Emily Pogorelc

Zaunschlüpfer in Die Vögel
2021-07-20 19:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer: Walter Braunfels · Libretto by the composer based on Aristophanes
In German with German and English surtitles | New Production
Musikalische Leitung (Conductor): Ingo Metzmacher
Inszenierung (Director): Frank Castorf
Prometheus: Wolfgang Koch
Wiedhopf, once a man, now King of the Birds: Günter Papendell
Nachtigall: Caroline Wettergreen
Zaunschlüpfer: Emily Pogorelc
1. Drossel: Eliza Boom
2. Drossel: Yalie Zhang
Adler: Bálint Szabó
Rabe: Theodore Platt
Flamingo: George Vîrban
Hoffegut: Charles Workman
Ratefreund: Michael Nagy
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOvögel
More about Die Vogel (The Birds):
Based on Aristophanes’s ancient comedy, The Birds, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris, the birds believe they are the Gods’ equal and can build their own powerful state, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible, with a tragic end for the rebels.
Walter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Running Sneakers Store | Air Jordan 1 Mid GS “Light Smoke Grey” — Ietp

Cherubino in Le nozze di Figaro
2021-07-18 18:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte
In Italian with English and German surtitles
Part of the Munich Opera Festival
Musikalische Leitung (Conductor): Ivor Bolton
Inszenierung (Director): Christof Loy
Graf Almaviva: Ludovic Tézier
Gräfin Almaviva: Federica Lombardi
Susanna: Rosa Feola
Figaro: Alex Esposito
Cherubino: Emily Pogorelc
Marcellina: Anne Sofie von Otter
Bartolo: Peter Rose
Basilio: Manuel Günther
Don Curzio: Dean Power
Barbarina: Sarah Gilford
Antonio: Milan Siljanov
Mädchen: Daria Proszek, Juliana Zara
Puppenspieler: Axel Bahro, Thomas Schwendemann
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOfigaro

About Le nozze di Figaro:
The marriage of Figaro and Susanna is imminent. However, when Figaro learns that his betrothed is being courted by another, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera, first performed in 1786, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Nike footwear | Sneakers Nike

Cherubino in Le nozze di Figaro
2021-07-16 19:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte
In Italian with English and German surtitles
Part of the Munich Opera Festival
Musikalische Leitung (Conductor): Ivor Bolton
Inszenierung (Director): Christof Loy
Graf Almaviva: Ludovic Tézier
Gräfin Almaviva: Federica Lombardi
Susanna: Rosa Feola
Figaro: Alex Esposito
Cherubino: Emily Pogorelc
Marcellina: Anne Sofie von Otter
Bartolo: Peter Rose
Basilio: Manuel Günther
Don Curzio: Dean Power
Barbarina: Sarah Gilford
Antonio: Milan Siljanov
Mädchen: Daria Proszek, Juliana Zara
Puppenspieler: Axel Bahro, Thomas Schwendemann
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOfigaro
About Le nozze di Figaro:
The marriage of Figaro and Susanna is imminent. However, when Figaro learns that his betrothed is being courted by another, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera, first performed in 1786, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Running sports | New Releases Nike

Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
2021-06-13 17:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano
In Italian with English and German surtitles
Musikalische Leitung (Conductor): Bertrand de Billy
Inszenierung (Director): Lotte de Beer
#BSOtrittico
About Il Trittico:
The thriller on the Seine. The suffering, death and glorification of a mother, whose child has been taken from her. And, as a Satyr play, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera, similar to an epic novel, he gives prominence to three historical events, united in one piece of music, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.Nike Sneakers Store | Nike for Men

Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
2021-06-11 19:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano
In Italian with English and German surtitles
Musikalische Leitung (Conductor): Bertrand de Billy
Inszenierung (Director): Lotte de Beer
#BSOtrittico
About Il Trittico:
The thriller on the Seine. The suffering, death and glorification of a mother, whose child has been taken from her. And, as a Satyr play, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera, similar to an epic novel, he gives prominence to three historical events, united in one piece of music, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.best Running shoes brand | Nike Air Force 1 Low UV Reactive Swoosh – DA8301-101

Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
2021-06-06 18:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano
In Italian with English and German surtitles
Musikalische Leitung (Conductor): Bertrand de Billy
Inszenierung (Director): Lotte de Beer
#BSOtrittico
About Il Trittico:
The thriller on the Seine. The suffering, death and glorification of a mother, whose child has been taken from her. And, as a Satyr play, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera, similar to an epic novel, he gives prominence to three historical events, united in one piece of music, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.jordan Sneakers | Sneakers Nike Shoes

