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X-WR-CALDESC:Events for Emily Pogorelc
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TZID:UTC
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TZNAME:UTC
DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221120T180000
DTEND;TZID=UTC:20221120T180000
DTSTAMP:20260416T193743
CREATED:20220928T165025Z
LAST-MODIFIED:20220928T165025Z
UID:2029-1668967200-1668967200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221117T200000
DTEND;TZID=UTC:20221117T200000
DTSTAMP:20260416T193743
CREATED:20220928T164327Z
LAST-MODIFIED:20220928T164515Z
UID:2021-1668715200-1668715200@www.emilypogorelc.com
SUMMARY:Vierte Magd in Elektra
DESCRIPTION:Conductor: Vladimir Jurowski\nDirector: Herbert Wernicke \nBayerisches Staatsorchester \n  \nElektra: Elena Pankratova\nKlytämnestra: Violeta Urmana\nChrysothemis: Vida Miknevi\nAegisth: John Daszak\nOrest: Károly Szmerédy\nDer Pfleger des Orest: Bálint Szabó\nDie Vertraute: Xenia Puskorz-Thomas\nDie Schleppträgerin: Jasmin Delfs\nEin junger Diener: Kevin Conners\nEin alter Diener: Martin Snell\nDie Aufseherin: Sinéad Campbell-Wallace\nErste Magd: Lindsay Ammann\nZweite Magd: Emily Sierra\nDritte Magd: Daria Proszek\nVierte Magd: Emily Pogorelc\nFünfte Magd: Evgeniya Sotnikova
URL:https://www.emilypogorelc.com/schedule/vierte-magd-in-elektra/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/R-18380908-1619002714-9731.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221106T140000
DTEND;TZID=UTC:20221106T140000
DTSTAMP:20260416T193743
CREATED:20221001T152241Z
LAST-MODIFIED:20221001T152241Z
UID:2045-1667743200-1667743200@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-4/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T200000
DTEND;TZID=UTC:20221105T200000
DTSTAMP:20260416T193743
CREATED:20221001T152247Z
LAST-MODIFIED:20221001T152247Z
UID:2044-1667678400-1667678400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-3/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221105T150000
DTEND;TZID=UTC:20221105T150000
DTSTAMP:20260416T193743
CREATED:20221001T151955Z
LAST-MODIFIED:20221001T151955Z
UID:2042-1667660400-1667660400@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas-2/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221104T200000
DTEND;TZID=UTC:20221104T200000
DTSTAMP:20260416T193743
CREATED:20221001T151649Z
LAST-MODIFIED:20221001T151756Z
UID:2036-1667592000-1667592000@www.emilypogorelc.com
SUMMARY:Norma in Marina Abramović's 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”
URL:https://www.emilypogorelc.com/schedule/norma-in-marina-abramovics-7-deaths-of-maria-callas/
LOCATION:Koninklijk Theater Carré\, Amstel 115-125\, Amsterdam\, 1018 EM\, Netherlands
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/10/seven-deaths-of-maria-callas-©bayerische-staatsoper-w-hoesl-header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221026T193000
DTEND;TZID=UTC:20221026T193000
DTSTAMP:20260416T193743
CREATED:20220928T155003Z
LAST-MODIFIED:20220928T155724Z
UID:2013-1666812600-1666812600@www.emilypogorelc.com
SUMMARY:Gala Concert with Rolando Villazón in Prague
DESCRIPTION:Italienische Opernarien\, Operetten-Arien und Zarzuelas Gala Concert \nEmily Pogorelc\, soprano \nRolando Villazón\, tenor \nGuerassim Voronkov\, Dirigent/Conductor \nPKF– Prague Philharmonia \n  \nFrom previous concert in Passau: \n“Die an der Münchner Staatsoper tätige Sopranistin Emily Pogorelc beeindruckte in Arien mit herrlicher Stimme und war in Duetten mit Villazon ebenbürtige Partnerin. Umjubelte Höhepunkte waren Mega-Hits wie „Dein ist mein ganzes Herz“\, „Deine Lippen\, die küssen so heiß“. Der stürmische Applaus endete erst nach fünf Zugaben” \n“Soprano Emily Pogorelc\, who is active at the Munich State Opera\, impressed in arias with her magnificent voice and was an equal partner with Villazon in duets. Acclaimed highlights were mega-hits like “Dein ist mein ganzes Herz”\, “Deine Lippen\, die küssen so heiß”. The stormy applause ended only after five encores”.  -Oberösterreichisches Volksblatt
