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DTSTART;TZID=UTC:20220306T180000
DTEND;TZID=UTC:20220306T180000
DTSTAMP:20260416T223138
CREATED:20210830T092603Z
LAST-MODIFIED:20210830T092603Z
UID:1886-1646589600-1646589600@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T190000
DTSTAMP:20260416T223138
CREATED:20210830T092600Z
LAST-MODIFIED:20210830T092600Z
UID:1887-1646334000-1646334000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220228T190000
DTEND;TZID=UTC:20220228T190000
DTSTAMP:20260416T223138
CREATED:20210830T091243Z
LAST-MODIFIED:20210830T091243Z
UID:1884-1646074800-1646074800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe\nIn English · With Subtitles in German and English \nConductor: Edward Gardner\nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton\nEllen Orford: Rachel Willis-Sørensen\nBalstrode: Iain Paterson\nAuntie: Claudia Mahnke\n1. Nichte: Lindsay Ohse\n2. Nichte: Emily Pogorelc\nBob Boles: Kevin Conners\nSwallow: Brindley Sherratt\nMrs. Sedley: Jennifer Johnston\nRev. Horace Adams: Paul Groves\nNed Keene: Konstantin Krimmel\nHobson: Daniel Noyola \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper\nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220126T190000
DTEND;TZID=Europe/Helsinki:20220126T190000
DTSTAMP:20260416T223138
CREATED:20210830T084148Z
LAST-MODIFIED:20210830T084148Z
UID:1878-1643223600-1643223600@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220123T190000
DTEND;TZID=Europe/Helsinki:20220123T190000
DTSTAMP:20260416T223138
CREATED:20210830T084112Z
LAST-MODIFIED:20210830T084112Z
UID:1880-1642964400-1642964400@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220118T193000
DTEND;TZID=Europe/Helsinki:20220118T193000
DTSTAMP:20260416T223138
CREATED:20210830T083752Z
LAST-MODIFIED:20210830T083752Z
UID:1876-1642534200-1642534200@www.emilypogorelc.com
SUMMARY:Najade in Ariadne auf Naxos
DESCRIPTION:Opera in one act with one prelude – 1916 \nComposer Richard Strauss · Libretto by Hugo von Hofmannsthal\nIn German with English and German surtitles \nConductor: Ulf Schirmer\nProduction: Robert Carsen \nDer Haushofmeister: Udo Wachtveitl\nEin Musiklehrer: Markus Eiche\nDer Komponist: Daniela Sindram\nDer Tenor/Bacchus: Brandon Jovanovich\nEin Offizier: Granit Musliu\nEin Tanzmeister: Kevin Conners\nEin Perückenmacher: Andrew Hamilton\nEin Lakai: Theodore Platt\nZerbinetta: Erin Morley\nPrimadonna/Ariadne: Tamara Wilson\nHarlekin: Konstantin Krimmel\nScaramuccio: Joel Williams\nTruffaldin: Daniel Noyola\nBrighella: Evan LeRoy Johnson\nNajade: Emily Pogorelc\nDryade: Emily Sierra\nEcho: Jessica Niles \nBayerisches Staatsorchester \nIs it possible to perform the comic intermezzo “Zerbinetta and her Lovers” and the tragic opera “Ariadne” at the same time? Yes\, when you have to. The richest man in Vienna wants it that way. He wants cross-over! Let’s mix up classic and pop – and it works. To the delight of the audience and the recognition of the characters on stage. One of the handsomest and wisest works of the great Munich composer\, Richard Strauss\, in a production by Robert Carsen. The joy of Strauss!
