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X-WR-CALDESC:Events for Emily Pogorelc
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BEGIN:VEVENT
DTSTART;TZID=UTC:20211114T190000
DTEND;TZID=UTC:20211114T190000
DTSTAMP:20260416T225731
CREATED:20210625T075946Z
LAST-MODIFIED:20210625T075946Z
UID:1809-1636916400-1636916400@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Sportswear Design | nike shoes\,cheap jordan\,cheap nike\,air jordan shoes\,shoes made in China\,a-ok-nike.com
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211112T193000
DTEND;TZID=UTC:20211112T193000
DTSTAMP:20260416T225732
CREATED:20210625T080239Z
LAST-MODIFIED:20210625T080239Z
UID:1811-1636745400-1636745400@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.latest Running Sneakers | Zapatillas de running Nike – Mujer
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211108T190000
DTEND;TZID=UTC:20211108T190000
DTSTAMP:20260416T225732
CREATED:20250219T053808Z
LAST-MODIFIED:20250219T053947Z
UID:2827-1636398000-1636398000@www.emilypogorelc.com
SUMMARY:Soloist in Mozart et les femmes with Rolando Villazón
DESCRIPTION:Emily Pogorelc Joins Orchestre Philharmonique du Luxembourg for an Enchanting Mozart Evening \nIn a thrilling last-minute addition\, soprano Emily Pogorelc joins tenor Rolando Villazón and the Orchestre Philharmonique du Luxembourg under the baton of Elias Grandy for an unforgettable night of Mozart. \nThis special program explores Mozart and the women who shaped his music\, blending breathtaking arias\, symphonic masterpieces\, and fascinating storytelling. With Villazón as both performer and narrator\, the evening brings history to life through music and insight\, accompanied by pianist Marie-Sophie Hauzel. \nProgram:Wolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 1. Adagio – Allegro spiritoso\nWolfgang A. Mozart: «Il mio tesoro intanto» (Don Giovanni)\nWolfgang A. Mozart: «Et incarnatus est» (Mass C minor: KV 427 (417a))\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 2. Poco adagio\nWolfgang A. Mozart: «Ch’io mi scordi di te» KV 505\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 3. Menuetto – Trio\nWolfgang A. Mozart: «Voi che fausti ognor donate» (Il re pastore) KV 208\nWolfgang A. Mozart: «Bella mia fiamma – Resta o cara» KV 528\nWolfgang A. Mozart: «Se all’impero» (La clemenza di Tito)\nWolfgang A. Mozart: Piano concerto N° 23 KV 488: 2. Adagio\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 4. Presto \nThis evening is a rare opportunity to experience Mozart’s genius through the voices of today’s finest interpreters. Don’t miss your chance to witness this one-night-only performance—secure your tickets now! \nThis concert happened on 08 November\, 2021. \nPhotos from concert:
URL:https://www.emilypogorelc.com/schedule/mozart-luxembourg/
LOCATION:East Sussex
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2025/02/IMG_4067.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211106T190000
DTEND;TZID=UTC:20211106T190000
DTSTAMP:20260416T225732
CREATED:20210625T073932Z
LAST-MODIFIED:20210625T074023Z
UID:1803-1636225200-1636225200@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.latest Running Sneakers | New Balance 530 “White” MR530SG – MR530SG
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211103T190000
DTEND;TZID=UTC:20211103T190000
DTSTAMP:20260416T225732
CREATED:20210625T073622Z
LAST-MODIFIED:20210625T073622Z
UID:1801-1635966000-1635966000@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.Sports Shoes | adidas
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T180000
DTEND;TZID=UTC:20211031T180000
DTSTAMP:20260416T225732
CREATED:20210625T073402Z
LAST-MODIFIED:20210625T073402Z
UID:1798-1635703200-1635703200@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.Running sport media | Nike Air Force 1 Shadow “Lucky Charms” – Gov
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210919T203000
DTEND;TZID=Europe/Helsinki:20210919T203000
DTSTAMP:20260416T225732
CREATED:20210622T094006Z
LAST-MODIFIED:20210622T110452Z
UID:1781-1632083400-1632083400@www.emilypogorelc.com
SUMMARY:Lauretta in Gianni Schicchi
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nGianni Schicchi: Ambrogio Maestri\nLauretta: Emily Pogorelc\nZita: Lindsay Ammann\nRinuccio: Galeano Salas\nGherardo: Caspar Singh\nNella: Mirjam Mesak\nGheradino: Soloist from the children’s choir\nBetto di Signa: Christian Rieger\nSimone: Martin Snell\nMarco: Sean Michael Plumb\nLa Ciesca: Kayleigh Decker\nMaestro Spinelloccio: Donato Di Stefano\nSer Amantio di Nicolao: Andrew Hamilton\nPinellino: Roman Chabaranok\nGuccio: Theodore Platt \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.latest Running | Nike
URL:https://www.emilypogorelc.com/schedule/lauretta-in-gianni-schicchi-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210919T173000
DTEND;TZID=Europe/Helsinki:20210919T173000
DTSTAMP:20260416T225732