URL:https://www.emilypogorelc.com/schedule/gala-concert-with-rolando-villazon-in-prague/
LOCATION:Rudolfinum\, Alsovo nabrezi 12\, Prague\, 110 00\, Czech Republic
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/IMG_9323.jpg
ORGANIZER;CN="Nachtigall Artists":MAILTO:a.kunertova@nachtigallartists.cz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221016T140000
DTEND;TZID=UTC:20221016T140000
DTSTAMP:20260416T193743
CREATED:20220928T151003Z
LAST-MODIFIED:20220928T151033Z
UID:2010-1665928800-1665928800@www.emilypogorelc.com
SUMMARY:Juliette in Roméo et Juliette
DESCRIPTION:A grand and sweeping retelling of Shakespeare’s most tragic love story comes to light in Charles Gounod’s Roméo et Juliette. Starring Duke Kim as Roméo in his Florentine Opera debut and Milwaukee native Emily Pogorelc as Juliette. Let these young stars sweep you away in this beautiful yet ill-fated romance. \nCONDUCTOR: Francesco Milioto \nSTAGE DIRECTOR: David Lefkowich \n \nRomeo: Duke Kim \nJuliette: Emily Pogorelc \nMercutio: Chris Kenney \nFriar Laurent: Matt Treviño \nCount Capulet: Musa Ngqungwana \nStephano: Cassandra Zoe Velasco \nTybalt: Patrick Bessenbacher \nGertrude: Tzytle Steinman
URL:https://www.emilypogorelc.com/schedule/juliette-in-romeo-et-juliette-2/
LOCATION:Uihlein Hall at Marcus Center of Performing Arts\, 929 N Water St.\, Milwaukee\, WI\, 53202\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/RJGraphic.jpg
ORGANIZER;CN="Florentine Opera":MAILTO:tickets@florentineopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221014T190000
DTEND;TZID=UTC:20221014T190000
DTSTAMP:20260416T193743
CREATED:20220928T150716Z
LAST-MODIFIED:20220928T160006Z
UID:2006-1665774000-1665774000@www.emilypogorelc.com
SUMMARY:Juliette in Roméo et Juliette
DESCRIPTION:A grand and sweeping retelling of Shakespeare’s most tragic love story comes to light in Charles Gounod’s Roméo et Juliette. Starring Duke Kim as Roméo in his Florentine Opera debut and Milwaukee native Emily Pogorelc as Juliette. Let these young stars sweep you away in this beautiful yet ill-fated romance. \nCONDUCTOR: Francesco Milioto  \nSTAGE DIRECTOR: David Lefkowich  \n \nRomeo: Duke Kim \nJuliette: Emily Pogorelc \nMercutio: Chris Kenney \nFriar Laurent: Matt Treviño \nCount Capulet: Musa Ngqungwana \nStephano: Cassandra Zoe Velasco \nTybalt: Patrick Bessenbacher \nGertrude: Tzytle Steinman \n 
URL:https://www.emilypogorelc.com/schedule/juliette-in-romeo-et-juliette/
LOCATION:Uihlein Hall at Marcus Center of Performing Arts\, 929 N Water St.\, Milwaukee\, WI\, 53202\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/RJGraphic.jpg
ORGANIZER;CN="Florentine Opera":MAILTO:tickets@florentineopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220925T190000
DTEND;TZID=UTC:20220925T190000
DTSTAMP:20260416T193743
CREATED:20220911T180505Z
LAST-MODIFIED:20220911T180650Z
UID:1988-1664132400-1664132400@www.emilypogorelc.com
SUMMARY:Gala Concert with Rolando Villazón in Bad Wörishofen
DESCRIPTION:Part of the Festival der Nationen \nItalienische Opernarien\, Operetten-Arien und Zarzuelas Gala Concert \nEmily Pogorelc\, soprano \nRolando Villazón\, tenor \nGuerassim Voronkov\, Dirigent/Conductor \nPhilharmonie Baden-Baden \n  \nFrom previous concert in Passau: \n“Die an der Münchner Staatsoper tätige Sopranistin Emily Pogorelc beeindruckte in Arien mit herrlicher Stimme und war in Duetten mit Villazon ebenbürtige Partnerin. Umjubelte Höhepunkte waren Mega-Hits wie „Dein ist mein ganzes Herz“\, „Deine Lippen\, die küssen so heiß“. Der stürmische Applaus endete erst nach fünf Zugaben” \n“Soprano Emily Pogorelc\, who is active at the Munich State Opera\, impressed in arias with her magnificent voice and was an equal partner with Villazon in duets. Acclaimed highlights were mega-hits like “Dein ist mein ganzes Herz”\, “Deine Lippen\, die küssen so heiß”. The stormy applause ended only after five encores”.  -Oberösterreichisches Volksblatt \n 
