pogorelc makes her house debut at the Dallas Opera\, performing the captivating role of Musetta in Puccini’s beloved opera\, La bohème. \nCast: \n\nRodolfo: Bekhzod Davronov\nMimì: Sylvia D’Eramo\nMarcello: Takaoki Onishi\nMusetta: Emily Pogorelc\nColline: William Guanbo Su\nSchaunard: Efraín Solís\n\nProduction Team: \n\nConductor: Emmanuel Villaume\nDirector: Tomer Zvulun\n\n\nSet against the vibrant backdrop of Paris’s Latin Quarter\, La bohème tells the heart-wrenching story of artists who are hungry\, cold\, broke\, and deliriously in love. This treasured period production by the Dallas Opera returns with a fresh cast of opera’s brightest rising stars. \nIn their Dallas Opera debuts\, Uzbekistan-born tenor Bekhzod Davronov stars as Rodolfo and American lyric soprano Sylvia D’Eramo is Mimì. Joining them are Japanese baritone Takaoki Onishi as Marcello and Emily Pogorelc as the magnetic Musetta. The cast is rounded out by William Guanbo Su as Colline and Efraín Solís as Schaunard. \nFeaturing the Dallas Opera Orchestra and Chorus\, and the Greater Dallas Choral Society Youth Chorus\, this revival production is conducted by Emmanuel Villaume and directed by Tomer Zvulun. The performance is sung in Italian with projected English titles. \nDon’t miss this opportunity to witness Emily Pogorelc and an exceptional cast bring Puccini’s masterpiece to life. Secure your tickets now and be transported to the cafés and corridors of Paris\, where love and tragedy intertwine.
URL:https://www.emilypogorelc.com/schedule/boheme_dallas-4/
LOCATION:Margot and Bill Winspear Opera House\, 2403 Flora Street\, Dallas\, TX\, 75201\, United States
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2024/05/Blue-and-Gray-Modern-Minimalist-Fashion-Photographer-Facebook-Cover-4.png
ORGANIZER;CN="Dallas Opera":MAILTO:info@dallasopera.org
END:VEVENT
END:VCALENDAR