URL:https://www.emilypogorelc.com/schedule/najade-in-ariadne-auf-naxos/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220109T180000
DTEND;TZID=Europe/Helsinki:20220109T180000
DTSTAMP:20260416T223138
CREATED:20210830T082933Z
LAST-MODIFIED:20210830T084020Z
UID:1874-1641751200-1641751200@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220107T190000
DTEND;TZID=Europe/Paris:20220107T190000
DTSTAMP:20260416T223138
CREATED:20210830T082651Z
LAST-MODIFIED:20210830T082651Z
UID:1868-1641582000-1641582000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc\nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220105T193000
DTEND;TZID=Europe/Paris:20220105T193000
DTSTAMP:20260416T223138
CREATED:20210830T082431Z
LAST-MODIFIED:20210830T082659Z
UID:1867-1641411000-1641411000@www.emilypogorelc.com
SUMMARY:Musetta in La bohème
DESCRIPTION:Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica\nIn Italian with English and German surtitles \nConductor: Francesco Lanzillotta\nProduction: Otto Schenk\nSet Design: Rudolf Heinrich\nChoruses: Stellario Fagone \nMimì: Angel Blue\nMusetta: Emily Pogorelc \nRodolfo: Evan LeRoy Johnson\nMarcello: Artur Rucinski\nSchaunard: Andrei Kymach\nColline: Nicholas Brownlee\nParpignol: Joel Williams\nBenoît: Christian Rieger\nAlcindoro: Martin Snell\nEin Zöllner: Theodore Platt\nSergeant der Zollwache: Andrew Gilstrap \nBayerisches Staatsorchester\nChorus and children’s chorus of the Bayerische Staatsoper \nHeartache\, heartbreak\, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital “L”\, but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk’s incredibly opulent\, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here. So beautiful you could cry!
URL:https://www.emilypogorelc.com/schedule/musetta-in-la-boheme/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211217T193000
DTEND;TZID=UTC:20211217T193000
DTSTAMP:20260416T223138
CREATED:20210625T081719Z
LAST-MODIFIED:20210625T081719Z
UID:1818-1639769400-1639769400@www.emilypogorelc.com
SUMMARY:Adina in L'elisir d'amore
DESCRIPTION:Composer Gaetano Donizetti · Felice Romani after Eugène Scribe\nItalian with English and German surtitles \nMusikalische Leitung: Evelino Pidò\nInszenierung: David Bösch \nAdina: Emily Pogorelc\nNemorino: Bogdan Volkov\nBelcore: Andrè Schuen\nDulcamara: Erwin Schrott\nGiannetta: Jessica Niles \nBayerisches Staatsorchester\nChor der Bayerischen Staatsoper \nVariety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier\, even if it might lead to an untimely death. \nBut what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor\, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil\, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy. \nAnd the listeners are left with the hope that this music might be able to transform them\, too.Running Sneakers | Men’s shoes
URL:https://www.emilypogorelc.com/schedule/adina-in-lelisir-damore-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211214T190000
DTEND;TZID=UTC:20211214T190000
DTSTAMP:20260416T223138
CREATED:20210625T081201Z
LAST-MODIFIED:20210625T081341Z
UID:1816-1639508400-1639508400@www.emilypogorelc.com
SUMMARY:Adina in L'elisir d'amore
DESCRIPTION:Composer Gaetano Donizetti · Felice Romani after Eugène Scribe\nItalian with English and German surtitles \nMusikalische Leitung: Evelino Pidò\nInszenierung: David Bösch \nAdina: Emily Pogorelc\nNemorino: Bogdan Volkov\nBelcore: Andrè Schuen\nDulcamara: Erwin Schrott\nGiannetta: Jessica Niles \nBayerisches Staatsorchester\nChor der Bayerischen Staatsoper \nVariety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier\, even if it might lead to an untimely death. \nBut what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor\, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil\, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy. \nAnd the listeners are left with the hope that this music might be able to transform them\, too.Best Sneakers | Air Jordan Sneakers
URL:https://www.emilypogorelc.com/schedule/adina-in-lelisir-damore-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211211T180000