CREATED:20210622T105854Z
LAST-MODIFIED:20210622T110242Z
UID:1788-1632072600-1632072600@www.emilypogorelc.com
SUMMARY:Liebespaar in Il Tabarro
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nMichele: Wolfgang Koch\nLuigi: Yonghoon Lee\nIl Tinca: Kevin Conners\nIl Talpa: Martin Snell\nGiorgetta: Eva-Maria Westbroek\nLa Frugola: Lindsey Ammann\nEin Liedverkäufer: Galeano Salas\nEin Liebespaar: Emily Pogorelc and Galeano Salas \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.Sportswear free shipping | nike air aggress force women basketball camp 2018 270 Unisex Siyah Spor Ayakkabı Kadin Spor Ayakkabı & Sneaker 3167193 \, Sciaky
URL:https://www.emilypogorelc.com/schedule/liebespaar-in-il-tabarro-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210918T163000
DTEND;TZID=Europe/Helsinki:20210918T163000
DTSTAMP:20260416T225732
CREATED:20210622T100506Z
LAST-MODIFIED:20210622T110132Z
UID:1785-1631982600-1631982600@www.emilypogorelc.com
SUMMARY:Liebespaar in Il Tabarro
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nMichele: Wolfgang Koch\nLuigi: Yonghoon Lee \nIl Tinca: Kevin Conners\nIl Talpa: Martin Snell \nSimone: Martin Snell\nGiorgetta: Eva-Maria Westbroek \nLa Frugola: Lindsey Ammann\nEin Liedverkäufer: Galeano Salas\nEin Liebespaar: Emily Pogorelc and Galeano Salas \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.bridgemedia | Patike – Nike Air Jordan\, Premium\, Retro Klasici\, Sneakers \, Gov
URL:https://www.emilypogorelc.com/schedule/liebespaar-in-il-tabarro/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210918T140000
DTEND;TZID=Europe/Helsinki:20210918T140000
DTSTAMP:20260416T225732
CREATED:20210622T093715Z
LAST-MODIFIED:20210622T110542Z
UID:1776-1631973600-1631973600@www.emilypogorelc.com
SUMMARY:Lauretta in Gianni Schicchi
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nGianni Schicchi: Ambrogio Maestri\nLauretta: Emily Pogorelc\nZita: Lindsay Ammann\nRinuccio: Galeano Salas\nGherardo: Caspar Singh\nNella: Mirjam Mesak\nGheradino: Soloist from the children’s choir\nBetto di Signa: Christian Rieger\nSimone: Martin Snell\nMarco: Sean Michael Plumb\nLa Ciesca: Kayleigh Decker\nMaestro Spinelloccio: Donato Di Stefano\nSer Amantio di Nicolao: Andrew Hamilton\nPinellino: Roman Chabaranok\nGuccio: Theodore Platt \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.best Running shoes brand | Men’s shoes
URL:https://www.emilypogorelc.com/schedule/lauretta-in-gianni-schicchi/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210726T190000
DTEND;TZID=UTC:20210726T190000
DTSTAMP:20260416T225732
CREATED:20210524T073716Z
LAST-MODIFIED:20210524T073716Z
UID:1768-1627326000-1627326000@www.emilypogorelc.com
SUMMARY:Violetta Valéry in 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe\nVioletta Valéry: Emily Pogorelc\nFloria Tosca: Selene Zanetti\nDesdemona: Leah Hawkins\nCio-Cio-San: Kiandra Howarth\nCarmen: Nadezhda Karyazina\nLucia Ashton: Adela Zaharia\nNorma: Lauren Fagan \n#BSO7deaths \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”Running Sneakers Store | Nike
URL:https://www.emilypogorelc.com/schedule/violetta-valery-in-7-deaths-of-maria-callas/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/05/csm_Callas_MAbramovic_c_MarcoAnelli_876d4caf3b.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210720T190000
DTEND;TZID=Europe/Paris:20210720T190000
DTSTAMP:20260416T225732
CREATED:20200316T162905Z
LAST-MODIFIED:20200316T182413Z
UID:1487-1626807600-1626807600@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes
\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf  \nPrometheus: Wolfgang Koch\nWiedhopf\, once a man\, now King of the Birds: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Eliza Boom\n2. Drossel: Yalie Zhang\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: George Vîrban\nHoffegut: Charles Workman\nRatefreund: Michael Nagy  \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds):  \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels.  \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Running Sneakers Store | Air Jordan 1 Mid GS “Light Smoke Grey” — Ietp
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-6/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/DieVogel.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210718T180000
DTEND;TZID=Europe/Paris:20210718T180000
DTSTAMP:20260416T225732
CREATED:20200316T182336Z
LAST-MODIFIED:20200316T182336Z