CANCELLED: Nannetta in Verdi's Falstaff
2021-05-22 19:30 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare
In Italian with English and German surtitles
Conductor: Pinchas Steinberg
Director: Mateja Koležnik
Sir John Falstaff: Wolfgang Koch
Ford: Boris Pinkhasovich
Fenton: Bogdan Volkov
Dr. Cajus: Kevin Connors
Bardolfo: Francesco Castoro
Pistola: Callum Thorpe
Mrs. Alice Ford: Olga Bezsmertna
Nannetta: Emily Pogorelc
Mistress Quickly: Okka von der Damerau
Mrs. Meg Page: Dorottya Láng
About Falstaff
Sir John Falstaff, the enormous, immense Falstaff, as he enthusiastically calls himself, is in dire straits. His belly, his greatest pride, synonymous with his stateliness, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man, Falstaff’s cunning will come to his aid, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are, however, well able for the pretentious beau, as the (lyrical) comedy shifts into gear.
Verdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece, Un giorno di regno, was not a roaring success, he dared approach the Shakespearean material, congenially prepared by his librettist, Arrigo Boito. Falstaff should have spirit, Verdi wrote Boito, and he therefore extended the original, Shakespeare’s The Merry Wives of Windsor, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time), didn’t scrimp on the literary references and poetic artifices, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed, fully composed tour de force full of wit and depth, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are.
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CANCELLED: Nannetta in Verdi's Falstaff
2021-05-19 19:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare
In Italian with English and German surtitles
Conductor: Pinchas Steinberg
Director: Mateja Koležnik
Sir John Falstaff: Wolfgang Koch
Ford: Boris Pinkhasovich
Fenton: Bogdan Volkov
Dr. Cajus: Kevin Connors
Bardolfo: Francesco Castoro
Pistola: Callum Thorpe
Mrs. Alice Ford: Olga Bezsmertna
Nannetta: Emily Pogorelc
Mistress Quickly: Okka von der Damerau
Mrs. Meg Page: Dorottya Láng
About Falstaff
Sir John Falstaff, the enormous, immense Falstaff, as he enthusiastically calls himself, is in dire straits. His belly, his greatest pride, synonymous with his stateliness, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man, Falstaff’s cunning will come to his aid, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are, however, well able for the pretentious beau, as the (lyrical) comedy shifts into gear.
Verdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece, Un giorno di regno, was not a roaring success, he dared approach the Shakespearean material, congenially prepared by his librettist, Arrigo Boito. Falstaff should have spirit, Verdi wrote Boito, and he therefore extended the original, Shakespeare’s The Merry Wives of Windsor, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time), didn’t scrimp on the literary references and poetic artifices, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed, fully composed tour de force full of wit and depth, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are.
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CANCELLED: Nannetta in Verdi's Falstaff
2021-05-16 19:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giuseppe Verdi · Libretto: Arrigo Boito after The Merry Wives of Windsor and passages from King Henry IV by William Shakespeare
In Italian with English and German surtitles
Conductor: Pinchas Steinberg
Director: Mateja Koležnik
Sir John Falstaff: Wolfgang Koch
Ford: Boris Pinkhasovich
Fenton: Bogdan Volkov
Dr. Cajus: Kevin Connors
Bardolfo: Francesco Castoro
Pistola: Callum Thorpe
Mrs. Alice Ford: Olga Bezsmertna
Nannetta: Emily Pogorelc
Mistress Quickly: Okka von der Damerau
Mrs. Meg Page: Dorottya Láng
About Falstaff
Sir John Falstaff, the enormous, immense Falstaff, as he enthusiastically calls himself, is in dire straits. His belly, his greatest pride, synonymous with his stateliness, requires constant maintenance in the form of an over-abundant supply of food and drinks. His means are therefore exhausted. Coupled with his magnificence as a real man, Falstaff’s cunning will come to his aid, he thinks: He composes identical love letters to Mrs Alice Ford and Mrs Meg Page, to captivate the ladies’ hearts and therewith also capture their husbands’ fortunes. The two “Merry Wives of Windsor” are, however, well able for the pretentious beau, as the (lyrical) comedy shifts into gear.
Verdi’s last opera was only his second excursion into the comedy genre. Almost fifty years after his early piece, Un giorno di regno, was not a roaring success, he dared approach the Shakespearean material, congenially prepared by his librettist, Arrigo Boito. Falstaff should have spirit, Verdi wrote Boito, and he therefore extended the original, Shakespeare’s The Merry Wives of Windsor, with passages from Henry IV (where Shakespeare had Sir John Falstaff appear for the first time), didn’t scrimp on the literary references and poetic artifices, and invented some of the most wonderful tirades in literary history. Verdi followed the libretto with a detailed, fully composed tour de force full of wit and depth, in which the driving grotesque is set just as unrivalled in music as the lyrical moments are.
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CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal (IN CONCERT- PARIS)
2021-04-07 18:30 UTC | Théâtre des Champs-Elysées, 15 Avenue Montaigne, Paris, France
A „Bühnenweihfestspiel“ in three acts – 1882
Composer + Libretto: Richard Wagner
In German with English and German surtitles
Musikalische Leitung (Conductor): Franz Welser-Möst
Inszenierung (Director): Pierre Audi
Amfortas: Simon Keenlyside
Titurel: Bálint Szabó
Gurnemanz: Günther Groissböck
Parsifal: Brandon Jovanovich
Klingsor: Derek Welton
Kundry: Anja Kampe
Erster Gralsritter: Kevin Conners
Zweiter Gralsritter: Christian Valle
Stimme aus der Höhe: Corinna Scheurle
Erster Knappe: Emily Pogorelc
Zweiter Knappe: Yajie Zhang
Dritter Knappe: Caspar Singh
Vierter Knappe: Dean Power
Zaubermädchen: Emily Pogorelc, Mirjam Mesak, Daria Proszek, Eliza Boom, Corinna Scheurle, Yajie Zhang
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOparsifal
About Parsifal:
Neither balsam, nor medicinal herbs can provide relief to the wounded and ailing Amfortas, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound, but only an outsider, a “pure fool”, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery, towards his destiny as chosen deliverer, Parsifal is accompanied, not only by the skilful Grail Knight Gurnemanz, but also by the enigmatic and seductive Kundry, who opens his eyes to sensuality and extrasensory experience.
Parsifal, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“), was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals, as well as in society as a whole, before proffering miracle remedies with the ability to ease the pain.bridgemedia | Nike Air Force 1’07 Essential blanche et or femme – Chaussures Baskets femme – Gov

CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
2021-04-04 17:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
A „Bühnenweihfestspiel“ in three acts – 1882
Composer + Libretto: Richard Wagner
In German with English and German surtitles
Musikalische Leitung (Conductor): Franz Welser-Möst
Inszenierung (Director): Pierre Audi
Amfortas: Simon Keenlyside
Titurel: Bálint Szabó
Gurnemanz: Günther Groissböck
Parsifal: Brandon Jovanovich
Klingsor: Derek Welton
Kundry: Anja Kampe
Erster Gralsritter: Kevin Conners
Zweiter Gralsritter: Christian Valle
Stimme aus der Höhe: Corinna Scheurle
Erster Knappe: Emily Pogorelc
Zweiter Knappe: Yajie Zhang
Dritter Knappe: Caspar Singh
Vierter Knappe: Dean Power
Zaubermädchen: Emily Pogorelc, Mirjam Mesak, Daria Proszek, Eliza Boom, Corinna Scheurle, Yajie Zhang
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOparsifal
About Parsifal:
Neither balsam, nor medicinal herbs can provide relief to the wounded and ailing Amfortas, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound, but only an outsider, a “pure fool”, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery, towards his destiny as chosen deliverer, Parsifal is accompanied, not only by the skilful Grail Knight Gurnemanz, but also by the enigmatic and seductive Kundry, who opens his eyes to sensuality and extrasensory experience.
Parsifal, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“), was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals, as well as in society as a whole, before proffering miracle remedies with the ability to ease the pain.Best jordan Sneakers | Air Jordan 1 Mid GS “Light Smoke Grey” — Ietp

CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
2021-04-01 17:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
A „Bühnenweihfestspiel“ in three acts – 1882
Composer + Libretto: Richard Wagner
In German with English and German surtitles
Musikalische Leitung (Conductor): Franz Welser-Möst
Inszenierung (Director): Pierre Audi
Amfortas: Simon Keenlyside
Titurel: Bálint Szabó
Gurnemanz: Günther Groissböck
Parsifal: Brandon Jovanovich
Klingsor: Derek Welton
Kundry: Anja Kampe
Erster Gralsritter: Kevin Conners
Zweiter Gralsritter: Christian Valle
Stimme aus der Höhe: Corinna Scheurle
Erster Knappe: Emily Pogorelc
Zweiter Knappe: Yajie Zhang
Dritter Knappe: Caspar Singh
Vierter Knappe: Dean Power
Zaubermädchen: Emily Pogorelc, Mirjam Mesak, Daria Proszek, Eliza Boom, Corinna Scheurle, Yajie Zhang
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOparsifal
About Parsifal:
Neither balsam, nor medicinal herbs can provide relief to the wounded and ailing Amfortas, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound, but only an outsider, a “pure fool”, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery, towards his destiny as chosen deliverer, Parsifal is accompanied, not only by the skilful Grail Knight Gurnemanz, but also by the enigmatic and seductive Kundry, who opens his eyes to sensuality and extrasensory experience.
Parsifal, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“), was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals, as well as in society as a whole, before proffering miracle remedies with the ability to ease the pain.Nike Sneakers | Nike for Men