DTEND;TZID=UTC:20211211T180000
DTSTAMP:20260416T223138
CREATED:20210625T080936Z
LAST-MODIFIED:20210625T080936Z
UID:1814-1639245600-1639245600@www.emilypogorelc.com
SUMMARY:Adina in L'elisir d'amore
DESCRIPTION:Composer Gaetano Donizetti · Felice Romani after Eugène Scribe\nItalian with English and German surtitles \nMusikalische Leitung: Evelino Pidò\nInszenierung: David Bösch \nAdina: Emily Pogorelc\nNemorino: Bogdan Volkov\nBelcore: Andrè Schuen\nDulcamara: Erwin Schrott\nGiannetta: Jessica Niles \nBayerisches Staatsorchester\nChor der Bayerischen Staatsoper \nVariety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier\, even if it might lead to an untimely death. \nBut what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor\, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil\, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy. \nAnd the listeners are left with the hope that this music might be able to transform them\, too.buy footwear | Yeezy Boost 350 Trainers
URL:https://www.emilypogorelc.com/schedule/adina-in-lelisir-damore/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211122T193000
DTEND;TZID=UTC:20211122T193000
DTSTAMP:20260416T223138
CREATED:20210803T104442Z
LAST-MODIFIED:20210803T104706Z
UID:1841-1637609400-1637609400@www.emilypogorelc.com
SUMMARY:Soloist in The Mozartists Concert: 1771— Mozart’s Perspective
DESCRIPTION:Ian Page’s ground-breaking MOZART 250 project continues with a fascinating survey of Mozart’s activities in 1771. The vivacious programme features symphonies and arias that he wrote himself as well as highlights from operas by Paisiello and Hasse that he heard during the course of his travels in Italy. \nIan Page conducts his dynamic period-instrument orchestra\, and the soloist is the exciting young American soprano Emily Pogorelc\, winner of multiple awards and here making her London concert debut. \nEmily Pogorelc\, soprano\nThe Mozartists\nIan Page\, conductor \nProgram\nMozart Symphony No. 12 in G\, K.110/75b\nMozart Concert aria\, “Non curo l’affetto”\, K.74b\nPaisiello “Onde amiche… Smarrita\, tremante” from Annibale in Torino\nMozart Symphony No. 13 in F major\, K.112\nMozart\nAria\, “Ah\, perchè cercar degg’io” (1st version) from Il sogno di Scipione\nHasse Aria\, “Non esser troppo altero” from Il Ruggiero\nMozart Aria\, “L’ombra de’ rami tuoi” from Ascanio in Alba\, K.111\nMozart Symphony No. 14 in A major\, K.114 \nhttps://www.mozartists.com/1771-mozarts-perspective/
URL:https://www.emilypogorelc.com/schedule/soloist-in-the-mozartists-concert-1771-mozarts-perspective/
LOCATION:Cadogan Hall\, 5 Sloane Terrace\, London\, SW1X 9DQ\, United Kingdom
CATEGORIES:Upcoming Season
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211118T193000
DTEND;TZID=UTC:20211118T193000
DTSTAMP:20260416T223138
CREATED:20210625T075650Z
LAST-MODIFIED:20210625T080102Z
UID:1806-1637263800-1637263800@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.bridgemedia | Men's Casual Shoes\, Trainers\, Sneakers
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211114T190000
DTEND;TZID=UTC:20211114T190000
DTSTAMP:20260416T223138
CREATED:20210625T075946Z
LAST-MODIFIED:20210625T075946Z
UID:1809-1636916400-1636916400@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Sportswear Design | nike shoes\,cheap jordan\,cheap nike\,air jordan shoes\,shoes made in China\,a-ok-nike.com
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211112T193000
DTEND;TZID=UTC:20211112T193000
DTSTAMP:20260416T223138
CREATED:20210625T080239Z
LAST-MODIFIED:20210625T080239Z
UID:1811-1636745400-1636745400@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf \nPrometheus: Wolfgang Koch\nWiedhopf: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Yajie Zhang\n2. Drossel: Eliza Boom\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: Granit Musliu\nHoffegut: Charles Workman\nRatefreund: Michael Nagy \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds): \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels. \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.latest Running Sneakers | Zapatillas de running Nike – Mujer