UID:1515-1626631200-1626631200@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte\nIn Italian with English and German surtitles\nPart of the Munich Opera Festival \nMusikalische Leitung (Conductor): Ivor Bolton\nInszenierung (Director): Christof Loy \nGraf Almaviva: Ludovic Tézier\nGräfin Almaviva: Federica Lombardi\nSusanna: Rosa Feola\nFigaro: Alex Esposito\nCherubino: Emily Pogorelc\nMarcellina: Anne Sofie von Otter\nBartolo: Peter Rose\nBasilio: Manuel Günther\nDon Curzio: Dean Power\nBarbarina: Sarah Gilford\nAntonio: Milan Siljanov\nMädchen: Daria Proszek\, Juliana Zara\nPuppenspieler: Axel Bahro\, Thomas Schwendemann \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfigaro\n\nAbout Le nozze di Figaro: \nThe marriage of Figaro and Susanna is imminent. However\, when Figaro learns that his betrothed is being courted by another\, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera\, first performed in 1786\, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Nike footwear | Sneakers Nike
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/Figaro.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210716T190000
DTEND;TZID=Europe/Paris:20210716T190000
DTSTAMP:20260416T225732
CREATED:20200316T182153Z
LAST-MODIFIED:20200316T182153Z
UID:1512-1626462000-1626462000@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte\nIn Italian with English and German surtitles\nPart of the Munich Opera Festival \nMusikalische Leitung (Conductor): Ivor Bolton\nInszenierung (Director): Christof Loy \nGraf Almaviva: Ludovic Tézier\nGräfin Almaviva: Federica Lombardi\nSusanna: Rosa Feola\nFigaro: Alex Esposito\nCherubino: Emily Pogorelc\nMarcellina: Anne Sofie von Otter\nBartolo: Peter Rose\nBasilio: Manuel Günther\nDon Curzio: Dean Power\nBarbarina: Sarah Gilford\nAntonio: Milan Siljanov\nMädchen: Daria Proszek\, Juliana Zara\nPuppenspieler: Axel Bahro\, Thomas Schwendemann \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfigaro \nAbout Le nozze di Figaro: \nThe marriage of Figaro and Susanna is imminent. However\, when Figaro learns that his betrothed is being courted by another\, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera\, first performed in 1786\, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Running sports | New Releases Nike
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/Figaro.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210613T170000
DTEND;TZID=Europe/Paris:20210613T170000
DTSTAMP:20260416T225732
CREATED:20200316T180733Z
LAST-MODIFIED:20210524T074601Z
UID:1510-1623603600-1623603600@www.emilypogorelc.com
SUMMARY:Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
DESCRIPTION:Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano\nIn Italian with English and German surtitles \nMusikalische Leitung (Conductor): Bertrand de Billy\nInszenierung (Director): Lotte de Beer \n#BSOtrittico \nAbout Il Trittico: \nThe thriller on the Seine. The suffering\, death and glorification of a mother\, whose child has been taken from her. And\, as a Satyr play\, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro\, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera\, similar to an epic novel\, he gives prominence to three historical events\, united in one piece of music\, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.Nike Sneakers Store | Nike for Men
URL:https://www.emilypogorelc.com/schedule/il-trittico-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/trittico-1.jpeg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210611T190000
DTEND;TZID=UTC:20210611T190000
DTSTAMP:20260416T225732
CREATED:20200316T180558Z
LAST-MODIFIED:20210524T074346Z
UID:1508-1623438000-1623438000@www.emilypogorelc.com
SUMMARY:Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
DESCRIPTION:Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano\nIn Italian with English and German surtitles \nMusikalische Leitung (Conductor): Bertrand de Billy\nInszenierung (Director): Lotte de Beer \n#BSOtrittico \nAbout Il Trittico: \nThe thriller on the Seine. The suffering\, death and glorification of a mother\, whose child has been taken from her. And\, as a Satyr play\, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro\, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera\, similar to an epic novel\, he gives prominence to three historical events\, united in one piece of music\, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.best Running shoes brand | Nike Air Force 1 Low UV Reactive Swoosh – DA8301-101
URL:https://www.emilypogorelc.com/schedule/il-trittico-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/trittico-1.jpeg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210606T180000
DTEND;TZID=Europe/Paris:20210606T180000
DTSTAMP:20260416T225732
CREATED:20200316T180345Z
LAST-MODIFIED:20210524T074231Z
UID:1502-1623002400-1623002400@www.emilypogorelc.com
SUMMARY:Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
DESCRIPTION:Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano\nIn Italian with English and German surtitles \nMusikalische Leitung (Conductor): Bertrand de Billy\nInszenierung (Director): Lotte de Beer \n#BSOtrittico \nAbout Il Trittico: \nThe thriller on the Seine. The suffering\, death and glorification of a mother\, whose child has been taken from her. And\, as a Satyr play\, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro\, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera\, similar to an epic novel\, he gives prominence to three historical events\, united in one piece of music\, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.jordan Sneakers | Sneakers Nike Shoes
