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DTSTART;VALUE=DATE:20220617
DTEND;VALUE=DATE:20220618
DTSTAMP:20260418T145536
CREATED:20210830T095238Z
LAST-MODIFIED:20210830T095238Z
UID:1919-1655424000-1655510399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-9/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220612
DTEND;VALUE=DATE:20220613
DTSTAMP:20260418T145536
CREATED:20210830T095142Z
LAST-MODIFIED:20210830T095142Z
UID:1918-1654992000-1655078399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-8/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220610
DTSTAMP:20260418T145536
CREATED:20210830T095132Z
LAST-MODIFIED:20210830T095132Z
UID:1917-1654732800-1654819199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-7/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220605
DTEND;VALUE=DATE:20220606
DTSTAMP:20260418T145536
CREATED:20210830T094937Z
LAST-MODIFIED:20210830T094937Z
UID:1916-1654387200-1654473599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-6/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220529
DTEND;VALUE=DATE:20220530
DTSTAMP:20260418T145536
CREATED:20210830T094617Z
LAST-MODIFIED:20210830T094617Z
UID:1912-1653782400-1653868799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-3/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220527
DTEND;VALUE=DATE:20220528
DTSTAMP:20260418T145536
CREATED:20210830T094622Z
LAST-MODIFIED:20210830T094622Z
UID:1911-1653609600-1653695999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-4/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220524
DTEND;VALUE=DATE:20220525
DTSTAMP:20260418T145536
CREATED:20210830T094627Z
LAST-MODIFIED:20210830T094627Z
UID:1910-1653350400-1653436799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-5/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220522
DTEND;VALUE=DATE:20220523
DTSTAMP:20260418T145536
CREATED:20210830T094102Z
LAST-MODIFIED:20210830T094257Z
UID:1903-1653177600-1653263999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-glyndebourne/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220313T190000
DTEND;TZID=UTC:20220313T190000
DTSTAMP:20260418T145536
CREATED:20210830T092621Z
LAST-MODIFIED:20210830T092621Z
UID:1892-1647198000-1647198000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-5/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220310T190000
DTEND;TZID=UTC:20220310T190000
DTSTAMP:20260418T145536
CREATED:20210830T092612Z
LAST-MODIFIED:20210830T092612Z
UID:1891-1646938800-1646938800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220306T180000
DTEND;TZID=UTC:20220306T180000
DTSTAMP:20260418T145536
CREATED:20210830T092603Z
LAST-MODIFIED:20210830T092603Z
UID:1886-1646589600-1646589600@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T190000
DTSTAMP:20260418T145536
CREATED:20210830T092600Z
LAST-MODIFIED:20210830T092600Z
UID:1887-1646334000-1646334000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220228T190000
DTEND;TZID=UTC:20220228T190000
DTSTAMP:20260418T145536
CREATED:20210830T091243Z
LAST-MODIFIED:20210830T091243Z
UID:1884-1646074800-1646074800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe\nIn English · With Subtitles in German and English \nConductor: Edward Gardner\nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton\nEllen Orford: Rachel Willis-Sørensen\nBalstrode: Iain Paterson\nAuntie: Claudia Mahnke\n1. Nichte: Lindsay Ohse\n2. Nichte: Emily Pogorelc\nBob Boles: Kevin Conners\nSwallow: Brindley Sherratt\nMrs. Sedley: Jennifer Johnston\nRev. Horace Adams: Paul Groves\nNed Keene: Konstantin Krimmel\nHobson: Daniel Noyola \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper\nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220126T190000
