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DTSTART;TZID=UTC:20220303T190000
DTEND;TZID=UTC:20220303T190000
DTSTAMP:20260501T133442
CREATED:20210830T092600Z
LAST-MODIFIED:20210830T092600Z
UID:1887-1646334000-1646334000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-2/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220306T180000
DTEND;TZID=UTC:20220306T180000
DTSTAMP:20260501T133442
CREATED:20210830T092603Z
LAST-MODIFIED:20210830T092603Z
UID:1886-1646589600-1646589600@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-3/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220310T190000
DTEND;TZID=UTC:20220310T190000
DTSTAMP:20260501T133442
CREATED:20210830T092612Z
LAST-MODIFIED:20210830T092612Z
UID:1891-1646938800-1646938800@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-4/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220313T190000
DTEND;TZID=UTC:20220313T190000
DTSTAMP:20260501T133442
CREATED:20210830T092621Z
LAST-MODIFIED:20210830T092621Z
UID:1892-1647198000-1647198000@www.emilypogorelc.com
SUMMARY:Niece 2 in Peter Grimes
DESCRIPTION:Opera in three acts and a prologue by Benjamin Britten (1945) \nComposer Benjamin Britten · Text by Montagu Slater based on the poem by George Crabbe  \nIn English · With Subtitles in German und English \nConductor: Edward Gardner  \nProduction: Stefan Herheim \n  \nPeter Grimes: Stuart Skelton  \nEllen Orford: Rachel Willis-Sørensen  \nBalstrode: Iain Paterson  \nAuntie: Claudia Mahnke  \n1. Nichte: Lindsay Ohse  \n2. Nichte: Emily Pogorelc  \nBob Boles: Kevin Conners  \nSwallow: Brindley Sherratt  \nMrs. Sedley: Jennifer Johnston  \nRev. Horace Adams: Paul Groves  \nNed Keene: Konstantin Krimmel  \nHobson: Daniel Noyola \nBayerisches Staatsorchester \nChorus of the Bayerische Staatsoper \nChildren’s chorus of the Bayerische Staatsoper \nThe opera begins with a showdown – a trial\, which should actually take place at the end. A boy has died\, drowned while fishing with the fisherman Peter Grimes. The circumstances are suspicious\, but evidence for a conviction there is not. The acquittal is ambivalent\, the stigma of being of a violent nature sticks to Grimes – as if the townspeople believe it should be so\, both opponents and friends. Some see an enemy in the outcast\, others the object of their compassion. Grimes is faced with ill will on all fronts\, like Sisyphus. A vicious circle! It was also a life-long concern for Britten: “… the struggle of the individual against the masses. The more vicious the society\, the more vicious the individual.” Everywhere he turns the snare tightens\, until another piece of misfortune seals Grimes’s fate. Britten’s first grand opera is an inexhaustible panorama of interpersonal entanglements\, illustrated by the world of simple coastal folk\, whose seams are only scantily held together. His music penetrates deep into the soul with its tones for the lonesome individual\, the unleashed masses and eternal nature.
URL:https://www.emilypogorelc.com/schedule/niece-2-in-peter-grimes-5/
LOCATION:Bayerische Staatsoper Nationaltheater\, Max-Joseph-Platz 2\, München\, D-80539\, Germany
CATEGORIES:Current Season
ATTACH;FMTTYPE=image/png:https://www.emilypogorelc.com/wp-content/uploads/2021/06/BS.png
ORGANIZER;CN="Bayerische Staatsoper":MAILTO:info@staatsoper.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220317T193000
DTEND;TZID=UTC:20220317T193000
DTSTAMP:20260501T133442
CREATED:20210804T090132Z
LAST-MODIFIED:20210830T092051Z
UID:1847-1647545400-1647545400@www.emilypogorelc.com
SUMMARY:Soprano Soloist in Brahms Requiem
DESCRIPTION:CONDUCTOR\nBertrand de Billy \nSOLOISTS\nEmily Pogorelc\, soprano\nJóhann Kristinsson\, baritone \nCHOIRS\nMótettukórinn choir and Söngsveitin Fílharmónía choir \n  \nPROGRAM\nOlivier Messiaen Les Offrandes oubliées\nJohannes Brahms Ein deutsches Requiem \n  \nOn February 2\, 1865\, Johannes Brahms received an urgent telegram from his brother Fritz: “If you want to see our mother once again\, come immediately.” At age 76 Brahms’ mother died of a stroke. The loss affected the composer profoundly\, and almost immediately he began work on A German Requiem. The requiem mass was a venerable musical genre by the time Brahms began to compose his\, but Brahms’ requiem would be unlike any other. Instead of setting the traditional Catholic\, Latin text used by Mozart Berlioz\, and countless others\, Brahms created his own highly personal version from excerpts of the Lutheran Bible and apocrypha. Musically\, the requiem was a major milestone in Brahms’ career. Indeed\, it would be the longest and most grandly scored piece he would ever write. Few of Brahms’ works display their influences as openly as the German Requiem does; numerous passages clearly evoke the music of Schumann\, Beethoven and Bach. At the same time\, every measure is unmistakably Brahms. Observe the masterwork in concert with the Iceland Philharmonic in the stunning Harpa Concert Hall.
URL:https://www.emilypogorelc.com/schedule/soprano-soloist-in-brahms-requiem/
LOCATION:Eldborg Concert Hall in Harpa Concert Hall\, Austurbakki 2\, Reykjavík\, 101\, Iceland
ORGANIZER;CN="Iceland Symphony":MAILTO:midasala@harpa.is
END:VEVENT
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