URL:https://www.emilypogorelc.com/schedule/il-trittico/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/trittico-1.jpeg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210522T193000
DTEND;TZID=UTC:20210522T193000
DTSTAMP:20260416T225732
CREATED:20201222T223423Z
LAST-MODIFIED:20210524T071844Z
UID:1717-1621711800-1621711800@www.emilypogorelc.com
SUMMARY:CANCELLED: Nannetta in Verdi's Falstaff
DESCRIPTION:Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare\nIn Italian with English and German surtitles \nConductor: Pinchas Steinberg\nDirector: Mateja Koležnik \nSir John Falstaff: Wolfgang Koch\nFord: Boris Pinkhasovich\nFenton: Bogdan Volkov\nDr. Cajus: Kevin Connors\nBardolfo: Francesco Castoro\nPistola: Callum Thorpe\nMrs. Alice Ford: Olga Bezsmertna\nNannetta: Emily Pogorelc\nMistress Quickly: Okka von der Damerau\nMrs. Meg Page: Dorottya Láng \nAbout Falstaff \nSir John Falstaff\, the enormous\, immense Falstaff\, as he enthusiastically calls himself\, is in dire straits. His belly\, his greatest pride\, synonymous with his stateliness\, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man\, Falstaff’s cunning will come to his aid\, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page\, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are\, however\, well able for the pretentious beau\, as the (lyrical) comedy shifts into gear. \nVerdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece\, Un giorno di regno\, was not a roaring success\, he dared approach the Shakespearean material\, congenially prepared by his librettist\, Arrigo Boito. Falstaff should have spirit\, Verdi wrote Boito\, and he therefore extended the original\, Shakespeare’s The Merry Wives of Windsor\, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time)\, didn’t scrimp on the literary references and poetic artifices\, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed\, fully composed tour de force full of wit and depth\, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are. \nlatest Running | Nike sneakers
URL:https://www.emilypogorelc.com/schedule/nannetta-in-verdis-falstaff-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/falstaff.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210519T190000
DTEND;TZID=UTC:20210519T190000
DTSTAMP:20260416T225732
CREATED:20201222T223122Z
LAST-MODIFIED:20210524T071836Z
UID:1714-1621450800-1621450800@www.emilypogorelc.com
SUMMARY:CANCELLED: Nannetta in Verdi's Falstaff
DESCRIPTION:Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare\nIn Italian with English and German surtitles \nConductor: Pinchas Steinberg\nDirector: Mateja Koležnik \nSir John Falstaff: Wolfgang Koch\nFord: Boris Pinkhasovich\nFenton: Bogdan Volkov\nDr. Cajus: Kevin Connors\nBardolfo: Francesco Castoro\nPistola: Callum Thorpe\nMrs. Alice Ford: Olga Bezsmertna\nNannetta: Emily Pogorelc\nMistress Quickly: Okka von der Damerau\nMrs. Meg Page: Dorottya Láng \nAbout Falstaff \nSir John Falstaff\, the enormous\, immense Falstaff\, as he enthusiastically calls himself\, is in dire straits. His belly\, his greatest pride\, synonymous with his stateliness\, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man\, Falstaff’s cunning will come to his aid\, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page\, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are\, however\, well able for the pretentious beau\, as the (lyrical) comedy shifts into gear. \nVerdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece\, Un giorno di regno\, was not a roaring success\, he dared approach the Shakespearean material\, congenially prepared by his librettist\, Arrigo Boito. Falstaff should have spirit\, Verdi wrote Boito\, and he therefore extended the original\, Shakespeare’s The Merry Wives of Windsor\, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time)\, didn’t scrimp on the literary references and poetic artifices\, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed\, fully composed tour de force full of wit and depth\, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are. \nRunning sneakers | nike girls pegasus 29 size 6.5 inches to feet DJ5065-144 Release Date – Ietp
URL:https://www.emilypogorelc.com/schedule/nannetta-in-verdis-falstaff/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/falstaff.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210516T190000
DTEND;TZID=UTC:20210516T190000
DTSTAMP:20260416T225732
CREATED:20201222T222652Z
LAST-MODIFIED:20210524T071828Z
UID:1710-1621191600-1621191600@www.emilypogorelc.com
SUMMARY:CANCELLED: Nannetta in Verdi's Falstaff