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOwhite.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211108T190000
DTEND;TZID=UTC:20211108T190000
DTSTAMP:20260416T223138
CREATED:20250219T053808Z
LAST-MODIFIED:20250219T053947Z
UID:2827-1636398000-1636398000@www.emilypogorelc.com
SUMMARY:Soloist in Mozart et les femmes with Rolando Villazón
DESCRIPTION:Emily Pogorelc Joins Orchestre Philharmonique du Luxembourg for an Enchanting Mozart Evening \nIn a thrilling last-minute addition\, soprano Emily Pogorelc joins tenor Rolando Villazón and the Orchestre Philharmonique du Luxembourg under the baton of Elias Grandy for an unforgettable night of Mozart. \nThis special program explores Mozart and the women who shaped his music\, blending breathtaking arias\, symphonic masterpieces\, and fascinating storytelling. With Villazón as both performer and narrator\, the evening brings history to life through music and insight\, accompanied by pianist Marie-Sophie Hauzel. \nProgram:Wolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 1. Adagio – Allegro spiritoso\nWolfgang A. Mozart: «Il mio tesoro intanto» (Don Giovanni)\nWolfgang A. Mozart: «Et incarnatus est» (Mass C minor: KV 427 (417a))\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 2. Poco adagio\nWolfgang A. Mozart: «Ch’io mi scordi di te» KV 505\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 3. Menuetto – Trio\nWolfgang A. Mozart: «Voi che fausti ognor donate» (Il re pastore) KV 208\nWolfgang A. Mozart: «Bella mia fiamma – Resta o cara» KV 528\nWolfgang A. Mozart: «Se all’impero» (La clemenza di Tito)\nWolfgang A. Mozart: Piano concerto N° 23 KV 488: 2. Adagio\nWolfgang A. Mozart: Symphony N° 36 KV 425 «Linzer»: 4. Presto \nThis evening is a rare opportunity to experience Mozart’s genius through the voices of today’s finest interpreters. Don’t miss your chance to witness this one-night-only performance—secure your tickets now! \nThis concert happened on 08 November\, 2021. \nPhotos from concert:
URL:https://www.emilypogorelc.com/schedule/mozart-luxembourg/
LOCATION:East Sussex
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2025/02/IMG_4067.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211106T190000
DTEND;TZID=UTC:20211106T190000
DTSTAMP:20260416T223138
CREATED:20210625T073932Z
LAST-MODIFIED:20210625T074023Z
UID:1803-1636225200-1636225200@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.latest Running Sneakers | New Balance 530 “White” MR530SG – MR530SG
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211103T190000
DTEND;TZID=UTC:20211103T190000
DTSTAMP:20260416T223138
CREATED:20210625T073622Z
LAST-MODIFIED:20210625T073622Z
UID:1801-1635966000-1635966000@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.Sports Shoes | adidas
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T180000
DTEND;TZID=UTC:20211031T180000
DTSTAMP:20260416T223138
CREATED:20210625T073402Z
LAST-MODIFIED:20210625T073402Z
UID:1798-1635703200-1635703200@www.emilypogorelc.com
SUMMARY:Ines in Il Trovatore
DESCRIPTION:Composer: Giuseppe Verdi · Libretto: Salvatore Cammarano\, finished by Leone Emanuele Bardare\, after “El trovador” by Antonio García Gutiérrez \nIn Italian with German and English surtitles \nConductor: Francesco Ivan Ciampa\nProduction: Olivier Py \nConte di Luna: George Petean\nLeonora: Sondra Radvanovsky\nAzucena: Okka von der Damerau\nManrico: Francesco Meli\nFerrando: Bálint Szabó\nInes: Emily Pogorelc\nRuiz: Evan LeRoy Johnson\nEin Zigeuner: Roman Chabaranok\nEin Bote: Joel Williams \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \nThe fabric of Il Trovatore could hardly be more gloomy: a gypsy who wishes to avenge the death of her mother at the stake\, a count who wishes to use the execution of this gypsy to strike at his rival; a horrifying truth that is revealed at the moment of death. All the ingredients of Verdi’s dramatic abundance appear here: mysterious sound worlds\, harsh contrasts\, vocal brilliance\, opulent tableaux. The cohesive narrative style gives way to the variation of suggestive musical images with which Verdi served “the most important part of the drama“: revenge.Running sport media | Nike Air Force 1 Shadow “Lucky Charms” – Gov