DTEND;TZID=Europe/Helsinki:20220126T190000
DTSTAMP:20260418T145536
CREATED:20210830T084148Z
LAST-MODIFIED:20210830T084148Z
UID:1878-1643223600-1643223600@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220123T190000
DTEND;TZID=Europe/Helsinki:20220123T190000
DTSTAMP:20260418T145536
CREATED:20210830T084112Z
LAST-MODIFIED:20210830T084112Z
UID:1880-1642964400-1642964400@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220118T193000
DTEND;TZID=Europe/Helsinki:20220118T193000
DTSTAMP:20260418T145536
CREATED:20210830T083752Z
LAST-MODIFIED:20210830T083752Z
UID:1876-1642534200-1642534200@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220109T180000
DTEND;TZID=Europe/Helsinki:20220109T180000
DTSTAMP:20260418T145536
CREATED:20210830T082933Z
LAST-MODIFIED:20210830T084020Z
UID:1874-1641751200-1641751200@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220107T190000
DTEND;TZID=Europe/Paris:20220107T190000
DTSTAMP:20260418T145536
CREATED:20210830T082651Z
LAST-MODIFIED:20210830T082651Z
UID:1868-1641582000-1641582000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220105T193000
DTEND;TZID=Europe/Paris:20220105T193000
DTSTAMP:20260418T145536
CREATED:20210830T082431Z
LAST-MODIFIED:20210830T082659Z
UID:1867-1641411000-1641411000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc \nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210522T193000
DTEND;TZID=UTC:20210522T193000
DTSTAMP:20260418T145536
CREATED:20201222T223423Z
LAST-MODIFIED:20210524T071844Z
UID:1717-1621711800-1621711800@www.emilypogorelc.com
SUMMARY:CANCELLED: Nannetta in Verdi's Falstaff
DESCRIPTION:Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare\nIn Italian with English and German surtitles \nConductor: Pinchas Steinberg\nDirector: Mateja Koležnik \nSir John Falstaff: Wolfgang Koch\nFord: Boris Pinkhasovich\nFenton: Bogdan Volkov\nDr. Cajus: Kevin Connors\nBardolfo: Francesco Castoro\nPistola: Callum Thorpe\nMrs. Alice Ford: Olga Bezsmertna\nNannetta: Emily Pogorelc\nMistress Quickly: Okka von der Damerau\nMrs. Meg Page: Dorottya Láng \nAbout Falstaff \nSir John Falstaff\, the enormous\, immense Falstaff\, as he enthusiastically calls himself\, is in dire straits. His belly\, his greatest pride\, synonymous with his stateliness\, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man\, Falstaff’s cunning will come to his aid\, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page\, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are\, however\, well able for the pretentious beau\, as the (lyrical) comedy shifts into gear. \nVerdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece\, Un giorno di regno\, was not a roaring success\, he dared approach the Shakespearean material\, congenially prepared by his librettist\, Arrigo Boito. Falstaff should have spirit\, Verdi wrote Boito\, and he therefore extended the original\, Shakespeare’s The Merry Wives of Windsor\, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time)\, didn’t scrimp on the literary references and poetic artifices\, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed\, fully composed tour de force full of wit and depth\, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are. \nlatest Running | Nike sneakers
URL:https://www.emilypogorelc.com/schedule/nannetta-in-verdis-falstaff-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/falstaff.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210519T190000
DTEND;TZID=UTC:20210519T190000
DTSTAMP:20260418T145536
CREATED:20201222T223122Z
LAST-MODIFIED:20210524T071836Z
UID:1714-1621450800-1621450800@www.emilypogorelc.com
SUMMARY:CANCELLED: Nannetta in Verdi's Falstaff
