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DTSTART;VALUE=DATE:20220612
DTEND;VALUE=DATE:20220613
DTSTAMP:20260416T223154
CREATED:20210830T095142Z
LAST-MODIFIED:20210830T095142Z
UID:1918-1654992000-1655078399@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-8/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220609
DTEND;VALUE=DATE:20220610
DTSTAMP:20260416T223154
CREATED:20210830T095132Z
LAST-MODIFIED:20210830T095132Z
UID:1917-1654732800-1654819199@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-7/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220605
DTEND;VALUE=DATE:20220606
DTSTAMP:20260416T223154
CREATED:20210830T094937Z
LAST-MODIFIED:20210830T094937Z
UID:1916-1654387200-1654473599@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-6/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220529
DTEND;VALUE=DATE:20220530
DTSTAMP:20260416T223154
CREATED:20210830T094617Z
LAST-MODIFIED:20210830T094617Z
UID:1912-1653782400-1653868799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-3/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220527
DTEND;VALUE=DATE:20220528
DTSTAMP:20260416T223154
CREATED:20210830T094622Z
LAST-MODIFIED:20210830T094622Z
UID:1911-1653609600-1653695999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-4/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220524
DTEND;VALUE=DATE:20220525
DTSTAMP:20260416T223154
CREATED:20210830T094627Z
LAST-MODIFIED:20210830T094627Z
UID:1910-1653350400-1653436799@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Conductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct. \nA revival of the Festival 2012 production. Sung in Italian with English supertitles
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-5/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220522
DTEND;VALUE=DATE:20220523
DTSTAMP:20260416T223154
CREATED:20210830T094102Z
LAST-MODIFIED:20210830T094257Z
UID:1903-1653177600-1653263999@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Opera by W. A. Mozart | Libretto by Lorenzo da Ponte \nA revival of the Festival 2012 production. Sung in Italian with English supertitles \nConductor: Giancarlo Andretta\nNicholas Carter (June 26\, 30) \nDirector: Michael Grandage \nFigaro: Brandon Cedel\nSusanna: Hera Hyesang Park\nCount: Germán Olvera\nCountess: Amanda Woodbury\nBartolo: Péter Kálmán\nMarcellina: Rosie Aldridge\nCherubino: Emily Pogorelc\nDon Basilio: François Piolino\nDon Curzio: Colin Judson \nLondon Philharmonic Orchestra\nThe Glyndebourne Chorus \nOne wedding; one marriage on the rocks; one scheme; one day. \nWhen a womanising aristocrat tries to seduce his valet’s pretty young fiancée\, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched\, promises made (and broken) and disguises donned\, as Mozart’s ‘mad day’ unfolds. \nA revolutionary comedy in every sense\, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed\, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling\, fallible and all too familiar personalities. \nDirector Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-glyndebourne/
LOCATION:Glyndebourne Opera\, GLYNDEBOURNE\, Lewes\, East Sussex\, BN8 5UU\, United Kingdom
CATEGORIES:Current Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220317T193000
DTEND;TZID=UTC:20220317T193000
DTSTAMP:20260416T223154
CREATED:20210804T090132Z
LAST-MODIFIED:20210830T092051Z
UID:1847-1647545400-1647545400@www.emilypogorelc.com
SUMMARY:Soprano Soloist in Brahms Requiem
DESCRIPTION:CONDUCTOR\nBertrand de Billy \nSOLOISTS\nEmily Pogorelc\, soprano\nJóhann Kristinsson\, baritone \nCHOIRS\nMótettukórinn choir and Söngsveitin Fílharmónía choir \n  \nPROGRAM\nOlivier Messiaen Les Offrandes oubliées\nJohannes Brahms Ein deutsches Requiem \n  \nOn February 2\, 1865\, Johannes Brahms received an urgent telegram from his brother Fritz: “If you want to see our mother once again\, come immediately.” At age 76 Brahms’ mother died of a stroke. The loss affected the composer profoundly\, and almost immediately he began work on A German Requiem. The requiem mass was a venerable musical genre by the time Brahms began to compose his\, but Brahms’ requiem would be unlike any other. Instead of setting the traditional Catholic\, Latin text used by Mozart Berlioz\, and countless others\, Brahms created his own highly personal version from excerpts of the Lutheran Bible and apocrypha. Musically\, the requiem was a major milestone in Brahms’ career. Indeed\, it would be the longest and most grandly scored piece he would ever write. Few of Brahms’ works display their influences as openly as the German Requiem does; numerous passages clearly evoke the music of Schumann\, Beethoven and Bach. At the same time\, every measure is unmistakably Brahms. Observe the masterwork in concert with the Iceland Philharmonic in the stunning Harpa Concert Hall.