URL:https://www.emilypogorelc.com/schedule/ines-in-il-trovatore/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BOrange.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210919T203000
DTEND;TZID=Europe/Helsinki:20210919T203000
DTSTAMP:20260416T223138
CREATED:20210622T094006Z
LAST-MODIFIED:20210622T110452Z
UID:1781-1632083400-1632083400@www.emilypogorelc.com
SUMMARY:Lauretta in Gianni Schicchi
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nGianni Schicchi: Ambrogio Maestri\nLauretta: Emily Pogorelc\nZita: Lindsay Ammann\nRinuccio: Galeano Salas\nGherardo: Caspar Singh\nNella: Mirjam Mesak\nGheradino: Soloist from the children’s choir\nBetto di Signa: Christian Rieger\nSimone: Martin Snell\nMarco: Sean Michael Plumb\nLa Ciesca: Kayleigh Decker\nMaestro Spinelloccio: Donato Di Stefano\nSer Amantio di Nicolao: Andrew Hamilton\nPinellino: Roman Chabaranok\nGuccio: Theodore Platt \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.latest Running | Nike
URL:https://www.emilypogorelc.com/schedule/lauretta-in-gianni-schicchi-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210919T173000
DTEND;TZID=Europe/Helsinki:20210919T173000
DTSTAMP:20260416T223138
CREATED:20210622T105854Z
LAST-MODIFIED:20210622T110242Z
UID:1788-1632072600-1632072600@www.emilypogorelc.com
SUMMARY:Liebespaar in Il Tabarro
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nMichele: Wolfgang Koch\nLuigi: Yonghoon Lee\nIl Tinca: Kevin Conners\nIl Talpa: Martin Snell\nGiorgetta: Eva-Maria Westbroek\nLa Frugola: Lindsey Ammann\nEin Liedverkäufer: Galeano Salas\nEin Liebespaar: Emily Pogorelc and Galeano Salas \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.Sportswear free shipping | nike air aggress force women basketball camp 2018 270 Unisex Siyah Spor Ayakkabı Kadin Spor Ayakkabı & Sneaker 3167193 \, Sciaky
URL:https://www.emilypogorelc.com/schedule/liebespaar-in-il-tabarro-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210918T163000
DTEND;TZID=Europe/Helsinki:20210918T163000
DTSTAMP:20260416T223138
CREATED:20210622T100506Z
LAST-MODIFIED:20210622T110132Z
UID:1785-1631982600-1631982600@www.emilypogorelc.com
SUMMARY:Liebespaar in Il Tabarro
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nMichele: Wolfgang Koch\nLuigi: Yonghoon Lee \nIl Tinca: Kevin Conners\nIl Talpa: Martin Snell \nSimone: Martin Snell\nGiorgetta: Eva-Maria Westbroek \nLa Frugola: Lindsey Ammann\nEin Liedverkäufer: Galeano Salas\nEin Liebespaar: Emily Pogorelc and Galeano Salas \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.bridgemedia | Patike – Nike Air Jordan\, Premium\, Retro Klasici\, Sneakers \, Gov
URL:https://www.emilypogorelc.com/schedule/liebespaar-in-il-tabarro/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20210918T140000
DTEND;TZID=Europe/Helsinki:20210918T140000
DTSTAMP:20260416T223138
CREATED:20210622T093715Z
LAST-MODIFIED:20210622T110542Z
UID:1776-1631973600-1631973600@www.emilypogorelc.com
SUMMARY:Lauretta in Gianni Schicchi
DESCRIPTION:Composer: Giacomo Puccini · Libretto by Giovacchino Forzano\nIn Italian with English and German surtitles\nPart of Septemberfest \nMusikalische Leitung (Conductor): Daniele Rustioni \nGianni Schicchi: Ambrogio Maestri\nLauretta: Emily Pogorelc\nZita: Lindsay Ammann\nRinuccio: Galeano Salas\nGherardo: Caspar Singh\nNella: Mirjam Mesak\nGheradino: Soloist from the children’s choir\nBetto di Signa: Christian Rieger\nSimone: Martin Snell\nMarco: Sean Michael Plumb\nLa Ciesca: Kayleigh Decker\nMaestro Spinelloccio: Donato Di Stefano\nSer Amantio di Nicolao: Andrew Hamilton\nPinellino: Roman Chabaranok\nGuccio: Theodore Platt \nBayerisches Staatsorchester \nAbout Septemberfest:\nTo kick off the season\, the newly founded Septemberfest shows that excellence and openness need not be opposites. The highest artistic quality should be accessible to and experienced by the entire breadth of the population. This vision is one of the most