DESCRIPTION:Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare\nIn Italian with English and German surtitles \nConductor: Pinchas Steinberg\nDirector: Mateja Koležnik \nSir John Falstaff: Wolfgang Koch\nFord: Boris Pinkhasovich\nFenton: Bogdan Volkov\nDr. Cajus: Kevin Connors\nBardolfo: Francesco Castoro\nPistola: Callum Thorpe\nMrs. Alice Ford: Olga Bezsmertna\nNannetta: Emily Pogorelc\nMistress Quickly: Okka von der Damerau\nMrs. Meg Page: Dorottya Láng \nAbout Falstaff \nSir John Falstaff\, the enormous\, immense Falstaff\, as he enthusiastically calls himself\, is in dire straits. His belly\, his greatest pride\, synonymous with his stateliness\, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man\, Falstaff’s cunning will come to his aid\, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page\, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are\, however\, well able for the pretentious beau\, as the (lyrical) comedy shifts into gear. \nVerdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece\, Un giorno di regno\, was not a roaring success\, he dared approach the Shakespearean material\, congenially prepared by his librettist\, Arrigo Boito. Falstaff should have spirit\, Verdi wrote Boito\, and he therefore extended the original\, Shakespeare’s The Merry Wives of Windsor\, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time)\, didn’t scrimp on the literary references and poetic artifices\, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed\, fully composed tour de force full of wit and depth\, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are. \nRunning sneakers | nike girls pegasus 29 size 6.5 inches to feet DJ5065-144 Release Date – Ietp
URL:https://www.emilypogorelc.com/schedule/nannetta-in-verdis-falstaff/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/falstaff.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210516T190000
DTEND;TZID=UTC:20210516T190000
DTSTAMP:20260418T145536
CREATED:20201222T222652Z
LAST-MODIFIED:20210524T071828Z
UID:1710-1621191600-1621191600@www.emilypogorelc.com
SUMMARY:CANCELLED: Nannetta in Verdi's Falstaff
DESCRIPTION:Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare\nIn Italian with English and German surtitles \nConductor: Pinchas Steinberg\nDirector: Mateja Koležnik \nSir John Falstaff: Wolfgang Koch\nFord: Boris Pinkhasovich\nFenton: Bogdan Volkov\nDr. Cajus: Kevin Connors\nBardolfo: Francesco Castoro\nPistola: Callum Thorpe\nMrs. Alice Ford: Olga Bezsmertna\nNannetta: Emily Pogorelc\nMistress Quickly: Okka von der Damerau\nMrs. Meg Page: Dorottya Láng \nAbout Falstaff \nSir John Falstaff\, the enormous\, immense Falstaff\, as he enthusiastically calls himself\, is in dire straits. His belly\, his greatest pride\, synonymous with his stateliness\, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man\, Falstaff’s cunning will come to his aid\, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page\, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are\, however\, well able for the pretentious beau\, as the (lyrical) comedy shifts into gear. \nVerdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece\, Un giorno di regno\, was not a roaring success\, he dared approach the Shakespearean material\, congenially prepared by his librettist\, Arrigo Boito. Falstaff should have spirit\, Verdi wrote Boito\, and he therefore extended the original\, Shakespeare’s The Merry Wives of Windsor\, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time)\, didn’t scrimp on the literary references and poetic artifices\, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed\, fully composed tour de force full of wit and depth\, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are. \nlatest jordans | Men's Casual Shoes\, Trainers\, Sneakers