CANCELLED: 1. Knappen / Klingsors Zaubermädchen in Parsifal
2021-03-29 17:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
A „Bühnenweihfestspiel“ in three acts – 1882
Composer + Libretto: Richard Wagner
In German with English and German surtitles
Musikalische Leitung (Conductor): Franz Welser-Möst
Inszenierung (Director): Pierre Audi
Amfortas: Simon Keenlyside
Titurel: Bálint Szabó
Gurnemanz: Günther Groissböck
Parsifal: Brandon Jovanovich
Klingsor: Derek Welton
Kundry: Anja Kampe
Erster Gralsritter: Kevin Conners
Zweiter Gralsritter: Christian Valle
Stimme aus der Höhe: Corinna Scheurle
Erster Knappe: Emily Pogorelc
Zweiter Knappe: Yajie Zhang
Dritter Knappe: Caspar Singh
Vierter Knappe: Dean Power
Zaubermädchen: Emily Pogorelc, Mirjam Mesak, Daria Proszek, Eliza Boom, Corinna Scheurle, Yajie Zhang
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOparsifal
About Parsifal:
Neither balsam, nor medicinal herbs can provide relief to the wounded and ailing Amfortas, ruler of the Grail kingdom. His path to recovery proves to be a complex one. No member of the Grail community can reclaim the spear which inflicted the wound, but only an outsider, a “pure fool”, enlightened by compassion. Only by the tip of this spear touching Amfortas’s wound can he be healed. On his journey of self-discovery, towards his destiny as chosen deliverer, Parsifal is accompanied, not only by the skilful Grail Knight Gurnemanz, but also by the enigmatic and seductive Kundry, who opens his eyes to sensuality and extrasensory experience.
Parsifal, a „Bühnenweihfestspiel“ („A Stage Inauguration Festival Play“), was first performed in Bayreuth in 1882. Richard Wagner’s final musical drama addresses wounds which fester both within individuals, as well as in society as a whole, before proffering miracle remedies with the ability to ease the pain.latest Running Sneakers | Nike

Sofia in Rossini's Il Signor Bruschino
2021-03-22 20:15 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composed by Gioachino Rossini · Libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry
Conductor: Antonino Fogliani
Production: Marcus H. Rosenmüller
Gaudenzio: Misha Kiria
Sofia: Emily Pogorelc
Bruschino; padre: Paolo Bordogna
Bruschino, figlio: Andres Agudelo
Florville: Josh Lovell
Un delegato di Polizia: Andrew Hamilton
Filiberto: Edwin Crossley-Mercer
Marianna: Eliza Boom
About Il Signor Bruschino:
It’s always the same thing: two elderly gentlemen agree to marry their children without considering it necessary to ask the young people for their opinion beforehand. Usually a fatal undertaking, as in Gioachino Rossini’s Il Signor Bruschino. Sofia does not want to be married to Mr. Bruschino’s son; but Florville, who she is in love with. Her guardian Gaudenzio, however, considers Florville’s father as his enemy and would never agree to this relationship. When Florville’s father dies, however, his son hopes that it this will change the situation for the better and bury the old feud. In the meantime, Gaudenzio has unfortunately already promised his daughter Sofia to Bruschino’s son. The intended groom ends up accumulating so many debts at the local bar that the innkeeper locks him up in a room. Consequently, Florville pretends to be his own rival, whilst he is locked up and wants to trick the old gentleman this way.
In his early opera Il Signor Bruschino, composed in 1813 for the Teatro San Moisè in Venice, Rossini plays with types of commedia dell’arte and writes an amusing piece about the creative handling of reality and the search of young people for their place in the world. Or, as Gaudenzio puts it: “In the great world theater, everyone is looking for his happiness. And no matter how well he may be doing, man is never satisfied. So let us be joyful and enjoy what is coming. And may our hearts shine with joy and pleasure.”Sports Shoes | Comfortable Nike Air Max Plus TN Ultra Navy Blue 898015-106 Men’s Running Shoes , Sciaky

CANCELLED: Servilia in Mozart's La Clemenza di Tito
2021-03-19 19:00 UTC | Grieghallen, Edvard Griegs plass 1, Bergen, 5015, Norway
Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà, based on Pietro Metastasio
Conductor: TBA
Director: Rodula Gaitanou
Tito: Alek Shrader
Vitellia: Anush Hovhannisyan / Vitellia
Servilia: Emily Pogorelc
Sesto: Annika Schlicht
Annio: Ingeborg Gillebo
Publio: Barnaby Rea
Bergen Philharmonic Orchestra
Edvard Grieg Choir and guests