URL:https://www.emilypogorelc.com/schedule/gala-concert-with-rolando-villazon-in-bad-worishofen/
LOCATION:Kurhaus\, Hauptstraße 16\, Bad Wörishofen\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2022/09/IMG_8091.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220716T193000
DTEND;TZID=UTC:20220716T193000
DTSTAMP:20260416T193743
CREATED:20220516T143412Z
LAST-MODIFIED:20220516T143412Z
UID:1974-1657999800-1657999800@www.emilypogorelc.com
SUMMARY:Concert with Rolando Villazón and the Württembergische Philharmonie Reutlingen
DESCRIPTION:
URL:https://www.emilypogorelc.com/schedule/concert-with-rolando-villazon-and-the-wurttembergische-philharmonie-reutlingen/
LOCATION:Dreiländerhalle\, Dr.-Emil-Brichta-Straße 11\, Passau\, 94036\, Germany
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220712T190000
DTEND;TZID=UTC:20220712T190000
DTSTAMP:20260416T193743
CREATED:20210830T093234Z
LAST-MODIFIED:20210830T093234Z
UID:1898-1657652400-1657652400@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes [Festspiele Production]
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-festspiele-production/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220709T190000
DTEND;TZID=UTC:20220709T190000
DTSTAMP:20260416T193743
CREATED:20210830T093250Z
LAST-MODIFIED:20210830T093250Z
UID:1899-1657393200-1657393200@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes [Festspiele Production]
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-festspiele-production-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220630
DTEND;VALUE=DATE:20220701
DTSTAMP:20260416T193743
CREATED:20210830T095556Z
LAST-MODIFIED:20210830T095556Z
UID:1923-1656547200-1656633599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-13/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220626
DTEND;VALUE=DATE:20220627
DTSTAMP:20260416T193743
CREATED:20210830T095503Z
LAST-MODIFIED:20210830T095503Z
UID:1922-1656201600-1656287999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-12/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220623
DTEND;VALUE=DATE:20220624
DTSTAMP:20260416T193743
CREATED:20210830T095345Z
LAST-MODIFIED:20210830T095345Z
UID:1921-1655942400-1656028799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-11/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220619
DTEND;VALUE=DATE:20220620
DTSTAMP:20260416T193743
CREATED:20210830T095306Z
LAST-MODIFIED:20210830T095306Z
UID:1920-1655596800-1655683199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-10/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220617
DTEND;VALUE=DATE:20220618
DTSTAMP:20260416T193743
CREATED:20210830T095238Z
LAST-MODIFIED:20210830T095238Z
UID:1919-1655424000-1655510399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-9/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220612
DTEND;VALUE=DATE:20220613
DTSTAMP:20260416T193743
CREATED:20210830T095142Z
LAST-MODIFIED:20210830T095142Z
UID:1918-1654992000-1655078399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-8/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220610
DTSTAMP:20260416T193743
CREATED:20210830T095132Z
LAST-MODIFIED:20210830T095132Z
UID:1917-1654732800-1654819199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-7/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220605
DTEND;VALUE=DATE:20220606
DTSTAMP:20260416T193743
CREATED:20210830T094937Z
LAST-MODIFIED:20210830T094937Z
UID:1916-1654387200-1654473599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-6/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220529