important goals of  Serge Dorny. For the opening of the September Festival\, Jonas Kaufmann will sing live in Ansbach in the Opera for All concert of the Bavarian State Orchestra. For ten days\, we then celebrate the opening of the season with a varied program full of surprises. Operas by Giacomo Puccini\, Giuseppe Verdi and Richard Wagner and the ballet productions Liaison and Paradigma with different choreographies will be performed in the Prinzregententheater\, the Nationaltheater and the Cuvilliés-Theater. A chamber concert by the Orchestra Academy and a song recital with Christian Gerhaher complete the musical program. \nLet us celebrate together! As part of the September Festival\, you have the opportunity to purchase tickets for all performances on September 18 and 19 at the standard price of €25 or €15 (tickets in the last three seating categories €8) on all seats. Tickets are available from Sat\, 24.07.21 by phone and online sales.best Running shoes brand | Men’s shoes
URL:https://www.emilypogorelc.com/schedule/lauretta-in-gianni-schicchi/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Upcoming Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210726T190000
DTEND;TZID=UTC:20210726T190000
DTSTAMP:20260416T223138
CREATED:20210524T073716Z
LAST-MODIFIED:20210524T073716Z
UID:1768-1627326000-1627326000@www.emilypogorelc.com
SUMMARY:Violetta Valéry in 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe\nVioletta Valéry: Emily Pogorelc\nFloria Tosca: Selene Zanetti\nDesdemona: Leah Hawkins\nCio-Cio-San: Kiandra Howarth\nCarmen: Nadezhda Karyazina\nLucia Ashton: Adela Zaharia\nNorma: Lauren Fagan \n#BSO7deaths \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”Running Sneakers Store | Nike
URL:https://www.emilypogorelc.com/schedule/violetta-valery-in-7-deaths-of-maria-callas/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/05/csm_Callas_MAbramovic_c_MarcoAnelli_876d4caf3b.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210720T190000
DTEND;TZID=Europe/Paris:20210720T190000
DTSTAMP:20260416T223138
CREATED:20200316T162905Z
LAST-MODIFIED:20200316T182413Z
UID:1487-1626807600-1626807600@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes
\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf  \nPrometheus: Wolfgang Koch\nWiedhopf\, once a man\, now King of the Birds: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Eliza Boom\n2. Drossel: Yalie Zhang\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: George Vîrban\nHoffegut: Charles Workman\nRatefreund: Michael Nagy  \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds):  \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels.  \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Running Sneakers Store | Air Jordan 1 Mid GS “Light Smoke Grey” — Ietp
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-6/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/DieVogel.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210718T180000
DTEND;TZID=Europe/Paris:20210718T180000
DTSTAMP:20260416T223138
CREATED:20200316T182336Z
LAST-MODIFIED:20200316T182336Z
UID:1515-1626631200-1626631200@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte\nIn Italian with English and German surtitles\nPart of the Munich Opera Festival \nMusikalische Leitung (Conductor): Ivor Bolton\nInszenierung (Director): Christof Loy \nGraf Almaviva: Ludovic Tézier\nGräfin Almaviva: Federica Lombardi\nSusanna: Rosa Feola\nFigaro: Alex Esposito\nCherubino: Emily Pogorelc\nMarcellina: Anne Sofie von Otter\nBartolo: Peter Rose\nBasilio: Manuel Günther\nDon Curzio: Dean Power\nBarbarina: Sarah Gilford\nAntonio: Milan Siljanov\nMädchen: Daria Proszek\, Juliana Zara\nPuppenspieler: Axel Bahro\, Thomas Schwendemann \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfigaro\n\nAbout Le nozze di Figaro: \nThe marriage of Figaro and Susanna is imminent. However\, when Figaro learns that his betrothed is being courted by another\, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera\, first performed in 1786\, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Nike footwear | Sneakers Nike