About La clemenza di Tito:
Mozart’s beautiful last opera is set in Rome, and explores the appalling jealousies, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns, and Sesto, a young man driven by obsessive love for Vitellia the would-be empress, is accused of the crime. But Tito decides on mercy rather than the exercise of power. The opera has profound relevance to current times, and its miraculous music tells a powerful story.jordan release date | Mens Nike Sneakers

CANCELLED: Servilia in Mozart's La Clemenza di Tito
2021-03-17 08:00 UTC | Grieghallen, Edvard Griegs plass 1, Bergen, 5015, Norway
Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà, based on Pietro Metastasio
Conductor: TBA
Director: Rodula Gaitanou
Tito: Alek Shrader
Vitellia: Anush Hovhannisyan / Vitellia
Servilia: Emily Pogorelc
Sesto: Annika Schlicht
Annio: Ingeborg Gillebo
Publio: Barnaby Rea
Bergen Philharmonic Orchestra
Edvard Grieg Choir and guests

About La clemenza di Tito:
Mozart’s beautiful last opera is set in Rome, and explores the appalling jealousies, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns, and Sesto, a young man driven by obsessive love for Vitellia the would-be empress, is accused of the crime. But Tito decides on mercy rather than the exercise of power. The opera has profound relevance to current times, and its miraculous music tells a powerful storySports brands | Nike

CANCELLED: Servilia in Mozart's La Clemenza di Tito
2021-03-15 19:00 UTC | Grieghallen, Edvard Griegs plass 1, Bergen, 5015, Norway
Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà, based on Pietro Metastasio
Conductor: TBA
Director: Rodula Gaitanou
Tito: Alek Shrader
Vitellia: Anush Hovhannisyan / Vitellia
Servilia: Emily Pogorelc
Sesto: Annika Schlicht
Annio: Ingeborg Gillebo
Publio: Barnaby Rea
Bergen Philharmonic Orchestra
Edvard Grieg Choir and guests

About La clemenza di Tito:
Mozart’s beautiful last opera is set in Rome, and explores the appalling jealousies, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns, and Sesto, a young man driven by obsessive love for Vitellia the would-be empress, is accused of the crime. But Tito decides on mercy rather than the exercise of power. GrieThe opera has profound relevance to current times, and its miraculous music tells a powerful storylatest Nike release | Entrainement Nike

CANCELLED: Servilia in Mozart's La Clemenza di Tito
2021-03-13 18:00 UTC | Grieghallen, Edvard Griegs plass 1, Bergen, 5015, Norway
Composer Wolfgang Amadeus Mozart · Libretto by Caterino Mazzolà, based on Pietro Metastasio
Conductor: TBA
Director: Rodula Gaitanou
Tito: Alek Shrader
Vitellia: Anush Hovhannisyan / Vitellia
Servilia: Emily Pogorelc
Sesto: Annika Schlicht
Annio: Ingeborg Gillebo
Publio: Barnaby Rea
Bergen Philharmonic Orchestra
Edvard Grieg Choir and guests

About La clemenza di Tito:
Mozart’s beautiful last opera is set in Rome, and explores the appalling jealousies, ambitions and desperate love affairs during the reign of the emperor Tito. Rome burns, and Sesto, a young man driven by obsessive love for Vitellia the would-be empress, is accused of the crime. But Tito decides on mercy rather than the exercise of power. The opera has profound relevance to current times, and its miraculous music tells a powerful storyNike footwear | Nike

CANCELLED: Marzelline in Fidelio
2021-02-05 19:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer: Ludwig van Beethoven
Libretto: Joseph Sonnleithner after the amendments by Georg Friedrich Treitschke after Jean-Nicolas Bouilly’s libretto “Léonore, ou L’Amour conjugal”
In German with German surtitles
Musikalische Leitung (Conductor): Markus Stenz
Inszenierung (Director): Calixto Bieito
Don Fernando: Tareq Nazmi
Don Pizarro: John Lundgren
Florestan: Klaus Florian Vogt
Leonore: Anja Kampe
Rocco: Franz-Josef Selig
Marzelline: Emily Pogorelc
Jaquino:Dean Power
1. Gefangener:Caspar Singh
2. Gefangener: Christian Valle
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOfidelio
About Fidelio:
Dressed as a man and calling herself “Fidelio”, Leonore surreptitiously gains the confidence of the jailer Rocco and his daughter Marzelline, thus gaining access to the high-security prison where her husband Florestan has been despotically incarcerated by Don Pizarro. Florestan is in mortal danger, but this does not intimidate his wife, who is determined to liberate him. Finally, however, the two of them can only be rescued by an emissary from the monarch. In the end, a Utopia in the form of a final chorus sets the stage aglow, not only as a plea for freedom and justice but also concurrently as a condemnation of the anxieties and restrictions of human existence.latest Nike release | GOLF NIKE SHOES