DESCRIPTION:Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare\nIn Italian with English and German surtitles \nConductor: Pinchas Steinberg\nDirector: Mateja Koležnik \nSir John Falstaff: Wolfgang Koch\nFord: Boris Pinkhasovich\nFenton: Bogdan Volkov\nDr. Cajus: Kevin Connors\nBardolfo: Francesco Castoro\nPistola: Callum Thorpe\nMrs. Alice Ford: Olga Bezsmertna\nNannetta: Emily Pogorelc\nMistress Quickly: Okka von der Damerau\nMrs. Meg Page: Dorottya Láng \nAbout Falstaff \nSir John Falstaff\, the enormous\, immense Falstaff\, as he enthusiastically calls himself\, is in dire straits. His belly\, his greatest pride\, synonymous with his stateliness\, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man\, Falstaff’s cunning will come to his aid\, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page\, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are\, however\, well able for the pretentious beau\, as the (lyrical) comedy shifts into gear. \nVerdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece\, Un giorno di regno\, was not a roaring success\, he dared approach the Shakespearean material\, congenially prepared by his librettist\, Arrigo Boito. Falstaff should have spirit\, Verdi wrote Boito\, and he therefore extended the original\, Shakespeare’s The Merry Wives of Windsor\, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time)\, didn’t scrimp on the literary references and poetic artifices\, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed\, fully composed tour de force full of wit and depth\, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are. \nlatest jordans | Men's Casual Shoes\, Trainers\, Sneakers
URL:https://www.emilypogorelc.com/schedule/nannetta-in-falstaff/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/falstaff.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210407T183000
DTEND;TZID=UTC:20210407T183000
DTSTAMP:20260416T225732
CREATED:20201110T182940Z
LAST-MODIFIED:20210310T154652Z
UID:1653-1617820200-1617820200@www.emilypogorelc.com
SUMMARY:CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal (IN CONCERT- PARIS)
DESCRIPTION:A „Bühnenweihfestspiel“ in three acts – 1882 \nComposer + Libretto: Richard Wagner\nIn German with English and German surtitles \nMusikalische Leitung (Conductor): Franz Welser-Möst\nInszenierung (Director): Pierre Audi \nAmfortas: Simon Keenlyside\nTiturel: Bálint Szabó\nGurnemanz: Günther Groissböck\nParsifal: Brandon Jovanovich\nKlingsor: Derek Welton\nKundry: Anja Kampe\nErster Gralsritter: Kevin Conners\nZweiter Gralsritter: Christian Valle\nStimme aus der Höhe: Corinna Scheurle\nErster Knappe: Emily Pogorelc\nZweiter Knappe: Yajie Zhang\nDritter Knappe: Caspar Singh\nVierter Knappe: Dean Power\nZaubermädchen: Emily Pogorelc\, Mirjam Mesak\, Daria Proszek\, Eliza Boom\, Corinna Scheurle\, Yajie Zhang \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOparsifal \nAbout Parsifal: \nNeither balsam\, nor medicinal herbs can provide relief to the wounded and ailing Amfortas\, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound\, but only an outsider\, a “pure fool”\, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery\, towards his destiny as chosen deliverer\, Parsifal is accompanied\, not only by the skilful Grail Knight Gurnemanz\, but also by the enigmatic and seductive Kundry\, who opens his eyes to sensuality and extrasensory experience. \nParsifal\, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“)\, was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals\, as well as in society as a whole\, before proffering miracle remedies with the ability to ease the pain.bridgemedia | Nike Air Force 1’07 Essential blanche et or femme – Chaussures Baskets femme – Gov
URL:https://www.emilypogorelc.com/schedule/1-knappen-klingsors-zaubermadchen-in-parsifal-in-concert-paris/
LOCATION:Théâtre des Champs-Elysées\, 15 Avenue Montaigne\, Paris\, France
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/11/parsifal.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210404T170000
DTEND;TZID=UTC:20210404T170000
DTSTAMP:20260416T225732
CREATED:20201110T181800Z
LAST-MODIFIED:20210310T154702Z
UID:1651-1617555600-1617555600@www.emilypogorelc.com
SUMMARY:CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
DESCRIPTION:A „Bühnenweihfestspiel“ in three acts – 1882 \nComposer + Libretto: Richard Wagner\nIn German with English and German surtitles \nMusikalische Leitung (Conductor): Franz Welser-Möst\nInszenierung (Director): Pierre Audi \nAmfortas: Simon Keenlyside\nTiturel: Bálint Szabó\nGurnemanz: Günther Groissböck\nParsifal: Brandon Jovanovich\nKlingsor: Derek Welton\nKundry: Anja Kampe\nErster Gralsritter: Kevin Conners\nZweiter Gralsritter: Christian Valle\nStimme aus der Höhe: Corinna Scheurle\nErster Knappe: Emily Pogorelc\nZweiter Knappe: Yajie Zhang\nDritter Knappe: Caspar Singh\nVierter Knappe: Dean Power\nZaubermädchen: Emily Pogorelc\, Mirjam Mesak\, Daria Proszek\, Eliza Boom\, Corinna Scheurle\, Yajie Zhang \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOparsifal \nAbout Parsifal: \nNeither balsam\, nor medicinal herbs can provide relief to the wounded and ailing Amfortas\, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound\, but only an outsider\, a “pure fool”\, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery\, towards his destiny as chosen deliverer\, Parsifal is accompanied\, not only by the skilful Grail Knight Gurnemanz\, but also by the enigmatic and seductive Kundry\, who opens his eyes to sensuality and extrasensory experience. \nParsifal\, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“)\, was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals\, as well as in society as a whole\, before proffering miracle remedies with the ability to ease the pain.Best jordan Sneakers | Air Jordan 1 Mid GS “Light Smoke Grey” — Ietp
URL:https://www.emilypogorelc.com/schedule/1-knappen-klingsors-zaubermadchen-in-parsifal-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/11/parsifal.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210401T170000
DTEND;TZID=UTC:20210401T170000
DTSTAMP:20260416T225732
CREATED:20201110T180910Z
LAST-MODIFIED:20210310T154727Z
UID:1643-1617296400-1617296400@www.emilypogorelc.com
SUMMARY:CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
DESCRIPTION:A „Bühnenweihfestspiel“ in three acts – 1882 \nComposer + Libretto: Richard Wagner\nIn German with English and German surtitles \nMusikalische Leitung (Conductor): Franz Welser-Möst\nInszenierung (Director): Pierre Audi \nAmfortas: Simon Keenlyside\nTiturel: Bálint Szabó\nGurnemanz: Günther Groissböck\nParsifal: Brandon Jovanovich\nKlingsor: Derek Welton\nKundry: Anja Kampe\nErster Gralsritter: Kevin Conners\nZweiter Gralsritter: Christian Valle\nStimme aus der Höhe: Corinna Scheurle\nErster Knappe: Emily Pogorelc\nZweiter Knappe: Yajie Zhang\nDritter Knappe: Caspar Singh\nVierter Knappe: Dean Power\nZaubermädchen: Emily Pogorelc\, Mirjam Mesak\, Daria Proszek\, Eliza Boom\, Corinna Scheurle\, Yajie Zhang \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOparsifal \nAbout Parsifal: \nNeither balsam\, nor medicinal herbs can provide relief to the wounded and ailing Amfortas\, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound\, but only an outsider\, a “pure fool”\, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery\, towards his destiny as chosen deliverer\, Parsifal is accompanied\, not only by the skilful Grail Knight Gurnemanz\, but also by the enigmatic and seductive Kundry\, who opens his eyes to sensuality and extrasensory experience. \nParsifal\, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“)\, was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals\, as well as in society as a whole\, before proffering miracle remedies with the ability to ease the pain.Nike Sneakers | Nike for Men
URL:https://www.emilypogorelc.com/schedule/1-knappen-klingsors-zaubermadchen-in-parsifal-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/11/parsifal.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210329T170000
DTEND;TZID=UTC:20210329T170000
DTSTAMP:20260416T225732
CREATED:20201110T180302Z
LAST-MODIFIED:20210310T154738Z
UID:1639-1617037200-1617037200@www.emilypogorelc.com
SUMMARY:CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
DESCRIPTION:A „Bühnenweihfestspiel“ in three acts – 1882 \nComposer + Libretto: Richard Wagner\nIn German with English and German surtitles \nMusikalische Leitung (Conductor): Franz Welser-Möst\nInszenierung (Director): Pierre Audi \nAmfortas: Simon Keenlyside\nTiturel: Bálint Szabó\nGurnemanz: Günther Groissböck\nParsifal: Brandon Jovanovich\nKlingsor: Derek Welton\nKundry: Anja Kampe\nErster Gralsritter: Kevin Conners\nZweiter Gralsritter: Christian Valle\nStimme aus der Höhe: Corinna Scheurle\nErster Knappe: Emily Pogorelc\nZweiter Knappe: Yajie Zhang\nDritter Knappe: Caspar Singh\nVierter Knappe: Dean Power\nZaubermädchen: Emily Pogorelc\, Mirjam Mesak\, Daria Proszek\, Eliza Boom\, Corinna Scheurle\, Yajie Zhang \nBayerisches Staatsorchester\nChildren’s chorus of the Bayerische Staatsoper \n#BSOparsifal \nAbout Parsifal: \nNeither balsam\, nor medicinal herbs can provide relief to the wounded and ailing Amfortas\, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound\, but only an outsider\, a “pure fool”\, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery\, towards his destiny as chosen deliverer\, Parsifal is accompanied\, not only by the skilful Grail Knight Gurnemanz\, but also by the enigmatic and seductive Kundry\, who opens his eyes to sensuality and extrasensory experience. \nParsifal\, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“)\, was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals\, as well as in society as a whole\, before proffering miracle remedies with the ability to ease the pain.latest Running Sneakers | Nike
