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DTSTART;TZID=Europe/Paris:20210716T190000
DTEND;TZID=Europe/Paris:20210716T190000
DTSTAMP:20260505T162443
CREATED:20200316T182153Z
LAST-MODIFIED:20200316T182153Z
UID:1512-1626462000-1626462000@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte\nIn Italian with English and German surtitles\nPart of the Munich Opera Festival \nMusikalische Leitung (Conductor): Ivor Bolton\nInszenierung (Director): Christof Loy \nGraf Almaviva: Ludovic Tézier\nGräfin Almaviva: Federica Lombardi\nSusanna: Rosa Feola\nFigaro: Alex Esposito\nCherubino: Emily Pogorelc\nMarcellina: Anne Sofie von Otter\nBartolo: Peter Rose\nBasilio: Manuel Günther\nDon Curzio: Dean Power\nBarbarina: Sarah Gilford\nAntonio: Milan Siljanov\nMädchen: Daria Proszek\, Juliana Zara\nPuppenspieler: Axel Bahro\, Thomas Schwendemann \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfigaro \nAbout Le nozze di Figaro: \nThe marriage of Figaro and Susanna is imminent. However\, when Figaro learns that his betrothed is being courted by another\, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera\, first performed in 1786\, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Running sports | New Releases Nike
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/Figaro.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210718T180000
DTEND;TZID=Europe/Paris:20210718T180000
DTSTAMP:20260505T162443
CREATED:20200316T182336Z
LAST-MODIFIED:20200316T182336Z
UID:1515-1626631200-1626631200@www.emilypogorelc.com
SUMMARY:Cherubino in Le nozze di Figaro
DESCRIPTION:Composer Wolfgang Amadeus Mozart · Libretto by Lorenzo da Ponte\nIn Italian with English and German surtitles\nPart of the Munich Opera Festival \nMusikalische Leitung (Conductor): Ivor Bolton\nInszenierung (Director): Christof Loy \nGraf Almaviva: Ludovic Tézier\nGräfin Almaviva: Federica Lombardi\nSusanna: Rosa Feola\nFigaro: Alex Esposito\nCherubino: Emily Pogorelc\nMarcellina: Anne Sofie von Otter\nBartolo: Peter Rose\nBasilio: Manuel Günther\nDon Curzio: Dean Power\nBarbarina: Sarah Gilford\nAntonio: Milan Siljanov\nMädchen: Daria Proszek\, Juliana Zara\nPuppenspieler: Axel Bahro\, Thomas Schwendemann \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOfigaro\n\nAbout Le nozze di Figaro: \nThe marriage of Figaro and Susanna is imminent. However\, when Figaro learns that his betrothed is being courted by another\, a dangerous game of intrigue and exposure begins. The extent to which the work’s protagonists are caught up in a dense web of emotional dependency becomes ever clearer. In Le nozze di Figaro [The Marriage of Figaro] Mozart shows that it is love that sometimes inflicts the deepest wounds – and that healing is only available to one prepared to offer himself to the other in total surrender. This opera\, first performed in 1786\, deals with a timeless theme: the both confusing and fascinating complexity of human relationships.Nike footwear | Sneakers Nike
URL:https://www.emilypogorelc.com/schedule/cherubino-in-le-nozze-di-figaro-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/Figaro.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210720T190000
DTEND;TZID=Europe/Paris:20210720T190000
DTSTAMP:20260505T162443
CREATED:20200316T162905Z
LAST-MODIFIED:20200316T182413Z
UID:1487-1626807600-1626807600@www.emilypogorelc.com
SUMMARY:Zaunschlüpfer in Die Vögel
DESCRIPTION:Composer: Walter Braunfels · Libretto by the composer based on Aristophanes
\nIn German with German and English surtitles | New Production \nMusikalische Leitung (Conductor): Ingo Metzmacher\nInszenierung (Director): Frank Castorf  \nPrometheus: Wolfgang Koch\nWiedhopf\, once a man\, now King of the Birds: Günter Papendell\nNachtigall: Caroline Wettergreen\nZaunschlüpfer: Emily Pogorelc\n1. Drossel: Eliza Boom\n2. Drossel: Yalie Zhang\nAdler: Bálint Szabó\nRabe: Theodore Platt\nFlamingo: George Vîrban\nHoffegut: Charles Workman\nRatefreund: Michael Nagy  \nBayerisches Staatsorchester\nChorus of the Bayerische Staatsoper \n#BSOvögel \nMore about Die Vogel (The Birds):  \nBased on Aristophanes’s ancient comedy\, The Birds\, the world premiere of his adaptation of the ancient material in Munich in 1920 was a huge breakthrough for composer Walter Braunfels. With unprecedented hubris\, the birds believe they are the Gods’ equal and can build their own powerful state\, which will practically starve the Gods. How mistaken they are – at once foolhardy and ridiculously risible\, with a tragic end for the rebels.  \nWalter Braunfels version is idiosyncratic and stand-alone – Braunfels adds a deeply romantic aspect to the piece while remaining true to the comedy. He not only understands the new polity of the birds in political terms; he also does so artistically and lyrically. The new state’s failure is attributed to both a lust for power and a misplaced idealisation. The ancient myth is reflected in the sorrowful experiences of a world of yesterday. For Braunfels the ruins of the First World War are visible signs all around of both political and spiritual decay – his opera is a final emphatic uprising against the fragmentation of the present. One hundred years later the work’s first new production now follows at the point of its world premiere.Running Sneakers Store | Air Jordan 1 Mid GS “Light Smoke Grey” — Ietp
URL:https://www.emilypogorelc.com/schedule/zaunschlupfer-in-die-vogel-6/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2020/03/DieVogel.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210726T190000
DTEND;TZID=UTC:20210726T190000
DTSTAMP:20260505T162443
CREATED:20210524T073716Z
LAST-MODIFIED:20210524T073716Z
UID:1768-1627326000-1627326000@www.emilypogorelc.com
SUMMARY:Violetta Valéry in 7 Deaths of Maria Callas
DESCRIPTION:Music by Marko Nikodijević and Scenes from the operas of Vincenzo Bellini\, Georges Bizet\, Gaetano Donizetti\, Giacomo Puccini und Giuseppe Verdi\nLibretti by Giuseppe Adami and Giovacchino Forzano\nWith English and German surtitles \nMuskalische Leitung (Conductor): Yoel Gamzou\nInszenierung (Director): Marina Abramović\nCo-director: Lynsey Peisinger \nFilm Actor and Performance: Marina Abramović\nFilm Actor: Willem Dafoe\nVioletta Valéry: Emily Pogorelc\nFloria Tosca: Selene Zanetti\nDesdemona: Leah Hawkins\nCio-Cio-San: Kiandra Howarth\nCarmen: Nadezhda Karyazina\nLucia Ashton: Adela Zaharia\nNorma: Lauren Fagan \n#BSO7deaths \nAbout 7 Deaths of Maria Callas:  \nBoth Maria Callas and Marina Abramović consider their art their life. For them private person and artist are one and the same: “Could art\, should art\, be isolated from life? I began to feel more and more strongly that art must be life\,” says the artist in her book. \nSeven different arias in which Maria Callas shone in her interpretations her entire life long\, are performed in concertante by seven singers: “Addio del passato” from La traviata\, “Vissi d’arte” from Tosca\, “Ave Maria” from Otello\, “Un bel dì vedremo” from Madama Butterfly\, “Habanera” from Carmen\, “Il dolce suono” from Lucia di Lammermoor and the most important aria of all in the soprano’s life: “Casta Diva” from Norma. “In this performance we are taking a very conceptual approach to opera. We are stripping the usual elements of opera down to the minimum\, and are bridging the elements of video and performance\, narrative storytelling and music with conceptual simplicity.”\, Abramović explains. The audience hears her voice commenting on aspects from the opera from her own perspective\, at which point the work’s central scene is then sung. At the same time we see in a film how Marina Abramović plays the death of the opera heroine: “I want to reenact the death scenes from seven operas – seven deaths that Maria Callas has died before me”\, she reveals. In many scenes the operatic figure does not die alone\, but rather is killed by a man. “For Maria Callas the man who kills her on the opera stage was always Aristoteles Onassis\,” writes Abramović in her autobiography. As the murderer at her side the artist chose the multiple Oscar-nominated actor Willem Dafoe (Platoon\, The Florida Project\, At Eternity’s Gate). \nThe scenes are linked by new music from Serbian composer Marko Nikodijević. As the highlight of the evening the queen of performance art herself comes to the stage and appears as Maria Callas accompanied by Nikodijević’s 20-minute new composition: “This project is very close to my heart. It is about dying of a broken heart\, dying for love. I hope the public can find a part of themselves in these timeless subjects.”Running Sneakers Store | Nike
URL:https://www.emilypogorelc.com/schedule/violetta-valery-in-7-deaths-of-maria-callas/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.emilypogorelc.com/wp-content/uploads/2021/05/csm_Callas_MAbramovic_c_MarcoAnelli_876d4caf3b.jpg
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
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