DTEND;VALUE=DATE:20220530
DTSTAMP:20260416T193743
CREATED:20210830T094617Z
LAST-MODIFIED:20210830T094617Z
UID:1912-1653782400-1653868799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-3/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220527
DTEND;VALUE=DATE:20220528
DTSTAMP:20260416T193743
CREATED:20210830T094622Z
LAST-MODIFIED:20210830T094622Z
UID:1911-1653609600-1653695999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-4/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220524
DTEND;VALUE=DATE:20220525
DTSTAMP:20260416T193743
CREATED:20210830T094627Z
LAST-MODIFIED:20210830T094627Z
UID:1910-1653350400-1653436799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-5/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220522
DTEND;VALUE=DATE:20220523
DTSTAMP:20260416T193743
CREATED:20210830T094102Z
LAST-MODIFIED:20210830T094257Z
UID:1903-1653177600-1653263999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-glyndebourne/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220317T193000
DTEND;TZID=UTC:20220317T193000
DTSTAMP:20260416T193743
CREATED:20210804T090132Z
LAST-MODIFIED:20210830T092051Z
UID:1847-1647545400-1647545400@www.emilypogorelc.com
SUMMARY:Soprano Soloist in Brahms Requiem
DESCRIPTION:CONDUCTOR\nBertrand de Billy \nSOLOISTS\nEmily Pogorelc\, soprano\nJóhann Kristinsson\, baritone \nCHOIRS\nMótettukórinn choir and Söngsveitin Fílharmónía choir \n  \nPROGRAM\nOlivier Messiaen Les Offrandes oubliées\nJohannes Brahms Ein deutsches Requiem \n  \nOn February 2\, 1865\, Johannes Brahms received an urgent telegram from his brother Fritz: “If you want to see our mother once again\, come immediately.” At age 76 Brahms’ mother died of a stroke. The loss affected the composer profoundly\, and almost immediately he began work on A German Requiem. The requiem mass was a venerable musical genre by the time Brahms began to compose his\, but Brahms’ requiem would be unlike any other. Instead of setting the traditional Catholic\, Latin text used by Mozart Berlioz\, and countless others\, Brahms created his own highly personal version from excerpts of the Lutheran Bible and apocrypha. Musically\, the requiem was a major milestone in Brahms’ career. Indeed\, it would be the longest and most grandly scored piece he would ever write. Few of Brahms’ works display their influences as openly as the German Requiem does; numerous passages clearly evoke the music of Schumann\, Beethoven and Bach. At the same time\, every measure is unmistakably Brahms. Observe the masterwork in concert with the Iceland Philharmonic in the stunning Harpa Concert Hall.
URL:https://www.emilypogorelc.com/schedule/soprano-soloist-in-brahms-requiem/
LOCATION:Eldborg Concert Hall in Harpa Concert Hall\, Austurbakki 2\, Reykjavík\, 101\, Iceland
ORGANIZER;CN="Iceland Symphony":MAILTO:midasala@harpa.is
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220313T190000
DTEND;TZID=UTC:20220313T190000
DTSTAMP:20260416T193743
CREATED:20210830T092621Z
LAST-MODIFIED:20210830T092621Z
UID:1892-1647198000-1647198000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-5/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220310T190000
DTEND;TZID=UTC:20220310T190000
DTSTAMP:20260416T193743
CREATED:20210830T092612Z
LAST-MODIFIED:20210830T092612Z
UID:1891-1646938800-1646938800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220306T180000
DTEND;TZID=UTC:20220306T180000
DTSTAMP:20260416T193743
CREATED:20210830T092603Z
LAST-MODIFIED:20210830T092603Z
UID:1886-1646589600-1646589600@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T190000
DTSTAMP:20260416T193743
CREATED:20210830T092600Z
LAST-MODIFIED:20210830T092600Z
UID:1887-1646334000-1646334000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
END:VCALENDAR