URL:https://www.emilypogorelc.com/schedule/nannetta-in-falstaff/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/falstaff.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210329T170000
DTEND;TZID=UTC:20210329T170000
DTSTAMP:20260418T145536
CREATED:20201110T180302Z
LAST-MODIFIED:20210310T154738Z
UID:1639-1617037200-1617037200@www.emilypogorelc.com
SUMMARY:CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
DESCRIPTION:A „Bühnenweihfestspiel“ in three acts – 1882 \nComposer + Libretto: Richard Wagner\nIn German with English and German surtitles \nMusikalische Leitung (Conductor): Franz Welser-Möst\nInszenierung (Director): Pierre Audi \nAmfortas: Simon Keenlyside\nTiturel: Bálint Szabó\nGurnemanz: Günther Groissböck\nParsifal: Brandon Jovanovich\nKlingsor: Derek Welton\nKundry: Anja Kampe\nErster Gralsritter: Kevin Conners\nZweiter Gralsritter: Christian Valle\nStimme aus der Höhe: Corinna Scheurle\nErster Knappe: Emily Pogorelc\nZweiter Knappe: Yajie Zhang\nDritter Knappe: Caspar Singh\nVierter Knappe: Dean Power\nZaubermädchen: Emily Pogorelc\, Mirjam Mesak\, Daria Proszek\, Eliza Boom\, Corinna Scheurle\, Yajie Zhang \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOparsifal \nAbout Parsifal: \nNeither balsam\, nor medicinal herbs can provide relief to the wounded and ailing Amfortas\, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound\, but only an outsider\, a “pure fool”\, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery\, towards his destiny as chosen deliverer\, Parsifal is accompanied\, not only by the skilful Grail Knight Gurnemanz\, but also by the enigmatic and seductive Kundry\, who opens his eyes to sensuality and extrasensory experience. \nParsifal\, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“)\, was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals\, as well as in society as a whole\, before proffering miracle remedies with the ability to ease the pain.latest Running Sneakers | Nike
URL:https://www.emilypogorelc.com/schedule/1-knappen-klingsors-zaubermadchen-in-parsifal/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/11/parsifal.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210117T180000
DTEND;TZID=UTC:20210117T180000
DTSTAMP:20260418T145536
CREATED:20200830T081613Z
LAST-MODIFIED:20201222T214330Z
UID:1623-1610906400-1610906400@www.emilypogorelc.com
SUMMARY:Oscar in Un Ballo in maschera -- CANCELLED
DESCRIPTION:Composer Giuseppe Verdi · Libretto by Antonio Somma\nIn Italian with English and German surtitles \nConductor: Paolo Carignani\nDirector: Johannes Erath \nRiccardo: Joseph Calleja\nRenato: Vladislav Sulimski\nAmelia: Sondra Radvanovsky\nUlrica: Okka von der Damerau\nOscar: Emily Pogorelc\nSilvano: Boris Prýgl\nSamuel: Anatoli Sivko\nTom: Bálint Szabó\nOberster Richter: Ulrich Reß\nDiener Amelias: George Vîrban \nAbout Ballo\nA governor\, his friend\, the friend’s wife. A love triangle straight out of a romance novel. The soprano between the tenor and the baritone. But\, in Verdi’s Ballo in maschera all the protagonists are two-faced. Riccardo\, the governor\, is lauded as a just sovereign\, yet shirks responsibility and seeks refuge from tedium in all manner of distractions – the ultimate kick for a man such as he can only be to risk his own life.latest Nike Sneakers | Sneakers – ΦΘΗΝΑ ΠΑΠΟΥΤΣΙΑ 2020
URL:https://www.emilypogorelc.com/schedule/oscar-in-un-ballo-in-maschera-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/08/Un-ballo-in-maschera_Borras_Iancic_c_Hösl.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210113T190000
DTEND;TZID=UTC:20210113T190000
DTSTAMP:20260418T145536
CREATED:20200830T081247Z
LAST-MODIFIED:20201222T214527Z