CANCELLED: Marzelline in Fidelio
2021-02-01 19:30 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer: Ludwig van Beethoven
Libretto: Joseph Sonnleithner after the amendments by Georg Friedrich Treitschke after Jean-Nicolas Bouilly’s libretto “Léonore, ou L’Amour conjugal”
In German with German surtitles
Musikalische Leitung (Conductor): Markus Stenz
Inszenierung (Director): Calixto Bieito
Don Fernando: Tareq Nazmi
Don Pizarro: John Lundgren
Florestan: Klaus Florian Vogt
Leonore: Anja Kampe
Rocco: Franz-Josef Selig
Marzelline: Emily Pogorelc
Jaquino:Dean Power
1. Gefangener:Caspar Singh
2. Gefangener: Christian Valle
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOfidelio
About Fidelio:
Dressed as a man and calling herself “Fidelio”, Leonore surreptitiously gains the confidence of the jailer Rocco and his daughter Marzelline, thus gaining access to the high-security prison where her husband Florestan has been despotically incarcerated by Don Pizarro. Florestan is in mortal danger, but this does not intimidate his wife, who is determined to liberate him. Finally, however, the two of them can only be rescued by an emissary from the monarch. In the end, a Utopia in the form of a final chorus sets the stage aglow, not only as a plea for freedom and justice but also concurrently as a condemnation of the anxieties and restrictions of human existence.jordan release date | nike shox white gold women watches amazon india DA8301-101 Release Date – SBD

CANCELLED: Marzelline in Fidelio
2021-01-29 19:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer: Ludwig van Beethoven
Libretto: Joseph Sonnleithner after the amendments by Georg Friedrich Treitschke after Jean-Nicolas Bouilly’s libretto “Léonore, ou L’Amour conjugal”
In German with German surtitles
Musikalische Leitung (Conductor): Markus Stenz
Inszenierung (Director): Calixto Bieito
Don Fernando: Tareq Nazmi
Don Pizarro: John Lundgren
Florestan: Klaus Florian Vogt
Leonore: Anja Kampe
Rocco: Franz-Josef Selig
Marzelline: Emily Pogorelc
Jaquino:Dean Power
1. Gefangener:Caspar Singh
2. Gefangener: Christian Valle
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOfidelio
About Fidelio:
Dressed as a man and calling herself “Fidelio”, Leonore surreptitiously gains the confidence of the jailer Rocco and his daughter Marzelline, thus gaining access to the high-security prison where her husband Florestan has been despotically incarcerated by Don Pizarro. Florestan is in mortal danger, but this does not intimidate his wife, who is determined to liberate him. Finally, however, the two of them can only be rescued by an emissary from the monarch. In the end, a Utopia in the form of a final chorus sets the stage aglow, not only as a plea for freedom and justice but also concurrently as a condemnation of the anxieties and restrictions of human existence.Adidas shoes | Men’s shoes

Marzelline in Fidelio -- CANCELLED
2021-01-26 19:30 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer: Ludwig van Beethoven
Libretto: Joseph Sonnleithner after the amendments by Georg Friedrich Treitschke after Jean-Nicolas Bouilly’s libretto “Léonore, ou L’Amour conjugal”
In German with German surtitles
Musikalische Leitung (Conductor): Markus Stenz
Inszenierung (Director): Calixto Bieito
Don Fernando: Tareq Nazmi
Don Pizarro: John Lundgren
Florestan: Klaus Florian Vogt
Leonore: Anja Kampe
Rocco: Franz-Josef Selig
Marzelline: Emily Pogorelc
Jaquino:Dean Power
1. Gefangener:Caspar Singh
2. Gefangener: Christian Valle
Bayerisches Staatsorchester
Chorus of the Bayerische Staatsoper
#BSOfidelio
About Fidelio:
Dressed as a man and calling herself “Fidelio”, Leonore surreptitiously gains the confidence of the jailer Rocco and his daughter Marzelline, thus gaining access to the high-security prison where her husband Florestan has been despotically incarcerated by Don Pizarro. Florestan is in mortal danger, but this does not intimidate his wife, who is determined to liberate him. Finally, however, the two of them can only be rescued by an emissary from the monarch. In the end, a Utopia in the form of a final chorus sets the stage aglow, not only as a plea for freedom and justice but also concurrently as a condemnation of the anxieties and restrictions of human existence.Authentic Nike Sneakers | Sneakers