URL:https://www.emilypogorelc.com/schedule/1-knappen-klingsors-zaubermadchen-in-parsifal/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/11/parsifal.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210322T201500
DTEND;TZID=UTC:20210322T201500
DTSTAMP:20260416T225732
CREATED:20210310T160253Z
LAST-MODIFIED:20210310T160253Z
UID:1736-1616444100-1616444100@www.emilypogorelc.com
SUMMARY:Sofia in Rossini's Il Signor Bruschino
DESCRIPTION:Composed by Gioachino Rossini · Libretto by Giuseppe Maria Foppa\, based upon the 1809 play Le fils par hasard\, ou ruse et folie by René de Chazet and Maurice Ourry \nConductor: Antonino Fogliani\nProduction: Marcus H. Rosenmüller \nGaudenzio: Misha Kiria\nSofia: Emily Pogorelc\nBruschino; padre: Paolo Bordogna\nBruschino\, figlio: Andres Agudelo\nFlorville: Josh Lovell\nUn delegato di Polizia: Andrew Hamilton\nFiliberto: Edwin Crossley-Mercer\nMarianna: Eliza Boom \nAbout Il Signor Bruschino: \nIt’s always the same thing: two elderly gentlemen agree to marry their children without considering it necessary to ask the young people for their opinion beforehand. Usually a fatal undertaking\, as in Gioachino Rossini’s Il Signor Bruschino. Sofia does not want to be married to Mr. Bruschino’s son; but Florville\, who she is in love with. Her guardian Gaudenzio\, however\, considers Florville’s father as his enemy and would never agree to this relationship. When Florville’s father dies\, however\, his son hopes that it this will change the situation for the better and bury the old feud. In the meantime\, Gaudenzio has unfortunately already promised his daughter Sofia to Bruschino’s son. The intended groom ends up accumulating so many debts at the local bar that the innkeeper locks him up in a room. Consequently\, Florville pretends to be his own rival\, whilst he is locked up and wants to trick the old gentleman this way. \nIn his early opera Il Signor Bruschino\, composed in 1813 for the Teatro San Moisè in Venice\, Rossini plays with types of commedia dell’arte and writes an amusing piece about the creative handling of reality and the search of young people for their place in the world. Or\, as Gaudenzio puts it: “In the great world theater\, everyone is looking for his happiness. And no matter how well he may be doing\, man is never satisfied. So let us be joyful and enjoy what is coming. And may our hearts shine with joy and pleasure.”Sports Shoes | Comfortable Nike Air Max Plus TN Ultra Navy Blue 898015-106 Men’s Running Shoes \, Sciaky
URL:https://www.emilypogorelc.com/schedule/sofia-in-rossinis-il-signor-bruschino/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/03/69045549-KarliCadel-Lounge-LostLuggage-0423.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210319T190000
DTEND;TZID=UTC:20210319T190000
DTSTAMP:20260416T225732
CREATED:20201222T221004Z
LAST-MODIFIED:20210310T160319Z
UID:1707-1616180400-1616180400@www.emilypogorelc.com
SUMMARY:CANCELLED: Servilia in Mozart's La Clemenza di Tito
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà\, based on Pietro Metastasio \nConductor: TBA\nDirector: Rodula Gaitanou \nTito: Alek Shrader\nVitellia: Anush Hovhannisyan / Vitellia\nServilia: Emily Pogorelc\nSesto: Annika Schlicht\nAnnio: Ingeborg Gillebo\nPublio: Barnaby Rea \nBergen Philharmonic Orchestra\nEdvard Grieg Choir and guests\n \nAbout La clemenza di Tito: \nMozart’s beautiful last opera is set in Rome\, and explores the appalling jealousies\, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns\, and Sesto\, a young man driven by obsessive love for Vitellia the would-be empress\, is accused of the crime. But Tito decides on mercy rather than the exercise of power. The opera has profound relevance to current times\, and its miraculous music tells a powerful story.jordan release date | Mens Nike Sneakers
URL:https://www.emilypogorelc.com/schedule/servilia-in-mozarts-la-clemenza-di-tito-4/
LOCATION:Grieghallen\, Edvard Griegs plass 1\, Bergen\, 5015\, Norway
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/grieghallen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210317T080000
DTEND;TZID=UTC:20210317T080000
DTSTAMP:20260416T225732
CREATED:20201222T220837Z
LAST-MODIFIED:20210310T160451Z
UID:1704-1615968000-1615968000@www.emilypogorelc.com
SUMMARY:CANCELLED: Servilia in Mozart's La Clemenza di Tito
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà\, based on Pietro Metastasio \nConductor: TBA\nDirector: Rodula Gaitanou \nTito: Alek Shrader\nVitellia: Anush Hovhannisyan / Vitellia\nServilia: Emily Pogorelc\nSesto: Annika Schlicht\nAnnio: Ingeborg Gillebo\nPublio: Barnaby Rea \nBergen Philharmonic Orchestra\nEdvard Grieg Choir and guests\n \nAbout La clemenza di Tito: \nMozart’s beautiful last opera is set in Rome\, and explores the appalling jealousies\, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns\, and Sesto\, a young man driven by obsessive love for Vitellia the would-be empress\, is accused of the crime. But Tito decides on mercy rather than the exercise of power. The opera has profound relevance to current times\, and its miraculous music tells a powerful storySports brands | Nike