UID:1621-1610564400-1610564400@www.emilypogorelc.com
SUMMARY:Oscar in Un Ballo in maschera -- CANCELLED
DESCRIPTION:Composer Giuseppe Verdi · Libretto by Antonio Somma\nIn Italian with English and German surtitles \nConductor: Paolo Carignani\nDirector: Johannes Erath \nRiccardo: Joseph Calleja\nRenato: Vladislav Sulimski\nAmelia: Sondra Radvanovsky\nUlrica: Okka von der Damerau\nOscar: Emily Pogorelc\nSilvano: Boris Prýgl\nSamuel: Anatoli Sivko\nTom: Bálint Szabó\nOberster Richter: Ulrich Reß\nDiener Amelias: George Vîrban \nAbout Ballo\nA governor\, his friend\, the friend’s wife. A love triangle straight out of a romance novel. The soprano between the tenor and the baritone. But\, in Verdi’s Ballo in maschera all the protagonists are two-faced. Riccardo\, the governor\, is lauded as a just sovereign\, yet shirks responsibility and seeks refuge from tedium in all manner of distractions – the ultimate kick for a man such as he can only be to risk his own life.Sport media | adidas Yeezy Foam Runner Mineral Blue – Grailify
URL:https://www.emilypogorelc.com/schedule/oscar-in-un-ballo-in-maschera-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/08/Un-ballo-in-maschera_Borras_Iancic_c_Hösl.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210110T190000
DTEND;TZID=UTC:20210110T190000
DTSTAMP:20260418T145536
CREATED:20200830T080148Z
LAST-MODIFIED:20201222T214536Z
UID:1616-1610305200-1610305200@www.emilypogorelc.com
SUMMARY:Oscar in Un Ballo in maschera -- CANCELLED
DESCRIPTION:Composer Giuseppe Verdi · Libretto by Antonio Somma\nIn Italian with English and German surtitles \nConductor: Paolo Carignani\nDirector: Johannes Erath \nRiccardo: Joseph Calleja\nRenato: Vladislav Sulimski\nAmelia: Sondra Radvanovsky\nUlrica: Okka von der Damerau\nOscar: Emily Pogorelc\nSilvano: Boris Prýgl\nSamuel: Anatoli Sivko\nTom: Bálint Szabó\nOberster Richter: Ulrich Reß\nDiener Amelias: George Vîrban \nAbout Ballo\nA governor\, his friend\, the friend’s wife. A love triangle straight out of a romance novel. The soprano between the tenor and the baritone. But\, in Verdi’s Ballo in maschera all the protagonists are two-faced. Riccardo\, the governor\, is lauded as a just sovereign\, yet shirks responsibility and seeks refuge from tedium in all manner of distractions – the ultimate kick for a man such as he can only be to risk his own life.Running sport media | Women's Nike Superrep
URL:https://www.emilypogorelc.com/schedule/oscar-in-un-ballo-in-maschera/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/08/Un-ballo-in-maschera_Borras_Iancic_c_Hösl.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201224
DTEND;VALUE=DATE:20201227
DTSTAMP:20260418T145536
CREATED:20201222T215217Z
LAST-MODIFIED:20201222T215217Z
UID:1695-1608768000-1609027199@www.emilypogorelc.com
SUMMARY:Gretel in Hänsel und Gretel [STREAM]
DESCRIPTION:Fairy Tale Opera in Three Acts\nComposer: Engelbert Humperdinck · Libretto: Adelheid Wette\nIn German with English and German surtitles \nHOLIDAY ONLINE EVENT \nStreaming costfree on Staatsoper.tv from December 24-26 \nStreaming on demand from December 27th- January 27th\, 2021 \nAs part of a holiday offering from the Bayerische Staatsoper\, Hänsel und Gretel will be streaming on-demand for a short period of time. \nBesetzung:\nMusikalische Leitung (Conductor): Friedrich Haider\nInszenierung (Director): Richard Jones \nPeter\, Besenbinder: Milan Siljanov\nGertrud: Okka von der Damerau\nHänsel: Tara Erraught\nGretel: Emily Pogorelc\nDie Knusperhexe: Kevin Conners\nSandmännchen: Daria Proszek\nTaumännchen: Sarah Gilfrord \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOhänsel \nAbout Hänsel und Gretel:\nSince its first performance in 1893\, Humperdinck’s most famous opera Hansel and Gretel has remained constantly popular\, becoming over the generations almost synonymous with the first family visit to the opera. “Brother come and dance with me!