Oscar in Un Ballo in maschera -- CANCELLED
2021-01-17 18:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giuseppe Verdi · Libretto by Antonio Somma
In Italian with English and German surtitles
Conductor: Paolo Carignani
Director: Johannes Erath
Riccardo: Joseph Calleja
Renato: Vladislav Sulimski
Amelia: Sondra Radvanovsky
Ulrica: Okka von der Damerau
Oscar: Emily Pogorelc
Silvano: Boris Prýgl
Samuel: Anatoli Sivko
Tom: Bálint Szabó
Oberster Richter: Ulrich Reß
Diener Amelias: George Vîrban
About Ballo
A governor, his friend, the friend’s wife. A love triangle straight out of a romance novel. The soprano between the tenor and the baritone. But, in Verdi’s Ballo in maschera all the protagonists are two-faced. Riccardo, the governor, is lauded as a just sovereign, yet shirks responsibility and seeks refuge from tedium in all manner of distractions – the ultimate kick for a man such as he can only be to risk his own life.latest Nike Sneakers | Sneakers – ΦΘΗΝΑ ΠΑΠΟΥΤΣΙΑ 2020

Oscar in Un Ballo in maschera -- CANCELLED
2021-01-13 19:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giuseppe Verdi · Libretto by Antonio Somma
In Italian with English and German surtitles
Conductor: Paolo Carignani
Director: Johannes Erath
Riccardo: Joseph Calleja
Renato: Vladislav Sulimski
Amelia: Sondra Radvanovsky
Ulrica: Okka von der Damerau
Oscar: Emily Pogorelc
Silvano: Boris Prýgl
Samuel: Anatoli Sivko
Tom: Bálint Szabó
Oberster Richter: Ulrich Reß
Diener Amelias: George Vîrban
About Ballo
A governor, his friend, the friend’s wife. A love triangle straight out of a romance novel. The soprano between the tenor and the baritone. But, in Verdi’s Ballo in maschera all the protagonists are two-faced. Riccardo, the governor, is lauded as a just sovereign, yet shirks responsibility and seeks refuge from tedium in all manner of distractions – the ultimate kick for a man such as he can only be to risk his own life.Sport media | adidas Yeezy Foam Runner Mineral Blue – Grailify

Oscar in Un Ballo in maschera -- CANCELLED
2021-01-10 19:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Composer Giuseppe Verdi · Libretto by Antonio Somma
In Italian with English and German surtitles
Conductor: Paolo Carignani
Director: Johannes Erath
Riccardo: Joseph Calleja
Renato: Vladislav Sulimski
Amelia: Sondra Radvanovsky
Ulrica: Okka von der Damerau
Oscar: Emily Pogorelc
Silvano: Boris Prýgl
Samuel: Anatoli Sivko
Tom: Bálint Szabó
Oberster Richter: Ulrich Reß
Diener Amelias: George Vîrban
About Ballo
A governor, his friend, the friend’s wife. A love triangle straight out of a romance novel. The soprano between the tenor and the baritone. But, in Verdi’s Ballo in maschera all the protagonists are two-faced. Riccardo, the governor, is lauded as a just sovereign, yet shirks responsibility and seeks refuge from tedium in all manner of distractions – the ultimate kick for a man such as he can only be to risk his own life.Running sport media | Women's Nike Superrep

Gretel in Hänsel und Gretel [STREAM]
2020-12-24 - 2020-12-26 | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Fairy Tale Opera in Three Acts
Composer: Engelbert Humperdinck · Libretto: Adelheid Wette
In German with English and German surtitles
HOLIDAY ONLINE EVENT
Streaming costfree on Staatsoper.tv from December 24-26
Streaming on demand from December 27th- January 27th, 2021
As part of a holiday offering from the Bayerische Staatsoper, Hänsel und Gretel will be streaming on-demand for a short period of time.
Besetzung:
Musikalische Leitung (Conductor): Friedrich Haider
Inszenierung (Director): Richard Jones
Peter, Besenbinder: Milan Siljanov
Gertrud: Okka von der Damerau
Hänsel: Tara Erraught
Gretel: Emily Pogorelc
Die Knusperhexe: Kevin Conners
Sandmännchen: Daria Proszek
Taumännchen: Sarah Gilfrord
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOhänsel
About Hänsel und Gretel:
Since its first performance in 1893, Humperdinck’s most famous opera Hansel and Gretel has remained constantly popular, becoming over the generations almost synonymous with the first family visit to the opera. “Brother come and dance with me!“ – “Susie, dear Susie” – a dancing brother and sister, the Dew Fairy and the Sandman, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship, hunger and the desire for abundance with a clear moral: “When the need is greatest, God the Lord puts out His hand!“
And, in Richard Jones’ opulent, brilliant setting, it’s a real must!Buy Sneakers | Nike nike air max 1 canvas clay green black dress UV White – Grailify