URL:https://www.emilypogorelc.com/schedule/soprano-soloist-in-brahms-requiem/
LOCATION:Eldborg Concert Hall in Harpa Concert Hall\, Austurbakki 2\, Reykjavík\, 101\, Iceland
ORGANIZER;CN="Iceland Symphony":MAILTO:midasala@harpa.is
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220313T190000
DTEND;TZID=UTC:20220313T190000
DTSTAMP:20260416T223154
CREATED:20210830T092621Z
LAST-MODIFIED:20210830T092621Z
UID:1892-1647198000-1647198000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-5/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220310T190000
DTEND;TZID=UTC:20220310T190000
DTSTAMP:20260416T223154
CREATED:20210830T092612Z
LAST-MODIFIED:20210830T092612Z
UID:1891-1646938800-1646938800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220306T180000
DTEND;TZID=UTC:20220306T180000
DTSTAMP:20260416T223154
CREATED:20210830T092603Z
LAST-MODIFIED:20210830T092603Z
UID:1886-1646589600-1646589600@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T190000
DTSTAMP:20260416T223154
CREATED:20210830T092600Z
LAST-MODIFIED:20210830T092600Z
UID:1887-1646334000-1646334000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220228T190000
DTEND;TZID=UTC:20220228T190000
DTSTAMP:20260416T223154
CREATED:20210830T091243Z
LAST-MODIFIED:20210830T091243Z
UID:1884-1646074800-1646074800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe\nIn English · With Subtitles in German and English \nConductor: Edward Gardner\nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton\nEllen Orford: Rachel Willis-Sørensen\nBalstrode: Iain Paterson\nAuntie: Claudia Mahnke\n1. Nichte: Lindsay Ohse\n2. Nichte: Emily Pogorelc\nBob Boles: Kevin Conners\nSwallow: Brindley Sherratt\nMrs. Sedley: Jennifer Johnston\nRev. Horace Adams: Paul Groves\nNed Keene: Konstantin Krimmel\nHobson: Daniel Noyola \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper\nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220126T190000
DTEND;TZID=Europe/Helsinki:20220126T190000
DTSTAMP:20260416T223154
CREATED:20210830T084148Z
LAST-MODIFIED:20210830T084148Z
UID:1878-1643223600-1643223600@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220123T190000
DTEND;TZID=Europe/Helsinki:20220123T190000
DTSTAMP:20260416T223154
CREATED:20210830T084112Z
LAST-MODIFIED:20210830T084112Z
UID:1880-1642964400-1642964400@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220118T193000
DTEND;TZID=Europe/Helsinki:20220118T193000
DTSTAMP:20260416T223154
CREATED:20210830T083752Z
LAST-MODIFIED:20210830T083752Z
UID:1876-1642534200-1642534200@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220109T180000
DTEND;TZID=Europe/Helsinki:20220109T180000
DTSTAMP:20260416T223154
CREATED:20210830T082933Z
LAST-MODIFIED:20210830T084020Z
UID:1874-1641751200-1641751200@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220107T190000
DTEND;TZID=Europe/Paris:20220107T190000
DTSTAMP:20260416T223154
CREATED:20210830T082651Z
LAST-MODIFIED:20210830T082651Z
UID:1868-1641582000-1641582000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220105T193000
DTEND;TZID=Europe/Paris:20220105T193000
DTSTAMP:20260416T223154
CREATED:20210830T082431Z
LAST-MODIFIED:20210830T082659Z
UID:1867-1641411000-1641411000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc \nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211217T193000
DTEND;TZID=UTC:20211217T193000
DTSTAMP:20260416T223154
CREATED:20210625T081719Z
LAST-MODIFIED:20210625T081719Z
UID:1818-1639769400-1639769400@www.emilypogorelc.com
SUMMARY:Adina in L'elisir d'amore
DESCRIPTION:Composer Gaetano Donizetti · Felice Romani after Eugène Scribe\nItalian with English and German surtitles \nMusikalische Leitung: Evelino Pidò\nInszenierung: David Bösch \nAdina: Emily Pogorelc\nNemorino: Bogdan Volkov\nBelcore: Andrè Schuen\nDulcamara: Erwin Schrott\nGiannetta: Jessica Niles \nBayerisches Staatsorchester\nChor der Bayerischen Staatsoper \nVariety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier\, even if it might lead to an untimely death. \nBut what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor\, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil\, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy. \nAnd the listeners are left with the hope that this music might be able to transform them\, too.Running Sneakers | Men’s shoes