“ – “Susie\, dear Susie” – a dancing brother and sister\, the Dew Fairy and the Sandman\, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship\, hunger and the desire for abundance with a clear moral: “When the need is greatest\, God the Lord puts out His hand!“ \nAnd\, in Richard Jones’ opulent\, brilliant setting\, it’s a real must!Buy Sneakers | Nike nike air max 1 canvas clay green black dress UV White – Grailify
URL:https://www.emilypogorelc.com/schedule/gretel-in-hansel-und-gretel-stream/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200219T190000
DTEND;TZID=UTC:20200219T190000
DTSTAMP:20260418T145536
CREATED:20191123T171905Z
LAST-MODIFIED:20191123T172158Z
UID:1345-1582138800-1582138800@www.emilypogorelc.com
SUMMARY:Masha in Queen of Spades
DESCRIPTION:Emily is seen as Masha in Lyric Opera’s new-to-Chicago production of Pyotr Ilyich Tchaikovsky’s masterpiece\, The Queen of Spades. \n  \n  \nGherman: Brandon Jovanovich\nLisa: Sondra Radvanovsky\nCountess: Jane Henschel\nTomsky: Samuel Youn\nYeletsky: Lucas Meachem\nPauline: Elizabeth DeShong\nChekalinsky: Kyle van Schoonhoven\nMasha: Emily Pogorelc \nConductor: Sir Andrew Davis\nOriginal Director: Richard Jonesbridgemedia | Nike Dunk Low Coast UNCL – Grailify
URL:https://www.emilypogorelc.com/schedule/masha-in-queen-of-spades/
LOCATION:Ardis Krainik Theatre at Lyric Opera House\, 20 N Wacker Dr.\, Chicago\, IL\, 60606\, United States
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200215T193000
DTEND;TZID=America/Chicago:20200215T193000
DTSTAMP:20260418T145536
CREATED:20191123T170040Z
LAST-MODIFIED:20191123T172704Z
UID:1336-1581795000-1581795000@www.emilypogorelc.com
SUMMARY:Masha in Queen of Spades
DESCRIPTION:Emily is seen as Masha in Lyric Opera’s new-to-Chicago production of Pyotr Ilyich Tchaikovsky’s masterpiece\, The Queen of Spades. \n  \n  \nGherman: Brandon Jovanovich\nLisa: Sondra Radvanovsky\nCountess: Jane Henschel\nTomsky: Samuel Youn\nYeletsky: Lucas Meachem\nPauline: Elizabeth DeShong\nChekalinsky: Kyle van Schoonhoven\nMasha: Emily Pogorelc \nConductor: Sir Andrew Davis\nOriginal Director: Richard Jones \n Buy Kicks | Air Jordan Sneakers
URL:https://www.emilypogorelc.com/schedule/masha-in-the-queen-of-spades/
LOCATION:Ardis Krainik Theatre at Lyric Opera House\, 20 N Wacker Dr.\, Chicago\, IL\, 60606\, United States
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200119T140000
DTEND;TZID=UTC:20200119T140000
DTSTAMP:20260418T145536
CREATED:20191123T173953Z
LAST-MODIFIED:20191123T174314Z
UID:1355-1579442400-1579442400@www.emilypogorelc.com
SUMMARY:Rising Stars of Lyric Opera
DESCRIPTION:Rising Stars in Concert\, a showcase performance stars Ensemble members of The Patrick G. and Shirley W. Ryan Opera Center with members of the Lyric Opera Orchestra conducted by Ari Pelto. \nEmily will perform selections by Vincenzo Bellini\, Ralph Vaughan Williams and Richard Strauss. \nCan’t make it? Listen to the broadcast!\nRising Stars in Concert will be broadcast on 98.7WFMT and wfmt.com on Sunday\, January 26\, 2020\, beginning at 7:00 p.m. The radio broadcast of Rising Stars in Concert is generously sponsored by the Donna Van Eekeren Foundation.Nike Sneakers | Ανδρικά Nike
URL:https://www.emilypogorelc.com/schedule/rising-stars-of-lyric-opera/
LOCATION:Ardis Krainik Theatre at Lyric Opera House\, 20 N Wacker Dr.\, Chicago\, IL\, 60606\, United States
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2019/11/Ryan-Center2.jpg
END:VEVENT
END:VCALENDAR