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/Figaro.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210716T190000
DTEND;TZID=Europe/Paris:20210716T190000
DTSTAMP:20260416T223138
CREATED:20200316T182153Z
LAST-MODIFIED:20200316T182153Z
UID:1512-1626462000-1626462000@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte\nIn Italian with English and German surtitles\nPart of the Munich Opera Festival \nMusikalische Leitung (Conductor): Ivor Bolton\nInszenierung (Director): Christof Loy \nGraf Almaviva: Ludovic Tézier\nGräfin Almaviva: Federica Lombardi\nSusanna: Rosa Feola\nFigaro: Alex Esposito\nCherubino: Emily Pogorelc\nMarcellina: Anne Sofie von Otter\nBartolo: Peter Rose\nBasilio: Manuel Günther\nDon Curzio: Dean Power\nBarbarina: Sarah Gilford\nAntonio: Milan Siljanov\nMädchen: Daria Proszek\, Juliana Zara\nPuppenspieler: Axel Bahro\, Thomas Schwendemann \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfigaro \nAbout Le nozze di Figaro: \nThe marriage of Figaro and Susanna is imminent. However\, when Figaro learns that his betrothed is being courted by another\, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera\, first performed in 1786\, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Running sports | New Releases Nike
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/Figaro.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210613T170000
DTEND;TZID=Europe/Paris:20210613T170000
DTSTAMP:20260416T223138
CREATED:20200316T180733Z
LAST-MODIFIED:20210524T074601Z
UID:1510-1623603600-1623603600@www.emilypogorelc.com
SUMMARY:Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
DESCRIPTION:Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano\nIn Italian with English and German surtitles \nMusikalische Leitung (Conductor): Bertrand de Billy\nInszenierung (Director): Lotte de Beer \n#BSOtrittico \nAbout Il Trittico: \nThe thriller on the Seine. The suffering\, death and glorification of a mother\, whose child has been taken from her. And\, as a Satyr play\, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro\, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera\, similar to an epic novel\, he gives prominence to three historical events\, united in one piece of music\, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.Nike Sneakers Store | Nike for Men
URL:https://www.emilypogorelc.com/schedule/il-trittico-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/trittico-1.jpeg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210611T190000
DTEND;TZID=UTC:20210611T190000
DTSTAMP:20260416T223138
CREATED:20200316T180558Z
LAST-MODIFIED:20210524T074346Z
UID:1508-1623438000-1623438000@www.emilypogorelc.com
SUMMARY:Liebespaar/Suor Genovieffa/Lauretta in Il Trittico
DESCRIPTION:Composer Giacomo Puccini · Libretti by Giuseppe Adami and Giovacchino Forzano\nIn Italian with English and German surtitles \nMusikalische Leitung (Conductor): Bertrand de Billy\nInszenierung (Director): Lotte de Beer \n#BSOtrittico \nAbout Il Trittico: \nThe thriller on the Seine. The suffering\, death and glorification of a mother\, whose child has been taken from her. And\, as a Satyr play\, the confidence trick by the shiftiest legacy hunter of the Middle Ages. Three self-contained operas with seemingly unconnected narratives. But are they? Il tabarro\, Suor Angelica and Gianni Schicchi – the three one-acters which Giacomo Puccini merged under the art-historical title of “The Triptych” – are snippets of reality. Instead of trying and failing to portray the world in its entirety in a long opera\, similar to an epic novel\, he gives prominence to three historical events\, united in one piece of music\, which seek to convey authentically every nuance of human emotion from ruthless coldness of heart to burning passion.best Running shoes brand | Nike Air Force 1 Low UV Reactive Swoosh – DA8301-101
URL:https://www.emilypogorelc.com/schedule/il-trittico-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/trittico-1.jpeg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
END:VCALENDAR