URL:https://www.emilypogorelc.com/schedule/adina-in-lelisir-damore-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211214T190000
DTEND;TZID=UTC:20211214T190000
DTSTAMP:20260416T223154
CREATED:20210625T081201Z
LAST-MODIFIED:20210625T081341Z
UID:1816-1639508400-1639508400@www.emilypogorelc.com
SUMMARY:Adina in L'elisir d'amore
DESCRIPTION:Composer Gaetano Donizetti · Felice Romani after Eugène Scribe\nItalian with English and German surtitles \nMusikalische Leitung: Evelino Pidò\nInszenierung: David Bösch \nAdina: Emily Pogorelc\nNemorino: Bogdan Volkov\nBelcore: Andrè Schuen\nDulcamara: Erwin Schrott\nGiannetta: Jessica Niles \nBayerisches Staatsorchester\nChor der Bayerischen Staatsoper \nVariety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier\, even if it might lead to an untimely death. \nBut what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor\, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil\, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy. \nAnd the listeners are left with the hope that this music might be able to transform them\, too.Best Sneakers | Air Jordan Sneakers
URL:https://www.emilypogorelc.com/schedule/adina-in-lelisir-damore-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211211T180000
DTEND;TZID=UTC:20211211T180000
DTSTAMP:20260416T223154
CREATED:20210625T080936Z
LAST-MODIFIED:20210625T080936Z
UID:1814-1639245600-1639245600@www.emilypogorelc.com
SUMMARY:Adina in L'elisir d'amore
DESCRIPTION:Composer Gaetano Donizetti · Felice Romani after Eugène Scribe\nItalian with English and German surtitles \nMusikalische Leitung: Evelino Pidò\nInszenierung: David Bösch \nAdina: Emily Pogorelc\nNemorino: Bogdan Volkov\nBelcore: Andrè Schuen\nDulcamara: Erwin Schrott\nGiannetta: Jessica Niles \nBayerisches Staatsorchester\nChor der Bayerischen Staatsoper \nVariety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier\, even if it might lead to an untimely death. \nBut what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor\, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil\, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy. \nAnd the listeners are left with the hope that this music might be able to transform them\, too.buy footwear | Yeezy Boost 350 Trainers
URL:https://www.emilypogorelc.com/schedule/adina-in-lelisir-damore/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211122T193000
DTEND;TZID=UTC:20211122T193000
DTSTAMP:20260416T223154
CREATED:20210803T104442Z
LAST-MODIFIED:20210803T104706Z
UID:1841-1637609400-1637609400@www.emilypogorelc.com
SUMMARY:Soloist in The Mozartists Concert: 1771— Mozart’s Perspective
DESCRIPTION:Ian Page’s ground-breaking MOZART 250 project continues with a fascinating survey of Mozart’s activities in 1771. The vivacious programme features symphonies and arias that he wrote himself as well as highlights from operas by Paisiello and Hasse that he heard during the course of his travels in Italy. \nIan Page conducts his dynamic period-instrument orchestra\, and the soloist is the exciting young American soprano Emily Pogorelc\, winner of multiple awards and here making her London concert debut. \nEmily Pogorelc\, soprano\nThe Mozartists\nIan Page\, conductor \nProgram\nMozart Symphony No. 12 in G\, K.110/75b\nMozart Concert aria\, “Non curo l’affetto”\, K.74b\nPaisiello “Onde amiche… Smarrita\, tremante” from Annibale in Torino\nMozart Symphony No. 13 in F major\, K.112\nMozart\nAria\, “Ah\, perchè cercar degg’io” (1st version) from Il sogno di Scipione\nHasse Aria\, “Non esser troppo altero” from Il Ruggiero\nMozart Aria\, “L’ombra de’ rami tuoi” from Ascanio in Alba\, K.111\nMozart Symphony No. 14 in A major\, K.114 \nhttps://www.mozartists.com/1771-mozarts-perspective/
URL:https://www.emilypogorelc.com/schedule/soloist-in-the-mozartists-concert-1771-mozarts-perspective/
LOCATION:Cadogan Hall\, 5 Sloane Terrace\, London\, SW1X 9DQ\, United Kingdom
