BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Emily Pogorelc - ECPv6.10.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.emilypogorelc.com
X-WR-CALDESC:Events for Emily Pogorelc
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Helsinki
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20221030T010000
END:STANDARD
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20220101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220109T180000
DTEND;TZID=Europe/Helsinki:20220109T180000
DTSTAMP:20260412T231406
CREATED:20210830T082933Z
LAST-MODIFIED:20210830T084020Z
UID:1874-1641751200-1641751200@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220118T193000
DTEND;TZID=Europe/Helsinki:20220118T193000
DTSTAMP:20260412T231406
CREATED:20210830T083752Z
LAST-MODIFIED:20210830T083752Z
UID:1876-1642534200-1642534200@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220123T190000
DTEND;TZID=Europe/Helsinki:20220123T190000
DTSTAMP:20260412T231406
CREATED:20210830T084112Z
LAST-MODIFIED:20210830T084112Z
UID:1880-1642964400-1642964400@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220126T190000
DTEND;TZID=Europe/Helsinki:20220126T190000
DTSTAMP:20260412T231406
CREATED:20210830T084148Z
LAST-MODIFIED:20210830T084148Z
UID:1878-1643223600-1643223600@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220228T190000
DTEND;TZID=UTC:20220228T190000
DTSTAMP:20260412T231406
CREATED:20210830T091243Z
LAST-MODIFIED:20210830T091243Z
UID:1884-1646074800-1646074800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe\nIn English · With Subtitles in German and English \nConductor: Edward Gardner\nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton\nEllen Orford: Rachel Willis-Sørensen\nBalstrode: Iain Paterson\nAuntie: Claudia Mahnke\n1. Nichte: Lindsay Ohse\n2. Nichte: Emily Pogorelc\nBob Boles: Kevin Conners\nSwallow: Brindley Sherratt\nMrs. Sedley: Jennifer Johnston\nRev. Horace Adams: Paul Groves\nNed Keene: Konstantin Krimmel\nHobson: Daniel Noyola \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper\nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T190000
DTSTAMP:20260412T231406
CREATED:20210830T092600Z
LAST-MODIFIED:20210830T092600Z
UID:1887-1646334000-1646334000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220306T180000
DTEND;TZID=UTC:20220306T180000
DTSTAMP:20260412T231406
CREATED:20210830T092603Z
LAST-MODIFIED:20210830T092603Z
UID:1886-1646589600-1646589600@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220310T190000
DTEND;TZID=UTC:20220310T190000
DTSTAMP:20260412T231406
CREATED:20210830T092612Z
LAST-MODIFIED:20210830T092612Z
UID:1891-1646938800-1646938800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220313T190000
DTEND;TZID=UTC:20220313T190000
DTSTAMP:20260412T231406
CREATED:20210830T092621Z
LAST-MODIFIED:20210830T092621Z
UID:1892-1647198000-1647198000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-5/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220522
DTEND;VALUE=DATE:20220523
DTSTAMP:20260412T231406
CREATED:20210830T094102Z
LAST-MODIFIED:20210830T094257Z
UID:1903-1653177600-1653263999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-glyndebourne/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220524
DTEND;VALUE=DATE:20220525
DTSTAMP:20260412T231406
CREATED:20210830T094627Z
LAST-MODIFIED:20210830T094627Z
UID:1910-1653350400-1653436799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-5/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220527
DTEND;VALUE=DATE:20220528
DTSTAMP:20260412T231406
CREATED:20210830T094622Z
LAST-MODIFIED:20210830T094622Z
UID:1911-1653609600-1653695999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-4/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220529
DTEND;VALUE=DATE:20220530
DTSTAMP:20260412T231406
CREATED:20210830T094617Z
LAST-MODIFIED:20210830T094617Z
UID:1912-1653782400-1653868799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-3/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220605
DTEND;VALUE=DATE:20220606
DTSTAMP:20260412T231406
CREATED:20210830T094937Z
LAST-MODIFIED:20210830T094937Z
UID:1916-1654387200-1654473599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-6/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220610
DTSTAMP:20260412T231406
CREATED:20210830T095132Z
LAST-MODIFIED:20210830T095132Z