URL:https://www.emilypogorelc.com/schedule/servilia-in-mozarts-la-clemenza-di-tito-3/
LOCATION:Grieghallen\, Edvard Griegs plass 1\, Bergen\, 5015\, Norway
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/grieghallen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210315T190000
DTEND;TZID=UTC:20210315T190000
DTSTAMP:20260416T225732
CREATED:20201222T220652Z
LAST-MODIFIED:20210310T160332Z
UID:1702-1615834800-1615834800@www.emilypogorelc.com
SUMMARY:CANCELLED: Servilia in Mozart's La Clemenza di Tito
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà\, based on Pietro Metastasio \nConductor: TBA\nDirector: Rodula Gaitanou \nTito: Alek Shrader\nVitellia: Anush Hovhannisyan / Vitellia\nServilia: Emily Pogorelc\nSesto: Annika Schlicht\nAnnio: Ingeborg Gillebo\nPublio: Barnaby Rea \nBergen Philharmonic Orchestra\nEdvard Grieg Choir and guests\n \nAbout La clemenza di Tito: \nMozart’s beautiful last opera is set in Rome\, and explores the appalling jealousies\, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns\, and Sesto\, a young man driven by obsessive love for Vitellia the would-be empress\, is accused of the crime. But Tito decides on mercy rather than the exercise of power. GrieThe opera has profound relevance to current times\, and its miraculous music tells a powerful storylatest Nike release | Entrainement Nike
URL:https://www.emilypogorelc.com/schedule/servilia-in-mozarts-la-clemenza-di-tito-2/
LOCATION:Grieghallen\, Edvard Griegs plass 1\, Bergen\, 5015\, Norway
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/grieghallen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210313T180000
DTEND;TZID=UTC:20210313T180000
DTSTAMP:20260416T225732
CREATED:20201222T220425Z
LAST-MODIFIED:20210310T160338Z
UID:1697-1615658400-1615658400@www.emilypogorelc.com
SUMMARY:CANCELLED: Servilia in Mozart's La Clemenza di Tito
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà\, based on Pietro Metastasio \nConductor: TBA\nDirector: Rodula Gaitanou \nTito: Alek Shrader\nVitellia: Anush Hovhannisyan / Vitellia\nServilia: Emily Pogorelc\nSesto: Annika Schlicht\nAnnio: Ingeborg Gillebo\nPublio: Barnaby Rea \nBergen Philharmonic Orchestra\nEdvard Grieg Choir and guests\n \nAbout La clemenza di Tito: \nMozart’s beautiful last opera is set in Rome\, and explores the appalling jealousies\, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns\, and Sesto\, a young man driven by obsessive love for Vitellia the would-be empress\, is accused of the crime. But Tito decides on mercy rather than the exercise of power. The opera has profound relevance to current times\, and its miraculous music tells a powerful storyNike footwear | Nike
URL:https://www.emilypogorelc.com/schedule/servilia-in-mozarts-la-clemenza-di-tito/
LOCATION:Grieghallen\, Edvard Griegs plass 1\, Bergen\, 5015\, Norway
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/12/grieghallen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210205T190000
DTEND;TZID=Europe/Paris:20210205T190000
DTSTAMP:20260416T225732
CREATED:20200316T171356Z
LAST-MODIFIED:20210310T154823Z
UID:1500-1612551600-1612551600@www.emilypogorelc.com
SUMMARY:CANCELLED: Marzelline in Fidelio
DESCRIPTION:Composer: Ludwig van Beethoven\nLibretto: Joseph Sonnleithner after the amendments by Georg Friedrich Treitschke after Jean-Nicolas Bouilly’s libretto “Léonore\, ou L’Amour conjugal”\nIn German with German surtitles \nMusikalische Leitung (Conductor): Markus Stenz\nInszenierung (Director): Calixto Bieito \nDon Fernando: Tareq Nazmi\nDon Pizarro: John Lundgren\nFlorestan: Klaus Florian Vogt\nLeonore: Anja Kampe\nRocco: Franz-Josef Selig\nMarzelline: Emily Pogorelc\nJaquino:Dean Power\n1. Gefangener:Caspar Singh\n2. Gefangener: Christian Valle \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfidelio \nAbout Fidelio:\nDressed as a man and calling herself “Fidelio”\, Leonore surreptitiously gains the confidence of the jailer Rocco and his daughter Marzelline\, thus gaining access to the high-security prison where her husband Florestan has been despotically incarcerated by Don Pizarro. Florestan is in mortal danger\, but this does not intimidate his wife\, who is determined to liberate him. Finally\, however\, the two of them can only be rescued by an emissary from the monarch. In the end\, a Utopia in the form of a final chorus sets the stage aglow\, not only as a plea for freedom and justice but also concurrently as a condemnation of the anxieties and restrictions of human existence.latest Nike release | GOLF NIKE SHOES
URL:https://www.emilypogorelc.com/schedule/marzelline-in-fidelio-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/fidelio.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
END:VCALENDAR