CATEGORIES:Upcoming Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211118T193000
DTEND;TZID=UTC:20211118T193000
DTSTAMP:20260416T223154
CREATED:20210625T075650Z
LAST-MODIFIED:20210625T080102Z
UID:1806-1637263800-1637263800@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.bridgemedia | Men's Casual Shoes\, Trainers\, Sneakers
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211114T190000
DTEND;TZID=UTC:20211114T190000
DTSTAMP:20260416T223154
CREATED:20210625T075946Z
LAST-MODIFIED:20210625T075946Z
UID:1809-1636916400-1636916400@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Sportswear Design | nike shoes\,cheap jordan\,cheap nike\,air jordan shoes\,shoes made in China\,a-ok-nike.com
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211112T193000
DTEND;TZID=UTC:20211112T193000
DTSTAMP:20260416T223154
CREATED:20210625T080239Z
LAST-MODIFIED:20210625T080239Z
UID:1811-1636745400-1636745400@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.latest Running Sneakers | Zapatillas de running Nike – Mujer
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211108T190000
DTEND;TZID=UTC:20211108T190000
DTSTAMP:20260416T223154
CREATED:20250219T053808Z
LAST-MODIFIED:20250219T053947Z
UID:2827-1636398000-1636398000@www.emilypogorelc.com
SUMMARY:Soloist in Mozart et les femmes with Rolando Villazón
DESCRIPTION:Emily Pogorelc Joins Orchestre Philharmonique du Luxembourg for an Enchanting Mozart Evening \nIn a thrilling last-minute addition\, soprano Emily Pogorelc joins tenor Rolando Villazón and the Orchestre Philharmonique du Luxembourg under the baton of Elias Grandy for an unforgettable night of Mozart. \nThis special program explores Mozart and the women who shaped his music\, blending breathtaking arias\, symphonic masterpieces\, and fascinating storytelling. With Villazón as both performer and narrator\, the evening brings history to life through music and insight\, accompanied by pianist Marie-Sophie Hauzel. \nProgram:Wolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 1. Adagio – Allegro spiritoso\nWolfgang A. Mozart: «Il mio tesoro intanto» (Don Giovanni)\nWolfgang A. Mozart: «Et incarnatus est» (Mass C minor: KV 427 (417a))\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 2. Poco adagio\nWolfgang A. Mozart: «Ch’io mi scordi di te» KV 505\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 3. Menuetto – Trio\nWolfgang A. Mozart: «Voi che fausti ognor donate» (Il re pastore) KV 208\nWolfgang A. Mozart: «Bella mia fiamma – Resta o cara» KV 528\nWolfgang A. Mozart: «Se all’impero» (La clemenza di Tito)\nWolfgang A. Mozart: Piano concerto N° 23 KV 488: 2. Adagio\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 4. Presto \nThis evening is a rare opportunity to experience Mozart’s genius through the voices of today’s finest interpreters. Don’t miss your chance to witness this one-night-only performance—secure your tickets now! \nThis concert happened on 08 November\, 2021. \nPhotos from concert:
URL:https://www.emilypogorelc.com/schedule/mozart-luxembourg/
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2025/02/IMG_4067.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211106T190000
DTEND;TZID=UTC:20211106T190000
DTSTAMP:20260416T223154
CREATED:20210625T073932Z
LAST-MODIFIED:20210625T074023Z
UID:1803-1636225200-1636225200@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.latest Running Sneakers | New Balance 530 “White” MR530SG – MR530SG
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211103T190000
DTEND;TZID=UTC:20211103T190000
DTSTAMP:20260416T223154
CREATED:20210625T073622Z
LAST-MODIFIED:20210625T073622Z
UID:1801-1635966000-1635966000@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.Sports Shoes | adidas
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T180000
DTEND;TZID=UTC:20211031T180000
DTSTAMP:20260416T223154
CREATED:20210625T073402Z
LAST-MODIFIED:20210625T073402Z
UID:1798-1635703200-1635703200@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.Running sport media | Nike Air Force 1 Shadow “Lucky Charms” – Gov
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
END:VCALENDAR