UID:1917-1654732800-1654819199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-7/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220612
DTEND;VALUE=DATE:20220613
DTSTAMP:20260412T231406
CREATED:20210830T095142Z
LAST-MODIFIED:20210830T095142Z
UID:1918-1654992000-1655078399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-8/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220617
DTEND;VALUE=DATE:20220618
DTSTAMP:20260412T231406
CREATED:20210830T095238Z
LAST-MODIFIED:20210830T095238Z
UID:1919-1655424000-1655510399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-9/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220619
DTEND;VALUE=DATE:20220620
DTSTAMP:20260412T231406
CREATED:20210830T095306Z
LAST-MODIFIED:20210830T095306Z
UID:1920-1655596800-1655683199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-10/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220623
DTEND;VALUE=DATE:20220624
DTSTAMP:20260412T231406
CREATED:20210830T095345Z
LAST-MODIFIED:20210830T095345Z
UID:1921-1655942400-1656028799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-11/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220626
DTEND;VALUE=DATE:20220627
DTSTAMP:20260412T231406
CREATED:20210830T095503Z
LAST-MODIFIED:20210830T095503Z
UID:1922-1656201600-1656287999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-12/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220630
DTEND;VALUE=DATE:20220701
DTSTAMP:20260412T231406
CREATED:20210830T095556Z
LAST-MODIFIED:20210830T095556Z
UID:1923-1656547200-1656633599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-13/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220709T190000
DTEND;TZID=UTC:20220709T190000
DTSTAMP:20260412T231406
CREATED:20210830T093250Z
LAST-MODIFIED:20210830T093250Z
UID:1899-1657393200-1657393200@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes [Festspiele Production]
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-festspiele-production-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220712T190000
DTEND;TZID=UTC:20220712T190000
DTSTAMP:20260412T231406
CREATED:20210830T093234Z
LAST-MODIFIED:20210830T093234Z
UID:1898-1657652400-1657652400@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes [Festspiele Production]
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-festspiele-production/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220716T193000
DTEND;TZID=UTC:20220716T193000
DTSTAMP:20260412T231406
CREATED:20220516T143412Z
LAST-MODIFIED:20220516T143412Z
UID:1974-1657999800-1657999800@www.emilypogorelc.com
SUMMARY:Concert with Rolando Villazón and the Württembergische Philharmonie Reutlingen
DESCRIPTION:
URL:https://www.emilypogorelc.com/schedule/concert-with-rolando-villazon-and-the-wurttembergische-philharmonie-reutlingen/
LOCATION:Dreiländerhalle\, Dr.-Emil-Brichta-Straße 11\, Passau\, 94036\, Germany
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221104T200000
DTEND;TZID=UTC:20221104T200000
DTSTAMP:20260412T231406
CREATED:20221001T151649Z
LAST-MODIFIED:20221001T151756Z
UID:2036-1667592000-1667592000@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T150000
DTEND;TZID=UTC:20221105T150000
DTSTAMP:20260412T231406
CREATED:20221001T151955Z
LAST-MODIFIED:20221001T151955Z
UID:2042-1667660400-1667660400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-2/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T200000
DTEND;TZID=UTC:20221105T200000
DTSTAMP:20260412T231406
CREATED:20221001T152247Z
LAST-MODIFIED:20221001T152247Z
UID:2044-1667678400-1667678400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-3/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221106T140000
DTEND;TZID=UTC:20221106T140000
DTSTAMP:20260412T231406
CREATED:20221001T152241Z
LAST-MODIFIED:20221001T152241Z
UID:2045-1667743200-1667743200@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-4/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221117T200000
DTEND;TZID=UTC:20221117T200000
DTSTAMP:20260412T231406
CREATED:20220928T164327Z
LAST-MODIFIED:20220928T164515Z
UID:2021-1668715200-1668715200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221120T180000
DTEND;TZID=UTC:20221120T180000
DTSTAMP:20260412T231406
CREATED:20220928T165025Z
LAST-MODIFIED:20220928T165025Z
UID:2029-1668967200-1668967200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
END:VCALENDAR