Gretel in Hänsel und Gretel -- CANCELLED
2020-12-15 19:00 - 22:00 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Fairy Tale Opera in Three Acts
Composer: Engelbert Humperdinck · Libretto: Adelheid Wette
In German with English and German surtitles
Musikalische Leitung (Conductor): Friedrich Haider
Inszenierung (Director): Richard Jones
Peter, Besenbinder: Milan Siljanov
Gertrud: Rosie Aldridge
Hänsel: Corinna Scheurle
Gretel: Emily Pogorelc
Die Knusperhexe: Kevin Conners
Sandmännchen: Daria Proszek
Taumännchen: Sarah Gilfrord
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOhänsel
About Hänsel und Gretel:
Since its first performance in 1893, Humperdinck’s most famous opera Hansel and Gretel has remained constantly popular, becoming over the generations almost synonymous with the first family visit to the opera. “Brother come and dance with me!“ – “Susie, dear Susie” – a dancing brother and sister, the Dew Fairy and the Sandman, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship, hunger and the desire for abundance with a clear moral: “When the need is greatest, God the Lord puts out His hand!“
And, in Richard Jones’ opulent, brilliant setting, it’s a real must!Running Sneakers Store | Nike

Gretel in Hänsel und Gretel -- CANCELLED
2020-12-13 11:00 (Europe/Paris) | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
Fairy Tale Opera in Three Acts
Composer: Engelbert Humperdinck · Libretto: Adelheid Wette
In German with English and German surtitles
Musikalische Leitung (Conductor): Friedrich Haider
Inszenierung (Director): Richard Jones
Peter, Besenbinder: Milan Siljanov
Gertrud: Rosie Aldridge
Hänsel: Corinna Scheurle
Gretel: Emily Pogorelc
Die Knusperhexe: Kevin Conners
Sandmännchen: Daria Proszek
Taumännchen: Sarah Gilfrord
Bayerisches Staatsorchester
Children’s chorus of the Bayerische Staatsoper
#BSOhänsel
About Hänsel und Gretel:
Since its first performance in 1893, Humperdinck’s most famous opera Hansel and Gretel has remained constantly popular, becoming over the generations almost synonymous with the first family visit to the opera. “Brother come and dance with me!“ – “Susie, dear Susie” – a dancing brother and sister, the Dew Fairy and the Sandman, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship, hunger and the desire for abundance with a clear moral: “When the need is greatest, God the Lord puts out His hand!“
And, in Richard Jones’ opulent, brilliant setting, it’s a real must!latest jordans | Nike

Aspasia in Mozart's Mitridate -- CANCELLED
2020-11-26 19:00 UTC | Queen Elizabeth Hall at Southbank Centre, Belvedere Road, London, SE1 8XX, United Kingdom
Composer W.A.Mozart · Libretti by Vittorio Amedeo Cigna-Santi
Based on Jean Racine’s play Mithridate
Ian Page conducts an outstanding cast in a concert performance for the opera’s 250th anniversary.
Conductor: Ian Page
The Mozartists
Mitridate: Stuart Jackson
Aspasia: Emily Pogorelc
Sifare: Samantha Clarke
Farnace: Patrick Terry
Ismene: Soraya Mafi
Arbate: TBA
About Mitridate:
It’s the 250th anniversary of the 14-year-old Mozart’s ambitious opera — celebrate it by hearing it performed on period instruments by The Mozartists. Mitridate, re di Ponto was first heard at the Teatro Regio Ducale in Milan on 26 December 1770. The piece marked the end of Mozart’s first trip to Italy, and was the first operatic success for the composer still a month short of his 15th birthday. Based on Racine’s tragedy Mithridate, the story is set in a port on the southern shores of the Black Sea. King of Pontus, Mitridate, has just been defeated by the Roman army, and is rumored to have been killed. His two sons see the opportunity to make advances on Mitridate’s beautiful fiancée, but all is not as it seems. Infatuated love, filial duty and the lust for power are played out in an astonishing score, displaying young Mozart’s stunning virtuosity, insight and beauty. latest jordans | Men Nike Footwear

Soloist in Ballo Barock
2020-11-09 20:15 UTC | Bayerische Staatsoper Nationaltheater, Max-Joseph-Platz 2, München, D-80539, Germany
A live-streamed concert from the stage of Bayerische Staatsoper, this program is made of up of excerpts from Purcell’s Fairy Queen and King Arthur and Monteverdi’s Il Ballo delle Ingrate from Madrigali Guerrieri et Amorosi
Chad Kelly, conductor, harpsichord
Emily Pogorelc, soprano
Corinna Scheurle, mezzo-soprano
Caspar Singh, tenor
Martin Snell, bass
Members of the Bayerische Staatsoper Orchestra
Streaming live on the Bayerische Staatsoper website till December
Running sports | Mens Flynit Trainers
